Articles liés à LUCIA, AMINA, AND THE DIVA: MADNESS AND THE WOMAN’S...

LUCIA, AMINA, AND THE DIVA: MADNESS AND THE WOMAN’S VOICE IN ROMANTIC ITALIAN MELODRAMA - Couverture souple

Forbess, Chelsey

 
9783844333145: LUCIA, AMINA, AND THE DIVA: MADNESS AND THE WOMAN’S VOICE IN ROMANTIC ITALIAN MELODRAMA

Synopsis

This thesis is a foray into Romantic Italian melodrama through two of the soprano roles that defined them. Through Lucia (of Donizetti's "Lucia di Lammermoor") and Amina (of Bellini's "La Sonnambula"), the challenging and impressive soprano roles allowed for the woman's voice to be heard, and for the diva to emerge as we know her today. This thesis takes the reader through the history, culture, and music of early 19th century Italy, particularly through the "mad aria" in two key operas of the time. By learning about the music of madness, the reader can better understand Romantic Italian melodrama and the important path created for the birth of the diva.

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Présentation de l'éditeur

This thesis is a foray into Romantic Italian melodrama through two of the soprano roles that defined them. Through Lucia (of Donizetti's "Lucia di Lammermoor") and Amina (of Bellini's "La Sonnambula"), the challenging and impressive soprano roles allowed for the woman's voice to be heard, and for the diva to emerge as we know her today. This thesis takes the reader through the history, culture, and music of early 19th century Italy, particularly through the "mad aria" in two key operas of the time. By learning about the music of madness, the reader can better understand Romantic Italian melodrama and the important path created for the birth of the diva.

Biographie de l'auteur

Chelsey J. Forbess is a classically-trained opera singer with an honors degree in Italian Studies from Harvard University. She is a current medical student at NYU School of Medicine, and expects to receive her M.D. degree in 2012. Chelsey makes every attempt possible to combine her passions of music, Italian, and medicine throughout her career.

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