Daniela Comani met en scène un ensemble de photographies de téléviseurs éteints : une démarche minimaliste qui relève d'une réflexion sémiologique originale sur le médium ainsi que d'un intérêt pour la télévision en tant qu'objet de design.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Vendeur : Midtown Scholar Bookstore, Harrisburg, PA, Etats-Unis
paperback. Etat : Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized. PAPERBACK. N° de réf. du vendeur M3906803171Z2
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Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
Etat : New. N° de réf. du vendeur 27472194-n
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Vendeur : Rarewaves.com USA, London, LONDO, Royaume-Uni
Paperback. Etat : New. OFF, a photographic series by Daniela Comani, is an excursus into perception as it relates to the media. With painstaking precision she probes that ever-present device for the reproduction of moving images, the television set, but in off mode: turned off, TV sets seem dead, they become cold objects - and yet concomitantly they serve as surfaces for viewers to project their own fantasies and fears on. Even when the picture is extinguished, the TV is still not bereft of content, for the dark screen reflects the room and the people and objects in it. Daniela Comani doesn't merely take pictures of inactive TV sets, she shoots them: the flash hits the dark screen like a Big Bang that yields new sights and insights, even as it outshines and obliterates the protagonist's reflection. At the instant she pulls the trigger, the split-second flash blends with the surface structure of the television sets in the most peculiar ways, producing new images and new shapes in these landscapes with sunset, small format. Daniela Comani's series is also about design: for this minimalistic mise-en-scène of an assortment of TV sets of varying shape, size and design, the artist has painstakingly removed the brand names in order to bring out the physical idiosyncrasies of each different setup. The objects are portrayed from the front, as though they were people gazing out from the picture at the viewer. The housing of each set serves as a picture frame and suggests the machine's essential nexus to the picture. The photograph turns the plastic TV sets into two-dimensional pictures, which Comani then mounts on paperboard to create a new three-dimensional object. Each picture is unique despite the serial nature of photography with its technical capability of infinite reproduction. (Renata Stih, Berlin 2011). N° de réf. du vendeur LU-9783906803173
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Vendeur : Grand Eagle Retail, Bensenville, IL, Etats-Unis
Paperback. Etat : new. Paperback. OFF, a photographic series by Daniela Comani, is an excursus into perception as it relates to the media. With painstaking precision she probes that ever-present device for the reproduction of moving images, the television set, but in off mode: turned off, TV sets seem dead, they become cold objects and yet concomitantly they serve as surfaces for viewers to project their own fantasies and fears on. Even when the picture is extinguished, the TV is still not bereft of content, for the dark screen reflects the room and the people and objects in it.Daniela Comani doesnt merely take pictures of inactive TV sets, she shoots them: the flash hits the dark screen like a Big Bang that yields new sights and insights, even as it outshines and obliterates the protagonists reflection. At the instant she pulls the trigger, the split-second flash blends with the surface structure of the television sets in the most peculiar ways, producing new images and new shapes in these landscapes with sunset, small format.Daniela Comanis series is also about design: for this minimalistic mise-en-scene of an assortment of TV sets of varying shape, size and design, the artist has painstakingly removed the brand names in order to bring out the physical idiosyncrasies of each different setup. The objects are portrayed from the front, as though they were people gazing out from the picture at the viewer. The housing of each set serves as a picture frame and suggests the machines essential nexus to the picture. The photograph turns the plastic TV sets into two-dimensional pictures, which Comani then mounts on paperboard to create a new three-dimensional object. Each picture is unique despite the serial nature of photography with its technical capability of infinite reproduction. (Renata Stih, Berlin 2011) Artist book by Daniela Comani Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9783906803173
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Vendeur : PBShop.store UK, Fairford, GLOS, Royaume-Uni
PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000. N° de réf. du vendeur GZ-9783906803173
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Vendeur : Majestic Books, Hounslow, Royaume-Uni
Etat : New. N° de réf. du vendeur 371889710
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Vendeur : Books Puddle, New York, NY, Etats-Unis
Etat : New. N° de réf. du vendeur 26375204337
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Vendeur : Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlande
Etat : New. BIC Classification: AJ. Category: (G) General (US: Trade). Dimension: 260 x 210. Weight in Grams: 256. . 2017. 1st Edition. paperback. . . . . N° de réf. du vendeur V9783906803173
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Vendeur : Biblios, Frankfurt am main, HESSE, Allemagne
Etat : New. N° de réf. du vendeur 18375204347
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Vendeur : GreatBookPricesUK, Woodford Green, Royaume-Uni
Etat : New. N° de réf. du vendeur 27472194-n
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