How does the visual nature of spectacle inform the citizenry, destabilize the political, challenge aesthetic convention and celebrate cultural creativity ? What are the limits – aesthetic, political, social, cultural, economic – of spectacle ? How do we explain the inherently exclusionary, revolutionary, dehumanizing and utopian elements of spectacle ? In this book, authors from the fields of cultural studies, cinema studies, history and art history examine the concept of spectacle in the German context across various media forms, historical periods and institutional divides. Drawing on theoretical models of spectacle by Guy Debord, Max Horkheimer and Theodor Adorno, Jonathan Crary and Michel Foucault, the contributors to this volume suggest that a decidedly German concept of spectacle can be gleaned from critical interventions into exhibitions, architectural milestones, audiovisual materials and cinematic and photographic images emerging out of German culture from the Baroque to the contemporary.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Jennifer L. Creech is Associate Professor of German at the University of Rochester. She has published on German, Austrian and postunification cinema, is the author of Mothers, Comrades and Outcasts : East German Women's Films 1965 and Beyond and has published essays in the Women in German Yearbook and Seminar. Thomas O. Haakenson is Associate Provost at California College of the Arts (San Francisco / Oakland). He is co-editor of the series German Visual Culture and co-coordinator of the Visual Culture Network of the German Studies Association in the United States. He has published widely, including essays in New German Critique, Cabinet, Rutgers Art Review, German Studies Review and the anthologies Legacies of Modernism and Memorialization in Germany since 1945.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : PsychoBabel & Skoob Books, Didcot, Royaume-Uni
Hardcover. Etat : New. Hardcover in like new condition. New shopstock with minor shelf-wear, no faults. TA. Used. N° de réf. du vendeur 525156
Quantité disponible : 1 disponible(s)
Vendeur : PsychoBabel & Skoob Books, Didcot, Royaume-Uni
Hardcover. Etat : New. N° de réf. du vendeur 512914
Quantité disponible : 1 disponible(s)
Vendeur : PBShop.store UK, Fairford, GLOS, Royaume-Uni
HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000. N° de réf. du vendeur CX-9783034318037
Quantité disponible : 15 disponible(s)
Vendeur : PBShop.store US, Wood Dale, IL, Etats-Unis
HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000. N° de réf. du vendeur CX-9783034318037
Quantité disponible : 15 disponible(s)
Vendeur : Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlande
Etat : New. How does the visual nature of spectacle destabilize the political, challenge aesthetic convention and celebrate cultural creativity? This interdisciplinary volume explores the concept of spectacle in the German context, including critical interventions into exhibitions, architecture, cinema and photography from the Baroque to the contemporary. Editor(s): Creech, Jennifer L.; Haakenson, Thomas O. Series: German Visual Culture. Num Pages: 305 pages. BIC Classification: AB; ACV; GTB; GTC; JFC. Category: (P) Professional & Vocational. Dimension: 156 x 231 x 23. Weight in Grams: 550. . 2015. New edition. Hardcover. . . . . N° de réf. du vendeur V9783034318037
Quantité disponible : Plus de 20 disponibles
Vendeur : Ria Christie Collections, Uxbridge, Royaume-Uni
Etat : New. In English. N° de réf. du vendeur ria9783034318037_new
Quantité disponible : Plus de 20 disponibles
Vendeur : Rarewaves.com USA, London, LONDO, Royaume-Uni
Hardback. Etat : New. How does the visual nature of spectacle inform the citizenry, destabilize the political, challenge aesthetic convention and celebrate cultural creativity? What are the limits - aesthetic, political, social, cultural, economic - of spectacle? How do we explain the inherently exclusionary, revolutionary, dehumanizing and utopian elements of spectacle? In this book, authors from the fields of cultural studies, cinema studies, history and art history examine the concept of spectacle in the German context across various media forms, historical periods and institutional divides. Drawing on theoretical models of spectacle by Guy Debord, Max Horkheimer and Theodor Adorno, Jonathan Crary and Michel Foucault, the contributors to this volume suggest that a decidedly German concept of spectacle can be gleaned from critical interventions into exhibitions, architectural milestones, audiovisual materials and cinematic and photographic images emerging out of German culture from the Baroque to the contemporary. N° de réf. du vendeur LU-9783034318037
Quantité disponible : Plus de 20 disponibles
Vendeur : BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Allemagne
Buch. Etat : Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -How does the visual nature of spectacle inform the citizenry, destabilize the political, challenge aesthetic convention and celebrate cultural creativity What are the limits - aesthetic, political, social, cultural, economic - of spectacle How do we explain the inherently exclusionary, revolutionary, dehumanizing and utopian elements of spectacle In this book, authors from the fields of cultural studies, cinema studies, history and art history examine the concept of spectacle in the German context across various media forms, historical periods and institutional divides. Drawing on theoretical models of spectacle by Guy Debord, Max Horkheimer and Theodor Adorno, Jonathan Crary and Michel Foucault, the contributors to this volume suggest that a decidedly German concept of spectacle can be gleaned from critical interventions into exhibitions, architectural milestones, audiovisual materials and cinematic and photographic images emerging out of German culture from the Baroque to the contemporary. 306 pp. Englisch. N° de réf. du vendeur 9783034318037
Quantité disponible : 2 disponible(s)
Vendeur : Kennys Bookstore, Olney, MD, Etats-Unis
Etat : New. How does the visual nature of spectacle destabilize the political, challenge aesthetic convention and celebrate cultural creativity? This interdisciplinary volume explores the concept of spectacle in the German context, including critical interventions into exhibitions, architecture, cinema and photography from the Baroque to the contemporary. Editor(s): Creech, Jennifer L.; Haakenson, Thomas O. Series: German Visual Culture. Num Pages: 305 pages. BIC Classification: AB; ACV; GTB; GTC; JFC. Category: (P) Professional & Vocational. Dimension: 156 x 231 x 23. Weight in Grams: 550. . 2015. New edition. Hardcover. . . . . Books ship from the US and Ireland. N° de réf. du vendeur V9783034318037
Quantité disponible : Plus de 20 disponibles
Vendeur : moluna, Greven, Allemagne
Gebunden. Etat : New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. How does the visual nature of spectacle destabilize the political, challenge aesthetic convention and celebrate cultural creativity? This interdisciplinary volume explores the concept of spectacle in the German context, including critical interventions into. N° de réf. du vendeur 117037654
Quantité disponible : Plus de 20 disponibles