Sara VanDerBeek's photographic and sculptural arrangements emulate a poet's economic use of structure, phrasing and rhythm to suspend images and multiple processes within a rigorously shaped framework. This first book-length study presents close readings of VanDerBeek's (*1976 in Baltimore) experimentation with photographic capture, printing, cast-concrete forms, and built environments that draw on diverse material cultures. Ultimately, the book richly distills the chance, process, physicality, reflection and recollection of her site visits to Detroit, New Orleans, Los Angeles, Rome, Paris, Naples, Rotterdam and New York between 2006 and 2016. Contributions by international scholars and curators offer an oblique angle not only into VanDerBeek's vital practice, but also the ways VanDerBeek is shaping current debates on the relationship between image and object within contemporary art.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Sara VanDerBeek's photographic and sculptural arrangements emulate a poet's economic use of structure, phrasing and rhythm to suspend images and multiple processes within a rigorously shaped framework. This first book-length study presents close readings of VanDerBeek's (*1976 in Baltimore) experimentation with photographic capture, printing, cast-concrete forms, and built environments that draw on diverse material cultures. Ultimately, the book richly distills the chance, process, physicality, reflection and recollection of her site visits to Detroit, New Orleans, Los Angeles, Rome, Paris, Naples, Rotterdam and New York between 2006 and 2016. Contributions by international scholars and curators offer an oblique angle not only into VanDerBeek's vital practice, but also the ways VanDerBeek is shaping current debates on the relationship between image and object within contemporary art.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : World of Books (was SecondSale), Montgomery, IL, Etats-Unis
Etat : Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc. N° de réf. du vendeur 00088444915
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Vendeur : Midtown Scholar Bookstore, Harrisburg, PA, Etats-Unis
Paperback. Etat : Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. N° de réf. du vendeur M3775741089Z3
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Vendeur : Riverby Books, Fredericksburg, VA, Etats-Unis
Soft cover. Etat : Very Good. Softcover. White covers with blue lettering. Title page not dated. 175 pages. Very good condition. Binding is stiff; pages are bright and clean. Small signs of shelf wear. Contents feature works from an exhibion at the Hammer Mueseum, the Whitney Museum of American Art, the Baltimore Museum of Art, and more. Cover states that there are 104 illustrations. Please e-mail us with questions or to request photos. This is an oversized book. Extra shipping charges may be required for international or priority delivery. N° de réf. du vendeur 18-1680
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Vendeur : -OnTimeBooks-, Phoenix, AZ, Etats-Unis
Etat : very_good. Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item for full refund. Ships USPS Media Mail. N° de réf. du vendeur OTV.3775741089.VG
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Vendeur : Ivy Ridge Books/Scott Cranin, Fayetteville, NY, Etats-Unis
paperback. Etat : New. Paperback in original factory shrink wrap. All orders packed with care, most dust jackets protected by Brodart sleeve, independent bookseller since 2011. N° de réf. du vendeur 11133
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Vendeur : ANARTIST, New York, NY, Etats-Unis
Softcover, 176 pages; as new condition, no internal marks, clean and crisp. Foreign shipping may be extra. N° de réf. du vendeur SaVaHa35
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Vendeur : Mullen Books, ABAA, Marietta, PA, Etats-Unis
Softcover. White card wraps with color image and blue lettering. 175 pp. with 104 illus. Edited by Gloria Sutton. With an essay by Ina Bloom and an interview of the artist by Roxana Marcoci. "Sara VanDerBeek's photographic and sculptural arrangements emulate a poet's economic use of structure, phrasing and rhythm to suspend images and multiple processes within a rigorously shaped framework. This first book-length study presents close readings of VanDerBeek's (*1976 in Baltimore) experimentation with photographic capture, printing, cast-concrete forms, and built environments that draw on diverse material cultures. Ultimately, the book richly distills the chance, process, physicality, reflection and recollection of her site visits to Detroit, New Orleans, Los Angeles, Rome, Paris, Naples, Rotterdam and New York between 2006 and 2016. Contributions by international scholars and curators offer an oblique angle not only into VanDerBeek's vital practice, but also the ways VanDerBeek is shaping current debates on the relationship between image and object within contemporary art." (from the publisher's web site). VG; unread but with light shelf wear. N° de réf. du vendeur 158275
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Vendeur : Rheinberg-Buch Andreas Meier eK, Bergisch Gladbach, Allemagne
Taschenbuch. Etat : Neu. Neuware -Sara VanDerBeeks ( 1976 in Baltimore) fotografische und skulpturale Arrangements greifen die aus der Dichtung bekannte ökonomische Verwendung von Struktur, Phrasierung und Rhythmus auf, um Bilder und multiple Prozesse innerhalb eines rigoros gestalteten Rahmens aufzuheben. Diese erste Studie in Buchlänge präsentiert eingehende Interpretationen von VanDerBeeks Experimenten mit der fotografischen Aufnahme, mit Abzügen, Gussbetonformen und gebauten Umgebungen, die auf verschiedene materielle Kulturen zurückgreifen. Letztlich bietet das Buch eine reichhaltige Auswahl von Zufällen, Prozessen, Physikalitäten, Reflexionen über und Erinnerungen an Orte in Detroit, New Orleans, Los Angeles, Rom, Paris, Neapel, Rotterdam und New York, die sie von 2006 bis 2016 besucht hat. Beiträge internationaler Fachleute und Kuratoren betrachten nicht nur VanDerBeeks grundlegende Praxis aus einem ungewöhnlichen Blickwinkel, sondern untersuchen auch, wie sie die derzeitigen Debatten über die Beziehung zwischen Bild und Objekt in der zeitgenössischen Kunst prägt. 175 pp. Englisch. N° de réf. du vendeur 9783775741088
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Vendeur : BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Allemagne
Taschenbuch. Etat : Neu. Neuware -Sara VanDerBeeks ( 1976 in Baltimore) fotografische und skulpturale Arrangements greifen die aus der Dichtung bekannte ökonomische Verwendung von Struktur, Phrasierung und Rhythmus auf, um Bilder und multiple Prozesse innerhalb eines rigoros gestalteten Rahmens aufzuheben. Diese erste Studie in Buchlänge präsentiert eingehende Interpretationen von VanDerBeeks Experimenten mit der fotografischen Aufnahme, mit Abzügen, Gussbetonformen und gebauten Umgebungen, die auf verschiedene materielle Kulturen zurückgreifen. Letztlich bietet das Buch eine reichhaltige Auswahl von Zufällen, Prozessen, Physikalitäten, Reflexionen über und Erinnerungen an Orte in Detroit, New Orleans, Los Angeles, Rom, Paris, Neapel, Rotterdam und New York, die sie von 2006 bis 2016 besucht hat. Beiträge internationaler Fachleute und Kuratoren betrachten nicht nur VanDerBeeks grundlegende Praxis aus einem ungewöhnlichen Blickwinkel, sondern untersuchen auch, wie sie die derzeitigen Debatten über die Beziehung zwischen Bild und Objekt in der zeitgenössischen Kunst prägt. 175 pp. Englisch. N° de réf. du vendeur 9783775741088
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Vendeur : Jeff Hirsch Books, ABAA, Wadsworth, IL, Etats-Unis
First Edition. First edition and first printing. Softcover. 175 pages. Text in English. Features an essay by Ina Blom along with the text of a conversation between VanDerBeek and Roxana Marcoci. Includes 104 color illustrations and a checklist. A fine copy in wrappers. Signed by VanDerBeek in silver marker on the title page. Uncommon signed. Signed. N° de réf. du vendeur 207644
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