Konrad Witz (c. 1400-c. 1446) counts among the most radical revivalists of painting in the first half of the fifteenth century. While his achievements testify to his knowledge of the Old Netherlandish painting of his time, they also constitute Witz's extraordinarily original signature. The uncontested highlight of his work is the Geneva Altar (1444), which features the Biblical scene of Peter fishing embedded in a veduta-like view of Lake Geneva-the first topographically accurate, identifiable landscape in the history of German painting. There is hardly any doubt among researchers that the approximately twenty panels for four commissioned altars were made by Witz himself. All the more diverse, then, are the opinions about his education, career, sphere of influence, and successors. This publication discusses new theses with respect to Witz's artistic background.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Konrad Witz (c. 1400-c. 1446) counts among the most radical revivalists of painting in the first half of the fifteenth century. While his achievements testify to his knowledge of the Old Netherlandish painting of his time, they also constitute Witz's extraordinarily original signature. The uncontested highlight of his work is the Geneva Altar (1444), which features the Biblical scene of Peter fishing embedded in a veduta-like view of Lake Geneva-the first topographically accurate, identifiable landscape in the history of German painting. There is hardly any doubt among researchers that the approximately twenty panels for four commissioned altars were made by Witz himself. All the more diverse, then, are the opinions about his education, career, sphere of influence, and successors. This publication discusses new theses with respect to Witz's artistic background.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Midtown Scholar Bookstore, Harrisburg, PA, Etats-Unis
Hardcover. Etat : Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. N° de réf. du vendeur M3775727612Z3
Quantité disponible : 2 disponible(s)
Vendeur : primatexxt Buchversand, München, Allemagne
gebunden. Etat : Wie neu. 392 Seiten Originalverschweißt, aber untere rechte Buchecke minimal bestoßen - Text englisch - Jeder Lieferung liegt eine ordentliche Rechnung mit ausgewiesener MwSt. bei Sprache: Deutsch Gewicht in Gramm: 2600. N° de réf. du vendeur 213662
Quantité disponible : 1 disponible(s)
Vendeur : Luigi De Bei, PREGANZIOL, TV, Italie
Rilegato. Etat : Comme neuf. Etat de la jaquette : come nuovo. prima edizione. Konrad WitzIm Buch blättern In den Warenkorb Merken Presse-Download Konrad Witz Hrsg. Kunstmuseum Basel, Gestaltung von Atelier Mühlberg, Texte von Peter Berkes, Bodo Brinkmann, Gabriel Dette, Sophie Eichner, Katharina Georgi, Babette Hartwieg, Amelie Jensen, Stephan Kemperdick, Brigitte Kurmann-Schwarz, Ursula Lehmann, Philippe Lorentz Englisch 2011. 392 Seiten, 287 Abb., davon 230 farbig 25,20 x 31,00 cm gebunden mit Schutzumschlag Lieferbar ISBN 978-3-7757-2761-7 | Neue Monografie zu einem der bedeutendsten Maler der Spätgotik Konrad Witz (um 1400¿um 1446) zählt zu den radikalsten Erneuerern der Malerei in der ersten Hälfte des 15. Jahrhunderts. Seine einzigartigen Gemälde zeugen einerseits von seiner Kenntnis der zeitgenössischen altniederländischen Malerei und andererseits von der äußerst originellen persönlichen Handschrift des Künstlers. Unstrittiger Höhepunkt seiner Malerei ist der Genfer Altar von 1444, auf dessen Altarflügel er den biblischen Fischzug Petri in eine vedutenhaft getreue Ansicht des Genfer Sees einbettet und damit die erste topografisch genau zuweisbare Landschaftsdarstellung in der deutschen Malerei schafft. Die Eigenhändigkeit der etwa 20 Tafeln aus vier großen Altaraufträgen wird von der Forschung kaum noch bezweifelt. Umso stärker gehen die Meinungen auseinander, was Ausbildung und Werdegang, Wirkungskreis und Nachfolge des Künstlers anbelangt. Die Publikation erörtert neue Thesen zur künstlerischen Herkunft von Konrad Witz. Language : English text Size: 25,20 x 31,00 Cm. N° de réf. du vendeur 005972
Quantité disponible : 1 disponible(s)
Vendeur : Mispah books, Redhill, SURRE, Royaume-Uni
Hardcover. Etat : Good. Good. Dust Jacket NOT present. CD WILL BE MISSING. . SHIPS FROM MULTIPLE LOCATIONS. book. N° de réf. du vendeur ERICA82937757276126
Quantité disponible : 1 disponible(s)
Vendeur : BUCHSERVICE / ANTIQUARIAT Lars Lutzer, Wahlstedt, Allemagne
Softcover. Etat : gut. 2011. Konrad Witz In deutscher Sprache. pages. N° de réf. du vendeur BN153501
Quantité disponible : 1 disponible(s)
Vendeur : BWS BKS, Ferndale, NY, Etats-Unis
Hardcover. Etat : New. Perhaps the greatest painter of water there has ever been, the German Renaissance artist Konrad Witz (circa 1400 - 1446), was a contemporary of Jan Van Eyck and Uccello, and shared their fervor for perspective, bringing similarly magical dimensionality to his treatment of surface without aspiring to their extremes of realism. In his two famous paintings, "The Miraculous Draught of Fishes" (1444), and the earlier "Saint Christopher" (circa 1435), Witz is able to make water both serene and eerie, tangible and evanescent, all depth and surface simultaneously; "The Draught of Fishes," which uses Lake Geneva as a backdrop for a scene of Peter fishing, is also notable for being the first topographically accurate landscape in the history of German painting. Witz introduced Netherlandish influences into Germany and Switzerland (where he relocated in 1443), and while his own style shows its influence, echoes of a spookier and more enigmatic medievalism abound, distinguishing him from all of his contemporaries. As the U.K. Guardian's Jonathan Jones wrote in 2009, "Witz is one of the great discoveries awaiting anyone who steps away from the high road of western art history, from the famous names of the Italian Renaissance and Flemish tradition, to discover what painters in central Europe were up to at the end of the middle ages." Reproducing all of the artist's extant works across 120 color plates, this monograph is the first thorough examination of Witz's magnificent oeuvre. N° de réf. du vendeur 95740
Quantité disponible : 1 disponible(s)