Vanderbeek (59 résultats)

Etat : Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Paperback. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Etat : Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Etat : Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Etat : Good. American independent filmmaker Stan VanDerBeek (1927-1984) was one of the first to extend film projection into multimedia spectacle and to embrace video and computer technology: a supreme instance of what critic Gene Youngblood dubbed Expanded Cinema.

Etat : Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

hardcover. Etat : Very Good. Very Good Condition - May show some limited signs of wear and may have a remainder mark. Pages and dust cover are intact and not marred by notes or highlighting.

Hardcover. Etat : Very Good. unmarked, light shelfwear-NICE Oversized.

Etat : New. 2012. hardcover. . Not a first edition copy. . . . Books ship from the US and Ireland.

Etat : New. 2012. hardcover. . Not a first edition copy. . . .

Paperback. Etat : Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Soft cover. Etat : Very Good. Softcover. White covers with blue lettering. Title page not dated. 175 pages. Very good condition. Binding is stiff; pages are bright and clean. Small signs of shelf wear. Contents feature works from an exhibion at the Hammer Mueseum, the Whitney Museum of American Art, the Baltimore Museum of Art, and more. Cover states that there are 104 illustrations. Please e-mail us with questions or to request photos. This is an oversized book. Extra shipping charges may be required for international or priority delivery. …

Hardcover. Etat : Near Fine. Near Fine. First Edition. Small remainder mark on one edge. A nice, bright copy. ; Leonardo; B&W Illustrations; 8.9 X 7.1 X 0.8 inches; 257 pages.

Hardcover with dustjacket, 258 pages; as new condition, no internal marks, clean and crisp. Foreign shipping may be extra.

paperback. Etat : New. Paperback in original factory shrink wrap. All orders packed with care, most dust jackets protected by Brodart sleeve, independent bookseller since 2011.

Softcover. Etat : VG. First. Very Good condition with just faint signs of use, 104 pages. Printed wraparound band also Very good. B/w ills.

Softcover, 176 pages; as new condition, no internal marks, clean and crisp. Foreign shipping may be extra.

[14] pp.; 22.8 x 9.6 cm.; accordion; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Accordion fold exhibition brochure published in conjunction with show held September 17 - December 5, 2010. Text by Tina Kukielski. Very Good / Fine. Light rubbing from ink on recto (1.5 cm.) and first page (lightly along length of page edge). Contents otherwise clean and unmarked.…

Softcover. White card wraps with color image and blue lettering. 175 pp. with 104 illus. Edited by Gloria Sutton. With an essay by Ina Bloom and an interview of the artist by Roxana Marcoci. "Sara VanDerBeek's photographic and sculptural arrangements emulate a poet's economic use of structure, phrasing and rhythm to suspend images and multiple processes within a rigorously shaped framework. This first book-length study presents close readings of VanDerBeek's (*1976 in Baltimore) experimentation with photographic capture, printing, cast-concrete forms, and built environments that draw on diverse material cultures. Ultimately, the book richly distills the chance, process, physicality, reflection and recollection of her site visits to Detroit, New Orleans, Los Angeles, Rome, Paris, Naples, Rotterdam and New York between 2006 and 2016. Contributions by international scholars and curators offer an oblique angle not only into VanDerBeek's vital practice, but also the ways VanDerBeek is shaping current debates on the relationship between image and object within contemporary art." (from the publisher's web site). VG; unread but with light shelf wear. …

Softcover, 104 pages; very good condition, small crimp to top of spine; no internal marks. Foreign shipping may be extra.

Hardcover without dustjacket as issued; 224 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

First Edition. First edition. Softcover. 47 pages. Exhibition catalog for a show that ran May 13 through June 1, 2011. Text in English and Italian. Includes numerous color illustrations. A fine copy in wrappers. Scarce, with no copies listed in OCLC.

Taschenbuch. Etat : Neu. Neuware - Take a peak. What is that code Can you figure out any puzzling sentences. Vanderbeek, Nathan (illustrateur).

Etat : New. Satisfaction Guaranteed or your money back.

Hardback. Ian Berry, Prestel. This book, which accompanied a groundbreaking exhibition, presents a multilayered picture of influence and experimentation between a family of artists. A few years before his death in 1984, the conceptual artist Stan VanDerBeek recalled a dream he had of the ideal exhibition space, which he playfully referred to as 'Amazement Park'. Taking inspiration from that dream, this project combines artwork by the influential filmmaker and artist with work by his daughter, Sara, and son, Johannes, both contemporary artists. This unique book captures the ensuing exhibition: a studio-like space that changed every month for one year and featured works by all three artists. The drawings, photographs, video, and sculpture that revolved in and out of the exhibition reflect the artists' common interest in recombination and collage, ephemeral materials, and architectural forms. AUTHOR: Ian Berry is Associate Director and The Susan Rabinowitz Malloy Curator of The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College. Anne Ellegood is Senior Curator at the Hammer Museum in Los Angeles.Ian Berry is Associate Director and Malloy Curator of the Tang Museum at Skidmore College in Saratoga Springs, New York. Anne Ellegood is Senior Curator at the Hammer Museum at the University of California, Los Angeles. Fionn Meade is a writer and curator based in New York. Hardback.…

Softcover, unpaginated; very good condition, clean and crisp; no internal marks. (Image on gray spine) Foreign shipping may be extra.

hardcover. Etat : New. In shrink wrap. Looks like an interesting title.

First Edition. First edition and first printing. Softcover. 175 pages. Text in English. Features an essay by Ina Blom along with the text of a conversation between VanDerBeek and Roxana Marcoci. Includes 104 color illustrations and a checklist. A fine copy in wrappers. Signed by VanDerBeek in silver marker on the title page. Uncommon signed. Signed.…

Hardcover. Etat : New. New! May take up to 14 days to arrive. Sorry we don't offer expedited shipping on this item. -01x-.

Taschenbuch. Etat : Neu. Neuware - Malcom is coming home for the first time to meet his big brother. Vanderbeek, Nathan (illustrateur).