L'univers artistique de Loris Cecchini : Entre formes organiques, installations environnementales et utilisation innovante de matériaux industriels
Cette monographie, composée sous la direction d’Ilaria Bernardi, est la première étude d’ensemble consacrée à l’artiste italien Loris Cecchini, dont la création s’échelonne du milieu des années 1990 jusqu’à nos jours. Sa publication coïncide avec le trentième anniversaire de l’irruption sur la scène artistique de Cecchini, qui participa en 1995 à pas moins de trois expositions collectives. Le livre est construit sur une reconstitution de ses différentes expositions, tant collectives qu’individuelles, et comporte de nombreuses informations sur les prix qu’il a obtenus, les résidences dont il a bénéficié, les conférences qu’il a données, ainsi que des développements approfondis sur les principaux types d’œuvres qui caractérisent sa production.
Oscillant entre photographie, sculpture, dessin, traitement numérique et installations environnementales, la pratique de Cecchini vise à modeler l’espace réel à travers des matériaux innovants, se concentrant à la fois sur les processus organiques de la matière et sur les processus esthétiques, architecturaux, organiques et structurels de sa transformation. Il s’intéresse particulièrement aux matériaux industriels comme le caoutchouc, la résine ou l’acier. Ses recherches font appel à un sens aigu du réel, ainsi qu’à une vision suspendue entre nature et artifice, qui lance un défi à la perception du spectateur.
Cet ouvrage, qui reconstitue la vie personnelle et créatrice de Cecchini au moyen d’un entrelacs de données biographiques, de recherches historiques et d’une abondante iconographie, apporte une contribution neuve et irremplaçable à notre connaissance de l’artiste.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Né à Milan en 1969, Loris Cecchini vit et crée dans sa ville natale. Il a exposé son travail dans d’importants musées tels que le Palais de Tokyo à Paris, le Museum of Modern Art (MoMA) de New York, le Centro Gallego de Arte Contemporanea de Saint-Jacques de Compostelle, le Kunstverein de Heidelberg, le Museum of Contemporary Art de Shanghai. Il a également pris part à de nombreuses expositions internationales et réalisé́ plusieurs installations permanentes et in situ, dans des lieux prestigieux du monde entier.
Ilaria Bernardi est titulaire d’un PhD en histoire de l’art et conservatrice de musée. Elle a publié des monographies, des textes de catalogues d’expositions, des articles dans des revues spécialisées, notamment sur l’Arte Povera et, plus généralement, sur l’art italien depuis 1960. Elle enseigne par ailleurs à l’International University of Languages and Media (IULM) de Milan, et est commissaire de l’exposition itinérante “Progetto Genesi. Art and Human Rights”, projet éducatif mené depuis 2021 sous l’égide de l’association Genesis.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Hardcover. Etat : new. Hardcover. This monograph edited by Ilaria Bernardi is the first comprehensive examination of the oeuvre of the Italian artist Loris Cecchini, from his debut in the mid-1990s to the present. The publication coincides with the 30th anniversary of the artist's first inclusion in an exhibition: in three group shows in 1995. The book reviews Cecchini's solo and group exhibitions, providing information on awards, residencies and lectures, as well as extensive commentary on his most distinctive works. Alternating between photography, sculpture, drawing, digital processing and environmental installations, Cecchini's aim is to shape real space by means of innovative materials, focusing on how matter holds together and the aesthetic, architectural, organic, and structural processes associated with it. He has a particular interest in industrial materials such as rubber, resin and steel. His work explores the sense of the real, in a perspective suspended between the natural and the man-made that challenges the viewer's perception. This book reconstructs the trajectory of Cecchini's personal and creative life by interweaving biographical information, historical background and an ample selection of works, thus providing a unique contribution to the literature devoted to the artist. Text in English and French AUTHORS: Loris Cecchini, born in 1969, currently lives and works in Milan. His work is displayed in various museums throughout the world, including Palais de Tokyo, in Paris; MoMA PS1, in New York; Centro Gallego de Arte Contemporanea, in Santiago de Compostela; Kunstverein, in Heidelberg; Centro per l'Arte Contemporanea Luigi Pecci, in Prato; Ludwig Museum, in Cologne; PAC, in Milan; Palazzo Fortuny, in Venice; MART, in Rovereto; Palazzo delle Esposizioni, in Rome; Musee d'Art Contemporain, in Lyon; MOCA, in Shanghai. Loris Cecchini's work has also featured in numerous solo international exhibitions, such as the 56th, 51st, and 49th Venice Biennales, the 6th and 9th Shanghai Biennales, the 15th and 13th Rome Quadriennales, the Taipei Biennale, the Valencia Biennale, and the 12th Carrara Biennale Internazionale di Scultura. He has also created several permanent and in situ installations in prestigious venues around the world. Ilaria Bernardi holds