This thesis is a foray into Romantic Italian melodrama through two of the soprano roles that defined them. Through Lucia (of Donizetti's "Lucia di Lammermoor") and Amina (of Bellini's "La Sonnambula"), the challenging and impressive soprano roles allowed for the woman's voice to be heard, and for the diva to emerge as we know her today. This thesis takes the reader through the history, culture, and music of early 19th century Italy, particularly through the "mad aria" in two key operas of the time. By learning about the music of madness, the reader can better understand Romantic Italian melodrama and the important path created for the birth of the diva.
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This thesis is a foray into Romantic Italian melodrama through two of the soprano roles that defined them. Through Lucia (of Donizetti's "Lucia di Lammermoor") and Amina (of Bellini's "La Sonnambula"), the challenging and impressive soprano roles allowed for the woman's voice to be heard, and for the diva to emerge as we know her today. This thesis takes the reader through the history, culture, and music of early 19th century Italy, particularly through the "mad aria" in two key operas of the time. By learning about the music of madness, the reader can better understand Romantic Italian melodrama and the important path created for the birth of the diva.
Chelsey J. Forbess is a classically-trained opera singer with an honors degree in Italian Studies from Harvard University. She is a current medical student at NYU School of Medicine, and expects to receive her M.D. degree in 2012. Chelsey makes every attempt possible to combine her passions of music, Italian, and medicine throughout her career.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Allemagne
Taschenbuch. Etat : Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This thesis is a foray into Romantic Italian melodrama through two of the soprano roles that defined them. Through Lucia (of Donizetti's 'Lucia di Lammermoor') and Amina (of Bellini's 'La Sonnambula'), the challenging and impressive soprano roles allowed for the woman's voice to be heard, and for the diva to emerge as we know her today. This thesis takes the reader through the history, culture, and music of early 19th century Italy, particularly through the 'mad aria' in two key operas of the time. By learning about the music of madness, the reader can better understand Romantic Italian melodrama and the important path created for the birth of the diva. 68 pp. Englisch. N° de réf. du vendeur 9783844333145
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Vendeur : moluna, Greven, Allemagne
Etat : New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Autor/Autorin: Forbess ChelseyChelsey J. Forbess is a classically-trained opera singer with an honors degree in Italian Studies from Harvard University. She is a current medical student at NYU School of Medicine, and expects to receive her M.D. deg. N° de réf. du vendeur 5473686
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Vendeur : buchversandmimpf2000, Emtmannsberg, BAYE, Allemagne
Taschenbuch. Etat : Neu. This item is printed on demand - Print on Demand Titel. Neuware -This thesis is a foray into Romantic Italian melodrama through two of the soprano roles that defined them. Through Lucia (of Donizetti's 'Lucia di Lammermoor') and Amina (of Bellini's 'La Sonnambula'), the challenging and impressive soprano roles allowed for the woman's voice to be heard, and for the diva to emerge as we know her today. This thesis takes the reader through the history, culture, and music of early 19th century Italy, particularly through the 'mad aria' in two key operas of the time. By learning about the music of madness, the reader can better understand Romantic Italian melodrama and the important path created for the birth of the diva.VDM Verlag, Dudweiler Landstraße 99, 66123 Saarbrücken 68 pp. Englisch. N° de réf. du vendeur 9783844333145
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Vendeur : AHA-BUCH GmbH, Einbeck, Allemagne
Taschenbuch. Etat : Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This thesis is a foray into Romantic Italian melodrama through two of the soprano roles that defined them. Through Lucia (of Donizetti's 'Lucia di Lammermoor') and Amina (of Bellini's 'La Sonnambula'), the challenging and impressive soprano roles allowed for the woman's voice to be heard, and for the diva to emerge as we know her today. This thesis takes the reader through the history, culture, and music of early 19th century Italy, particularly through the 'mad aria' in two key operas of the time. By learning about the music of madness, the reader can better understand Romantic Italian melodrama and the important path created for the birth of the diva. N° de réf. du vendeur 9783844333145
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Vendeur : preigu, Osnabrück, Allemagne
Taschenbuch. Etat : Neu. LUCIA, AMINA, AND THE DIVA | MADNESS AND THE WOMAN'S VOICE IN ROMANTIC ITALIAN MELODRAMA | Chelsey Forbess | Taschenbuch | 68 S. | Englisch | 2011 | LAP LAMBERT Academic Publishing | EAN 9783844333145 | Verantwortliche Person für die EU: BoD - Books on Demand, In de Tarpen 42, 22848 Norderstedt, info[at]bod[dot]de | Anbieter: preigu. N° de réf. du vendeur 106922397
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Vendeur : Mispah books, Redhill, SURRE, Royaume-Uni
Paperback. Etat : Like New. LIKE NEW. SHIPS FROM MULTIPLE LOCATIONS. book. N° de réf. du vendeur ERICA75838443331425
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