In today's global design world, it's more important than ever for designers to create work that connects with diverse audiences. This book is for designers and students whose native languages don't use the Latin alphabet, as well as professionals creating designs for people from non-Latin backgrounds. It's also a valuable resource for design teachers working with international students and aiming to create a more inclusive classroom.
This book fills an important gap in design education: the focus on Latin-script design resources. While there are books from designers in Asia or the Arabic-speaking world, they're mostly aimed at native speakers. Here, we take a fresh approach by comparing typography from a wide range of scripts, encouraging designers to move beyond Western styles and explore a richer, multicultural design approach.
Readers will walk away with a deeper understanding of global design, giving them the tools to create work that speaks to underrepresented audiences. Design students will feel more confident drawing inspiration from their own cultures, while educators will find new ways to teach with greater empathy. Whether you're an experienced designer or just starting out, this book offers practical tips to expand your design horizons and embrace non-Latin scripts.
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Sherry Muyuan He is an assistant professor of art at the City College of New York. She holds an MFA in Visual Studies from the Minneapolis College of Art and Design and a BA from Macalester College. Passionate about languages, Sherry enjoys reading books in different languages and listening to conversations in various languages on the subway. Outside of teaching, she designs board games that help people learn new scripts.
Explore the vibrant world of global design with "Typography Beyond Borders", a groundbreaking resource for designers and students from diverse linguistic backgrounds. This essential book offers insights for professionals aiming to connect with non-Latin audiences while also serving as a valuable tool for educators striving for inclusivity in their classrooms. By addressing the lack of design resources focused on non-Latin scripts, it encourages readers to expand their horizons and embrace multicultural design. With practical tips and a wide-ranging comparison of typography, this book empowers design students to draw inspiration from their own cultures and helps educators teach with greater empathy. Perfect for anyone looking to enrich their design journey!
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Galer Street Paper Goods, Seattle, WA, Etats-Unis
Soft cover. Etat : Very Good. Subtitled: Design With Multiscriptual Typographic Elements; Very good in wraps; 8vo; Paperback; 173 pages + epilogue and bibliography; B/w and color illustrations; BIS Publishers; 2025; First Thus; Minor shelf wear and rubbing to spine and wraps; Text clean and unmarked. N° de réf. du vendeur 3867
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Paperback. Etat : new. Paperback. In today's global design world, it's more important than ever for designers to create work that connects with diverse audiences. This book is for designers and students whose native languages don't use the Latin alphabet, as well as professionals creating designs for people from non-Latin backgrounds. It's also a valuable resource for design teachers working with international students and aiming to create a more inclusive classroom.This book fills an important gap in design education: the focus on Latin-script design resources. While there are books from designers in Asia or the Arabic-speaking world, they're mostly aimed at native speakers. Here, we take a fresh approach by comparing typography from a wide range of scripts, encouraging designers to move beyond Western styles and explore a richer, multicultural design approach.Readers will walk away with a deeper understanding of global design, giving them the tools to create work that speaks to underrepresented audiences. Design students will feel more confident drawing inspiration from their own cultures, while educators will find new ways to teach with greater empathy. Whether you're an experienced designer or just starting out, this book offers practical tips to expand your design horizons and embrace non-Latin scripts. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9789063699437
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Vendeur : Rarewaves USA, OSWEGO, IL, Etats-Unis
Paperback. Etat : New. In today's global design world, it's more important than ever for designers to create work that connects with diverse audiences. This book is for designers and students whose native languages don't use the Latin alphabet, as well as professionals creating designs for people from non-Latin backgrounds. It's also a valuable resource for design teachers working with international students and aiming to create a more inclusive classroom.This book fills an important gap in design education: the focus on Latin-script design resources. While there are books from designers in Asia or the Arabic-speaking world, they're mostly aimed at native speakers. Here, we take a fresh approach by comparing typography from a wide range of scripts, encouraging designers to move beyond Western styles and explore a richer, multicultural design approach.Readers will walk away with a deeper understanding of global design, giving them the tools to create work that speaks to underrepresented audiences. Design students will feel more confident drawing inspiration from their own cultures, while educators will find new ways to teach with greater empathy. Whether you're an experienced designer or just starting out, this book offers practical tips to expand your design horizons and embrace non-Latin scripts. N° de réf. du vendeur LU-9789063699437
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Vendeur : Rarewaves.com USA, London, LONDO, Royaume-Uni
Paperback. Etat : New. In today's global design world, it's more important than ever for designers to create work that connects with diverse audiences. This book is for designers and students whose native languages don't use the Latin alphabet, as well as professionals creating designs for people from non-Latin backgrounds. It's also a valuable resource for design teachers working with international students and aiming to create a more inclusive classroom.This book fills an important gap in design education: the focus on Latin-script design resources. While there are books from designers in Asia or the Arabic-speaking world, they're mostly aimed at native speakers. Here, we take a fresh approach by comparing typography from a wide range of scripts, encouraging designers to move beyond Western styles and explore a richer, multicultural design approach.Readers will walk away with a deeper understanding of global design, giving them the tools to create work that speaks to underrepresented audiences. Design students will feel more confident drawing inspiration from their own cultures, while educators will find new ways to teach with greater empathy. Whether you're an experienced designer or just starting out, this book offers practical tips to expand your design horizons and embrace non-Latin scripts. N° de réf. du vendeur LU-9789063699437
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