This book takes a fresh look at the novels and short stories of Albert Camus, from his early attempt at a first novel, La Mort heureuse, to the largely autobiographical Le Premier homme, unfinished at the time of his death. It seeks to see the oeuvre as a totality, coherent throughout, and examines the linkages and transformations from one work to the next, in the context of Camus's thought, attitudes and topoi or themes. The development of narrative techniques is examined, ranging from laconism to lyricism, from allegorism to realism, from humour to biting satire. The author traces the influence on Camus's thought of philosophers and thinkers as diverse as Nietzsche and the pre-Socratics on the one hand, and St Augustine, Pascal, and Simone Weil on the other, and considers the circularity of his work, from the early preoccupation with the finality of death and the search for meaning to the return to the origin and source in Le Premier homme. The enduring appeal of Camus's work is attributed to its humane openness and its challenges for our time.
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The Author : Moya Longstaffe studied in Queen's University, Belfast, and the universities of Montpellier and Heidelberg. She has taught in a number of universities in England, Scotland, Ireland and France, and is at present an Honorary Research Fellow of the University of Ulster. Previous publications include a number of articles on Camus and a volume on Corneille, Stendhal and Claudel.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Taschenbuch. Etat : Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This book takes a fresh look at the novels and short stories of Albert Camus, from his early attempt at a first novel, La Mort heureuse, to the largely autobiographical Le Premier homme, unfinished at the time of his death. It seeks to see the oeuvre as a totality, coherent throughout, and examines the linkages and transformations from one work to the next, in the context of Camus's thought, attitudes and topoi or themes. The development of narrative techniques is examined, ranging from laconism to lyricism, from allegorism to realism, from humour to biting satire. The author traces the influence on Camus's thought of philosophers and thinkers as diverse as Nietzsche and the pre-Socratics on the one hand, and St Augustine, Pascal, and Simone Weil on the other, and considers the circularity of his work, from the early preoccupation with the finality of death and the search for meaning to the return to the origin and source in Le Premier homme. The enduring appeal of Camus's work is attributed to its humane openness and its challenges for our time. 308 pp. Englisch. N° de réf. du vendeur 9783039103041
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Etat : New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. This book takes a fresh look at the novels and short stories of Albert Camus, from his early attempt at a first novel, La Mort heureuse, to the largely autobiographical Le Premier homme, unfinished at the time of his death. It seeks to see the. N° de réf. du vendeur 117813844
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Taschenbuch. Etat : Neu. This item is printed on demand - Print on Demand Titel. Neuware -This book takes a fresh look at the novels and short stories of Albert Camus, from his early attempt at a first novel, La Mort heureuse, to the largely autobiographical Le Premier homme, unfinished at the time of his death. It seeks to see the oeuvre as a totality, coherent throughout, and examines the linkages and transformations from one work to the next, in the context of Camus¿s thought, attitudes and topoi or themes. The development of narrative techniques is examined, ranging from laconism to lyricism, from allegorism to realism, from humour to biting satire. The author traces the influence on Camus¿s thought of philosophers and thinkers as diverse as Nietzsche and the pre-Socratics on the one hand, and St Augustine, Pascal, and Simone Weil on the other, and considers the circularity of his work, from the early preoccupation with the finality of death and the search for meaning to the return to the origin and source in Le Premier homme. The enduring appeal of Camus¿s work is attributed to its humane openness and its challenges for our time.Lang, Peter GmbH, Gontardstraße 11, 10178 Berlin 308 pp. Englisch. N° de réf. du vendeur 9783039103041
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Taschenbuch. Etat : Neu. Druck auf Anfrage Neuware - Printed after ordering - This book takes a fresh look at the novels and short stories of Albert Camus, from his early attempt at a first novel, La Mort heureuse, to the largely autobiographical Le Premier homme, unfinished at the time of his death. It seeks to see the oeuvre as a totality, coherent throughout, and examines the linkages and transformations from one work to the next, in the context of Camus's thought, attitudes and topoi or themes. The development of narrative techniques is examined, ranging from laconism to lyricism, from allegorism to realism, from humour to biting satire. The author traces the influence on Camus's thought of philosophers and thinkers as diverse as Nietzsche and the pre-Socratics on the one hand, and St Augustine, Pascal, and Simone Weil on the other, and considers the circularity of his work, from the early preoccupation with the finality of death and the search for meaning to the return to the origin and source in Le Premier homme. The enduring appeal of Camus's work is attributed to its humane openness and its challenges for our time. N° de réf. du vendeur 9783039103041
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Taschenbuch. Etat : Neu. The Fiction of Albert Camus | A Complex Simplicity | Moya Longstaffe | Taschenbuch | Modern French Identities | 308 S. | Englisch | 2007 | Peter Lang | EAN 9783039103041 | Verantwortliche Person für die EU: Lang, Peter GmbH, Gontardstr. 11, 10178 Berlin, r[dot]boehm-korff[at]peterlang[dot]com | Anbieter: preigu. N° de réf. du vendeur 103975431
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