Picturing the end of the world is one of the most enduring of cultural practices. The ways in which people of different historical periods conceive of this endpoint reveals a great deal about their imagination and philosophical horizons. This groundbreaking collection of essays offers an overview of the Apocalyptic imagination as it presents itself in French literature and culture from the thirteenth century to the present day. The contributors analyse material as diverse as medieval French biblical commentaries and twenty-first-century science fiction, taking in established canonical authors alongside contemporary figures and less well-known writers. The book also considers a vast range of other subject matter, including horror films, absurdist drama, critical theory, medieval manuscript illuminations and seventeenth-century theology. Moving from the sacred to the profane, the sublime to the obscene, the divine to the post-human, the volume opens up more than 750 years of French Apocalypticism to critical scrutiny.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Leona Archer completed her PhD on medieval French literature at King's College, Cambridge. Alex Stuart holds a PhD in medieval French literature from King's College, Cambridge.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : New. Picturing the end of the world is one of the most enduring of cultural practices. The ways in which people of different historical periods conceive of this endpoint reveals a great deal about their imagination and philosophical horizons. This groundbreaking collection of essays offers an overview of the Apocalyptic imagination as it presents itself in French literature and culture from the thirteenth century to the present day. The contributors analyse material as diverse as medieval French biblical commentaries and twenty-first-century science fiction, taking in established canonical authors alongside contemporary figures and less well-known writers. The book also considers a vast range of other subject matter, including horror films, absurdist drama, critical theory, medieval manuscript illuminations and seventeenth-century theology. Moving from the sacred to the profane, the sublime to the obscene, the divine to the post-human, the volume opens up more than 750 years of French Apocalypticism to critical scrutiny. N° de réf. du vendeur LU-9783034309219
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Etat : New. Picturing the end of the world is one of the most enduring of cultural practices. This book includes a collection of essays that offers an overview of the Apocalyptic imagination as it presents itself in French literature and culture from the thirteenth century to the present day. Editor(s): Archer, Leona; Stuart, Alex. Series: Modern French Identities. Num Pages: 254 pages, black & white illustrations, figures. BIC Classification: CB; DSB; HBTB; HRA. Category: (P) Professional & Vocational. Dimension: 227 x 150 x 19. Weight in Grams: 416. . 2013. New edition. Paperback. . . . . N° de réf. du vendeur V9783034309219
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