Seven Tengu Scrolls. Evil and the Rhetoric of Legitimacy in Medieval Japanese Buddhism.

WAKABAYASHI, HARUKO.

ISBN 10: 082483416X / ISBN 13: 9780824834166

Edité par University of Hawaii Press., United States., 2012

A propos de cet article

Colour and black and white photographic illustrations, xx + 203 pages, index, bibliography, notes, very good in dustjacket. This is a study of visual and textual images of the well-known mythical Japanese creature tengu in medieval Japan, focusing on a late 13th century illustrated hand scroll known as the Tengu zoshi. This half human, half bird trickster figure came to represent destructive, impure, and transgressive impulses. In examining representation of the tengu, the author reflects on the place and nature of evil in the medieval Buddhist imagination.

N° de réf. du vendeur 219315

Détails bibliographiques

• Titre: Seven Tengu Scrolls. Evil and the Rhetoric of Legitimacy in Medieval Japanese Buddhism.
• Éditeur: University of Hawaii Press., United States.
• Date de parution: 2012
• Langue: anglais
• ISBN à 10 chiffres: 082483416X
• ISBN à 13 chiffres: 9780824834166
• Reliure: Couverture rigide
• État de la jaquette: Jaquette
• Catalogues du vendeur:
  • Religion - Buddhism

A propos de ce titre

Synopsis

This is a study of visual and textual images of the mythical creature tengu from the late Heian (897-1185) to the late Kamakura (1185-1333) periods. Popularly depicted as half-bird, half-human creatures with beaks or long noses, wings, and human bodies, tengu today are commonly seen as guardian spirits associated with the mountain ascetics known as yamabushi. In the medieval period, however, the character of tengu most often had a darker, more malevolent aspect. Haruko Wakabashi focuses in this study particularly on tengu as manifestations of the Buddhist concept of Māra (or ma), the personification of evil in the form of the passions and desires that are obstacles to enlightenment. Her larger aim is to investigate the use of evil in the rhetoric of Buddhist institutions of medieval Japan. Through a close examination of tengu that appear in various forms and contexts, Wakabayashi considers the functions of a discourse on evil as defined by the Buddhist clergy to justify their position and marginalize others.

Early chapters discuss Buddhist appropriations of tengu during the late twelfth and thirteenth centuries in relation to the concept of ma. Multiple interpretations of ma developed in response to changes in society and challenges to the Buddhist community, which recruited tengu in its efforts to legitimize its institutions. The highlight of the work discusses in detail the thirteenth-century narrative scroll Tengu zōshi (also known as the Shichi Tengu-e, or the Seven Tengu Scrolls), in which monks from prominent temples in Nara and Kyoto and leaders of "new" Buddhist sects (Pure Land and Zen) are depicted as tengu. Through a close analysis of the Tengu zōshi's pictures and text, the author reveals one aspect of the critique against Kamakura Buddhism and how tengu images were used to express this in the late thirteenth century. She concludes with a reexamination of the meaning of tengu and a discussion of how ma was essentially socially constructed not only to explain the problems that plague this world, but also to justify the existence of an institution that depended on the presence of evil for its survival.

Drawing on a wide range of primary sources, Wakabayashi provides a thoughtful and innovative analysis of history and religion through art. The Seven Tengu Scrolls will therefore appeal to those with an interest in Japanese art, history, and religion, as well as in interdisciplinary approaches to socio-cultural history.

À propos de l'auteur

Haruko Wakabayashi is adjunct lecturer at Meiji Gakuin University.