Isbn: 9782503523163 - reformations english: three medieval authors in manuscript and movable type (13 résultats)

Hardcover. Etat : Wie neu. 1st ed. 231 S.; Ill. Like new. Shrink wrapped. Sprache: Englisch Gewicht in Gramm: 740.

Etat : Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,650grams, ISBN:9782503523163. …

hardcover. Etat : New. 1st.

Etat : Neu. Three Medieval Authors in Manuscript and Movable Type. This volume discusses the key shift from manuscript to print culture in the history of books, taking The Canterbury Tales, The Book of Margery Kempe, and Piers Plowman as models of the way in which a medieval text's unique tradition influenced its transition from manuscript to print. The forces of the Reformation era did not produce the same effect across the varied textual legacy of the Middle Ages. Every text that made the transition from manuscript to print brought with it a set of concerns, a tendency to address a particular readership in particular ways, a physical presence developed in manuscript culture, all of which might shape the pathways by which a text might arrive in print, and what it might look like when it got there. This study follows The Canterbury Tales, The Book of Margery Kempe, and Piers Plowman from their circulation in manuscript to their presentation in print, in order to track how each of them survived the metamorphosis of the relationship between writers and readers as the new technology was introduced. Taken together, the three case studies demonstrate to scholars of any medieval literature the variety of possible impacts made when texts composed in manuscript culture were prepared for printing. The great force exerted by the technological and cultural developments of the English Reformation, not least the more centralized legislative regulation of the press, has long been central to the study of the history of books. This volume takes into account the ways in which individual textual traditions pushed back or accelerated the forces of early modern reform, producing their own plural reformations. XV,230 Seiten mit 5 Abb., gebunden (Texts and Transitions: Studies in the History of Manuscripts and Printed Books; vol. 4/Brepols 2007). Statt EUR 74,90. Gewicht: 590 g - Gebunden/Gebundene Ausgabe.…

Hardcover. Etat : new. Hardcover. This volume discusses the key shift from manuscript to print culture in the history of books, taking The Canterbury Tales , The Book of Margery Kempe , and Piers Plowman as models of the way in which a medieval text's unique tradition influenced its transition from manuscript to print. The forces of the Reformation era did not produce the same effect across the varied textual legacy of the Middle Ages. Every text that made the transition from manuscript to print brought with it a set of concerns, a tendency to address a particular readership in particular ways, a physical presence developed in manuscript culture, all of which might shape the pathways by which a text might arrive in print, and what it might look like when it got there. This study follows The Canterbury Tales , The Book of Margery Kempe , and Piers Plowman from their circulation in manuscript to their presentation in print, in order to track how each of them survived the metamorphosis of the relationship between writers and readers as the new technology was introduced.Taken together, the three case studies demonstrate to scholars of any medieval literature the variety of possible impacts made when texts composed in manuscript culture were prepared for printing. The great force exerted by the technological and cultural developments of the English Reformation, not least the more centralized legislative regulation of the press, has long been central to the study of the history of books. This volume takes into account the ways in which individual textual traditions pushed back or accelerated the forces of early modern reform, producing their own plural reformations.This volume discusses the key shift from manuscript to print culture in the history of books, taking The Canterbury Tales , The Book of Margery Kempe , and Piers Plowman as models of the way in which a medieval text's unique tradition influenced its transition from manuscript to print. The forces of the Reformation era did not produce the same effect across the varied textual legacy of the Middle Ages.Every text that made the transition from manuscript to print brought with it a set of concerns, a tendency to address a particular readership in particular ways, a physical presence developed in manuscript culture, all of which might shape the pathways by which a text might arrive in print, and what it might look like when it got there. This study follows The Canterbury Tales , The Book of Margery Kempe , and Piers Plowman from their circulation in manuscript to their presentation in print, in order to track how each of them survived the metamorphosis of the relationship between writers and readers as the new technology was introduced. Taken together, the three case studies demonstrate to scholars of any medieval literature the variety of possible impacts made when texts composed in manuscript culture were prepared for printing. The great force exerted by the technological and cultural developments of the English Reformation, not least the more centralized legislative regulation of the press, has long been central to the study of the history of books.This volume takes into account the ways in which individual textual traditions pushed back or accelerated the forces of early modern reform, producing their own plural reformations. This volume discusses the key shift from manuscript to print culture in the history of books, taking The Canterbury Tales , The Book of Margery Kempe , and Piers Plowman as models of the way in which a medieval text's unique tradition influenced its transition from manuscript to print. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Tapa blanda. Etat : New. SCHOFF, R. L.: REFORMATIONS. THREE MEDIEVAL AUTHORS IN MANUSCRIPT AND MOVABLE TYPE. TURNHOUT, 2007, xv 230 p. figuras, 600 gr. Encuadernacion original. Nuevo. (NB-7-2) 600 gr. Libro.