a Ph.D. in art history and is a curator. She has worked with leading figures in the art world, including Germano Celant and, at the Castello di Rivoli Museum of Contemporary Art, Carolyn Christov-Bakargiev. She has organised exhibitions for major exhibition spaces in Italy and abroad. Ilaria Bernardi has also worked with public institutions and devised exhibitions for Italian cultural institutes in several cities around the world. She has published monographs, essays in exhibition catalogues and articles in art magazines, in which she focuses on Arte Povera artists and Italian art from the 1960s to the present, in general. She currently teaches at Milan's IULM University and has run Progetto Genesi. Art and Human Rights, a travelling exhibition and educational project developed by Associazione Genesi, since 2021. SELLING POINTS: . This monograph is the first comprehensive examination of his work . The book includes information on his exhibitions, awards, residencies and lectures . His work explores the relationship between the natural world and man-made materials 307 colour illustrations This new monograph examines Italian artist Loris Cecchini's career, exploring his use of innovative materials to blur the lines between nature and artifice. Text in English and French. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9791254600610
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Hardcover. Etat : new. Hardcover. This monograph edited by Ilaria Bernardi is the first comprehensive examination of the oeuvre of the Italian artist Loris Cecchini, from his debut in the mid-1990s to the present. The publication coincides with the 30th anniversary of the artist's first inclusion in an exhibition: in three group shows in 1995. The book reviews Cecchini's solo and group exhibitions, providing information on awards, residencies and lectures, as well as extensive commentary on his most distinctive works. Alternating between photography, sculpture, drawing, digital processing and environmental installations, Cecchini's aim is to shape real space by means of innovative materials, focusing on how matter holds together and the aesthetic, architectural, organic, and structural processes associated with it. He has a particular interest in industrial materials such as rubber, resin and steel. His work explores the sense of the real, in a perspective suspended between the natural and the man-made that challenges the viewer's perception. This book reconstructs the trajectory of Cecchini's personal and creative life by interweaving biographical information, historical background and an ample selection of works, thus providing a unique contribution to the literature devoted to the artist. Text in English and French AUTHORS: Loris Cecchini, born in 1969, currently lives and works in Milan. His work is displayed in various museums throughout the world, including Palais de Tokyo, in Paris; MoMA PS1, in New York; Centro Gallego de Arte Contemporanea, in Santiago de Compostela; Kunstverein, in Heidelberg; Centro per l'Arte Contemporanea Luigi Pecci, in Prato; Ludwig Museum, in Cologne; PAC, in Milan; Palazzo Fortuny, in Venice; MART, in Rovereto; Palazzo delle Esposizioni, in Rome; Musee d'Art Contemporain, in Lyon; MOCA, in Shanghai. Loris Cecchini's work has also featured in numerous solo international exhibitions, such as the 56th, 51st, and 49th Venice Biennales, the 6th and 9th Shanghai Biennales, the 15th and 13th Rome Quadriennales, the Taipei Biennale, the Valencia Biennale, and the 12th Carrara Biennale Internazionale di Scultura. He has also created several permanent and in situ installations in prestigious venues around the world. Ilaria Bernardi holds a Ph.D. in art history and is a curator. She has worked with leading figures in the art world, including Germano Celant and, at the Castello di Rivoli Museum of Contemporary Art, Carolyn Christov-Bakargiev. She has organised exhibitions for major exhibition spaces in Italy and abroad. Ilaria Bernardi has also worked with public institutions and devised exhibitions for Italian cultural institutes in several cities around the world. She has published monographs, essays in exhibition catalogues and articles in art magazines, in which she focuses on Arte Povera artists and Italian art from the 1960s to the present, in general. She currently teaches at Milan's IULM University and has run Progetto Genesi. Art and Human Rights, a travelling exhibition and educational project developed by Associazione Genesi, since 2021. SELLING POINTS: . This monograph is the first comprehensive examination of his work . The book includes information on his exhibitions, awards, residencies and lectures . His work explores the relationship between the natural world and man-made materials 307 colour illustrations This new monograph examines Italian artist Loris Cecchini's career, exploring his use of innovative materials to blur the lines between nature and artifice. Text in English and French. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. N° de réf. du vendeur 9791254600610
