This thesis studies how the Indian writer in English “by experimenting with traditional narrative forms” and “by choosing modes that are unconformable to the European episteme” indulges in counterrealistic writing that defies traditional national, linguistic or generic classifications. Through the three phases of “figuration,” “configuration” and “reconfiguration,” the research aims at studying the counterrealistic artifice in the works of diasporic authors – Salman Rushdie and Suniti Namjoshi – as well as the non-diasporic fiction of Namita Gokhale who writes in English, and Tamil writing in English translation in the works of R. Krishnamurthy (Kalki) and C.S. Lakshmi (Ambai). The intermingling of ancient Eastern and Western figurations of myths, fables, legends and folklore, the dual configuration of Eastern and Western world views and the postmodern recycling of old narratives to suit the changing times reveal how postcolonial writers renew the spirit of the culture, revitalise language, renew literature and reconfigure inherited configurations by reframing other frames of reference.
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This thesis studies how the Indian writer in English “by experimenting with traditional narrative forms” and “by choosing modes that are unconformable to the European episteme” indulges in counterrealistic writing that defies traditional national, linguistic or generic classifications. Through the three phases of “figuration,” “configuration” and “reconfiguration,” the research aims at studying the counterrealistic artifice in the works of diasporic authors – Salman Rushdie and Suniti Namjoshi – as well as the non-diasporic fiction of Namita Gokhale who writes in English, and Tamil writing in English translation in the works of R. Krishnamurthy (Kalki) and C.S. Lakshmi (Ambai). The intermingling of ancient Eastern and Western figurations of myths, fables, legends and folklore, the dual configuration of Eastern and Western world views and the postmodern recycling of old narratives to suit the changing times reveal how postcolonial writers renew the spirit of the culture, revitalise language, renew literature and reconfigure inherited configurations by reframing other frames of reference.
Suhasini VINCENT is an Associate Professor at the University of Paris 2 (Panthéon - Assas) since 2007. She has presented papers on the fiction of Salman Rushdie, Suniti Namjoshi, Namita Gokhale, Shashi Tharoor, Anita Desai, Kiran Desai and Amitav Ghosh in international conferences in France, Austria and Spain.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Softcover. Etat : Très bon. Ancien livre de bibliothèque avec équipements. Edition 2012. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Edition 2012. Ammareal gives back up to 15% of this item's net price to charity organizations. N° de réf. du vendeur G-908-062
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Vendeur : Ammareal, Morangis, France
Softcover. Etat : Très bon. Ancien livre de bibliothèque avec équipements. Edition 2012. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Edition 2012. Ammareal gives back up to 15% of this item's net price to charity organizations. N° de réf. du vendeur G-908-061
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Vendeur : BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Allemagne
Taschenbuch. Etat : Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This thesis studies how the Indian writer in English by experimenting with traditional narrative forms and by choosing modes that are unconformable to the European episteme indulges in counterrealistic writing that defies traditional national, linguistic or generic classifications. Through the three phases of figuration, configuration and reconfiguration, the research aims at studying the counterrealistic artifice in the works of diasporic authors Salman Rushdie and Suniti Namjoshi as well as the non-diasporic fiction of Namita Gokhale who writes in English, and Tamil writing in English translation in the works of R. Krishnamurthy (Kalki) and C.S. Lakshmi (Ambai). The intermingling of ancient Eastern and Western figurations of myths, fables, legends and folklore, the dual configuration of Eastern and Western world views and the postmodern recycling of old narratives to suit the changing times reveal how postcolonial writers renew the spirit of the culture, revitalise language, renew literature and reconfigure inherited configurations by reframing other frames of reference. 600 pp. Englisch. N° de réf. du vendeur 9783659164613
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Taschenbuch. Etat : Neu. Experimental Writing within the Postcolonial Framework | Counterrealistic Diasporic and Non-diasporic Indian Writing in English | Suhasini Vincent | Taschenbuch | 600 S. | Englisch | 2012 | LAP LAMBERT Academic Publishing | EAN 9783659164613 | Verantwortliche Person für die EU: BoD - Books on Demand, In de Tarpen 42, 22848 Norderstedt, info[at]bod[dot]de | Anbieter: preigu. N° de réf. du vendeur 106392213
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Taschenbuch. Etat : Neu. Neuware -This thesis studies how the Indian writer in English ¿by experimenting with traditional narrative forms¿ and ¿by choosing modes that are unconformable to the European episteme¿ indulges in counterrealistic writing that defies traditional national, linguistic or generic classifications. Through the three phases of ¿figuration,¿ ¿configuration¿ and ¿reconfiguration,¿ the research aims at studying the counterrealistic artifice in the works of diasporic authors ¿ Salman Rushdie and Suniti Namjoshi ¿ as well as the non-diasporic fiction of Namita Gokhale who writes in English, and Tamil writing in English translation in the works of R. Krishnamurthy (Kalki) and C.S. Lakshmi (Ambai). The intermingling of ancient Eastern and Western figurations of myths, fables, legends and folklore, the dual configuration of Eastern and Western world views and the postmodern recycling of old narratives to suit the changing times reveal how postcolonial writers renew the spirit of the culture, revitalise language, renew literature and reconfigure inherited configurations by reframing other frames of reference.Books on Demand GmbH, Überseering 33, 22297 Hamburg 600 pp. Englisch. N° de réf. du vendeur 9783659164613
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Taschenbuch. Etat : Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This thesis studies how the Indian writer in English by experimenting with traditional narrative forms and by choosing modes that are unconformable to the European episteme indulges in counterrealistic writing that defies traditional national, linguistic or generic classifications. Through the three phases of figuration, configuration and reconfiguration, the research aims at studying the counterrealistic artifice in the works of diasporic authors Salman Rushdie and Suniti Namjoshi as well as the non-diasporic fiction of Namita Gokhale who writes in English, and Tamil writing in English translation in the works of R. Krishnamurthy (Kalki) and C.S. Lakshmi (Ambai). The intermingling of ancient Eastern and Western figurations of myths, fables, legends and folklore, the dual configuration of Eastern and Western world views and the postmodern recycling of old narratives to suit the changing times reveal how postcolonial writers renew the spirit of the culture, revitalise language, renew literature and reconfigure inherited configurations by reframing other frames of reference. N° de réf. du vendeur 9783659164613
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