Etat : New. 2008. 1st Edition. hardcover. . . . . .

hardcover. Etat : New. Special order direct from the distributor.

Hardcover. Etat : Brand New. 01 edition. 230 pages. 9.50x6.25x0.75 inches. In Stock.

Etat : New. 2008. 1st Edition. hardcover. . . . . . Books ship from the US and Ireland.

Etat : New.

Hardcover. Etat : new. Hardcover. This volume discusses the key shift from manuscript to print culture in the history of books, taking The Canterbury Tales , The Book of Margery Kempe , and Piers Plowman as models of the way in which a medieval text's unique tradition influenced its transition from manuscript to print. The forces of the Reformation era did not produce the same effect across the varied textual legacy of the Middle Ages. Every text that made the transition from manuscript to print brought with it a set of concerns, a tendency to address a particular readership in particular ways, a physical presence developed in manuscript culture, all of which might shape the pathways by which a text might arrive in print, and what it might look like when it got there. This study follows The Canterbury Tales , The Book of Margery Kempe , and Piers Plowman from their circulation in manuscript to their presentation in print, in order to track how each of them survived the metamorphosis of the relationship between writers and readers as the new technology was introduced.Taken together, the three case studies demonstrate to scholars of any medieval literature the variety of possible impacts made when texts composed in manuscript culture were prepared for printing. The great force exerted by the technological and cultural developments of the English Reformation, not least the more centralized legislative regulation of the press, has long been central to the study of the history of books. This volume takes into account the ways in which individual textual traditions pushed back or accelerated the forces of early modern reform, producing their own plural reformations.This volume discusses the key shift from manuscript to print culture in the history of books, taking The Canterbury Tales , The Book of Margery Kempe , and Piers Plowman as models of the way in which a medieval text's unique tradition influenced its transition from manuscript to print. The forces of the Reformation era did not produce the same effect across the varied textual legacy of the Middle Ages.Every text that made the transition from manuscript to print brought with it a set of concerns, a tendency to address a particular readership in particular ways, a physical presence developed in manuscript culture, all of which might shape the pathways by which a text might arrive in print, and what it might look like when it got there. This study follows The Canterbury Tales , The Book of Margery Kempe , and Piers Plowman from their circulation in manuscript to their presentation in print, in order to track how each of them survived the metamorphosis of the relationship between writers and readers as the new technology was introduced. Taken together, the three case studies demonstrate to scholars of any medieval literature the variety of possible impacts made when texts composed in manuscript culture were prepared for printing. The great force exerted by the technological and cultural developments of the English Reformation, not least the more centralized legislative regulation of the press, has long been central to the study of the history of books.This volume takes into account the ways in which individual textual traditions pushed back or accelerated the forces of early modern reform, producing their own plural reformations. This volume discusses the key shift from manuscript to print culture in the history of books, taking The Canterbury Tales , The Book of Margery Kempe , and Piers Plowman as models of the way in which a medieval text's unique tradition influenced its transition from manuscript to print. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Etat : gut. Reformations, Three Medieval Authors in Manuscript and Movable Type In deutscher Sprache. pages.