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Buch. Etat : Neu. Neuware - This new monograph examines Italian artist Loris Cecchini's career, exploring his use of innovative materials to blur the lines between nature and artifice. Text in English and French.This monograph edited by Ilaria Bernardi is the first comprehensive examination of the oeuvre of the Italian artist Loris Cecchini, from his debut in the mid-1990s to the present. The publication coincides with the 30th anniversary of the artist's first inclusion in an exhibition: in three group shows in 1995. The book reviews Cecchini's solo and group exhibitions, providing information on awards, residencies and lectures, as well as extensive commentary on his most distinctive works. Alternating between photography, sculpture, drawing, digital processing and environmental installations, Cecchini's aim is to shape real space by means of innovative materials, focusing on how matter holds together and the aesthetic, architectural, organic, and structural processes associated with it. He has a particular interest in industrial materials such as rubber, resin and steel. His work explores the sense of the real, in a perspective suspended between the natural and the man-made that challenges the viewer's perception. This book reconstructs the trajectory of Cecchini's personal and creative life by interweaving biographical information, historical background and an ample selection of works, thus providing a unique contribution to the literature devoted to the artist. Text in English and French. N° de réf. du vendeur 9791254600610
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Hardcover. Etat : new. Hardcover. This monograph edited by Ilaria Bernardi is the first comprehensive examination of the oeuvre of the Italian artist Loris Cecchini, from his debut in the mid-1990s to the present. The publication coincides with the 30th anniversary of the artist's first inclusion in an exhibition: in three group shows in 1995. The book reviews Cecchini's solo and group exhibitions, providing information on awards, residencies and lectures, as well as extensive commentary on his most distinctive works. Alternating between photography, sculpture, drawing, digital processing and environmental installations, Cecchini's aim is to shape real space by means of innovative materials, focusing on how matter holds together and the aesthetic, architectural, organic, and structural processes associated with it. He has a particular interest in industrial materials such as rubber, resin and steel. His work explores the sense of the real, in a perspective suspended between the natural and the man-made that challenges the viewer's perception. This book reconstructs the trajectory of Cecchini's personal and creative life by interweaving biographical information, historical background and an ample selection of works, thus providing a unique contribution to the literature devoted to the artist. Text in English and French AUTHORS: Loris Cecchini, born in 1969, currently lives and works in Milan. His work is displayed in various museums throughout the world, including Palais de Tokyo, in Paris; MoMA PS1, in New York; Centro Gallego de Arte Contemporanea, in Santiago de Compostela; Kunstverein, in Heidelberg; Centro per l'Arte Contemporanea Luigi Pecci, in Prato; Ludwig Museum, in Cologne; PAC, in Milan; Palazzo Fortuny, in Venice; MART, in Rovereto; Palazzo delle Esposizioni, in Rome; Musee d'Art Contemporain, in Lyon; MOCA, in Shanghai. Loris Cecchini's work has also featured in numerous solo international exhibitions, such as the 56th, 51st, and 49th Venice Biennales, the 6th and 9th Shanghai Biennales, the 15th and 13th Rome Quadriennales, the Taipei Biennale, the Valencia Biennale, and the 12th Carrara Biennale Internazionale di Scultura. He has also created several permanent and in situ installations in prestigious venues around the world. Ilaria Bernardi holds a Ph.D. in art history and is a curator. She has worked with leading figures in the art world, including Germano Celant and, at the Castello di Rivoli Museum of Contemporary Art, Carolyn Christov-Bakargiev. She has organised exhibitions for major exhibition spaces in Italy and abroad. Ilaria Bernardi has also worked with public institutions and devised exhibitions for Italian cultural institutes in several cities around the world. She has published monographs, essays in exhibition catalogues and articles in art magazines, in which she focuses on Arte Povera artists and Italian art from the 1960s to the present, in general. She currently teaches at Milan's IULM University and has run Progetto Genesi. Art and Human Rights, a travelling exhibition and educational project developed by Associazione Genesi, since 2021. SELLING POINTS: . This monograph is the first comprehensive examination of his work . The book includes information on his exhibitions, awards, residencies and lectures . His work explores the relationship between the natural world and man-made materials 307 colour illustrations This new monograph examines Italian artist Loris Cecchini's career, exploring his use of innovative materials to blur the lines between nature and artifice. Text in English and French. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. N° de réf. du vendeur 9791254600610
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