FOURTH DIMENSION AND NON-ECLUDIAN GEOMET

HENDERSON, LINDA DAL

ISBN 10: 0262536552 / ISBN 13: 9780262536554

Edité par The MIT Press, 2018

A propos de cet article

N° de réf. du vendeur NW9780262536554

Détails bibliographiques

• Titre: FOURTH DIMENSION AND NON-ECLUDIAN GEOMET
• Éditeur: The MIT Press
• Date de parution: 2018
• Langue: anglais
• ISBN à 10 chiffres: 0262536552
• ISBN à 13 chiffres: 9780262536554
• Reliure: Couverture souple
• Édition: 2ème Édition
• État de l'article: NEW

A propos de ce titre

Synopsis

The long-awaited new edition of a groundbreaking work on the impact of alternative concepts of space on modern art.

In this groundbreaking study, first published in 1983 and unavailable for over a decade, Linda Dalrymple Henderson demonstrates that two concepts of space beyond immediate perception—the curved spaces of non-Euclidean geometry and, most important, a higher, fourth dimension of space—were central to the development of modern art. The possibility of a spatial fourth dimension suggested that our world might be merely a shadow or section of a higher dimensional existence. That iconoclastic idea encouraged radical innovation by a variety of early twentieth-century artists, ranging from French Cubists, Italian Futurists, and Marcel Duchamp, to Max Weber, Kazimir Malevich, and the artists of De Stijl and Surrealism.

In an extensive new Reintroduction, Henderson surveys the impact of interest in higher dimensions of space in art and culture from the 1950s to 2000. Although largely eclipsed by relativity theory beginning in the 1920s, the spatial fourth dimension experienced a resurgence during the later 1950s and 1960s. In a remarkable turn of events, it has returned as an important theme in contemporary culture in the wake of the emergence in the 1980s of both string theory in physics (with its ten- or eleven-dimensional universes) and computer graphics. Henderson demonstrates the importance of this new conception of space for figures ranging from Buckminster Fuller, Robert Smithson, and the Park Place Gallery group in the 1960s to Tony Robbin and digital architect Marcos Novak.

À propos de l?auteur

Linda Dalrymple Henderson is David Bruton, Jr., Centennial Professor in Art History and Regents Outstanding Teaching Professor at the University of Texas at Austin. She is the author of Duchamp in Context: Science and Technology in the Large Glass and Related Works and Reimagining Space: The Park Place Gallery Group in 1960s New York and coeditor of From Energy to Information: Representation in Science and Technology, Art, and Literature.