Grace hartigan (31 résultats)

256; 29.7 x 22.8 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at the Museum of Contemporary Art, Los Angeles, December 6, 1992 - March 7, 1993. Traveled to the Museum of Contemporary Art, Chicago, April 3 - June 20, 1993 and the Whitney Museum of American Art, New York, July 16 - October 3, 1993. Edited by Russell Ferguson. Texts by David Deitcher, Stephen C. Foster, Dick Hebdige, Linda Norden, Kenneth E. Silver and John Yau. Artists include Billy Al Bengston, Jim Dine, Jean Follett, Joe Goode, Grace Hartigan, Jess, Robert Indiana, Jasper Johns, Allan Kaprow, , Roy Lichtenstein, Claes Oldenburg, Mel Ramos, Robert Rauschenberg, James Rosenquist, Edward Ruscha, Peter Saul, Wayne Thiebaud, Cy Twombly, Andy Warhol. Includes index, bibliography and artists' exhibition histories. Very Good / Fine. Very light rubbing of covers and subtle yellowing of page edges from age, otherwise Fine. Due to large size and weight additional shipping charges may be required for international orders.…

Soft cover. Etat : Fine. Two trade paperback lot. Both books are First Collier Printing 1993 and Fine condition. Direct from the original publisher's warehouse! Nice reference pair profiling the lives and works of many important 'minority' authors. Grace Hartigan and Aaron Douglas (illustrateur).

Soft cover. Etat : As New. 1st Edition. Oversized softcover exhibition catalog. Quarto (4to). With 16 pages, 13 full-page, full-color reproductions of artwork by Hartigan. Saddle bound (stapled binding), pages of high-grade, heavy stock, glossy paper. For all practical purposes, a flawless copy (perhaps slight, very occasional signs of shelf use at the edges). The book is quite clean and stain-free, square and straight, very firm and tight in its binding, no pages are loose, torn, folded, creased, or missing. The corners are sharp and unbumped. All pages are clean and stain free, and all text and illustrations are sharp and legible. There is no writing, underlining, highlighting, or other such markings anywhere in the book. Five-star seller, buy with confidence, professional booksellers for 35 years, selling books online since 1995. B50.…

Hardcover. Etat : New in wrap. Color illustrated boards with white text. 114 pp. Illustrations. "This exhibition catalogue explores the impact midcentury American poets and poetry had on painter Grace Hartigan's early career during the 1950s and 1960s. Through dialogue, prose, patronage, and, for some, their bold expression of sexuality, these poets collectively transformed Hartigan's outlook on art and life"--.…

Softbound. Etat : VG. Color illustrated wraps. 24 pp. 38 color plates. A really pleasant presentation of this artist's works, with nice color reproductions and lots of quotes on each page. She makes great use of found and recycled objects.

Paperback. Etat : Used: Good. Interior is VG; mild shelfwear to cover; Art gallery catalog; 8.5 x 11"; 8 oz.

Etat : New. xxvii 202 8 of lates 0 edition.

Softcover staple bound, 16 pages, very good condition, clean and crisp; no internal marks.

Etat : New. xxvii 202 8 of lates 49 Illus. (8 Col.).

paperback. Etat : Good. No dust jacket. Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Standard-sized.

Softcover. Red-orange stapled wraps; unpaginated with 36 pp. and 4 bw and 9 color illustrations. Edited by Esman. Kuspit has written a scholarly essay and Hartigan a remembrance. Includes a chronology and checklist of 31 works from the exhibition held at both the Esman gallery and The J.B. Speed Art Museum, Louisville, Kentucky (Embry's birthplace). Good+; clean and tight but with light wear to covers.…

Soft cover. Etat : Near Fine. First Edition. Near fine in original wrappers with light corner creasing. Three-page statement by Grace Hartigan.

First Edition. First edition. Oblong softcover. 159 pages. Published in conjunction a traveling exhibition. Features texts by Robert Rosenblum, Paul Schimmel, John Bernard Meyers, and B.H. Friedman. Includes color illustrations of works by Norman Bluhm, Michael Goldberg, Grace Hartigan, Al Held, Alfred Leslie, and Joan Mitchell, a chronology of the fifties by Robert M. Frash and Tom Heller and biographical information about each artist. A near fine copy in wrappers with some minor wear. …

Soft Cover. Etat : Very Good Plus. First Edition. soft cover, as issued., minor shelf-wear, rubbing, creases to cover, not excessive. no writing or markings. no tears or losses. sturdy binding.; shows no isbn., 52pp., illustrated in color, b/w. exhibition created from grace hartigan's papers, which reside at syracuse university. Size: 4to - over 9¾" - 12" tall. Exhibition Catalogue.…

Paperback. no jacket. Good - faded and stained cover, some inside pages have small stains.

83 pp.; 20.3 x 13.7 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Survey of young artists of the school of New York edited and with an introduction by B.H. Friedman. Contents include: "Helen Frankenthaler," by B.H. Friedman; "Robert Goodnough," by Barbara Guest; "Grace Hartigan," by Emily Dennis; "Jasper Johns," by Ben Heller; "Alfred Leslie," by James Schuyler; "Joan Mitchell," by Irving Sandler; "Raymond Parker," by Bill Godden; "Robert Rauschenberg," by David Harrison Myers; "Larry Rivers," by Frank O'Hara; "Jon Schueler," by Alastair Reid and "Richard Stankiewicz," by Fairfield Porter. Additional contributions by Walter Silver and Sonya Rudikoff. Includes biographical notes and photographic credits. Good. Rubbing and yellowing of covers with light edgewear and yellow soiling to top edge of recto. Light scratching of covers and rubbing of spine. Contents clean and unmarked.…

Soft cover. Etat : Very Good. Folio, stapled wrappers, 16pp, color illus.vv1/1.

Softcover, 64 pages, very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Softcover, 78 pages, as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Paperback. Etat : New. This is the first book to focus exclusively on what Grace Hartigan terms her "art history paintings": paintings specifically inspired by works culled from her far-ranging interests in art of the past. The essay and interview with the artist consider Hartiganâs response to compositional ideas and deliberate reinterpretations of famous "masterworks" of the west. Illustrations include a grouping of recent paintings in which Hartigan has borrowed figures, poses, and gestures appropriated from a variety of sources. Grace Hartigan is director of the Hoffberger School of Painting, Maryland Institute College of Art, in Baltimore.…

Paperback. Etat : New.

Etat : Good. 25 x 11 inches folded into three panels (6 pp.). Printed both sides. Very Good. Color plates. Scarce.From the Collection of the Art Historian Peter Selz.

Soft cover. Etat : Good. 1st Edition. 63 pages, no markings.

[1] pp.; 55.8 x 43.3 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Poster commemorating the opening of the inaugural exhibition at Martha Jackson's new gallery at 32 East 69th Street in [1957], featuring photographs of the art world celebrities in attendance. Photographs by Edward Kasper and Norman Carton. Artists include Grace Hartigan, Hans Hofmann, Milton Avery, Louise Bourgeois, and others. Good / Very Good. Light curling of poster and gentle bend across center of poster. Light bumping of poster edges and multiple light small tears to poster edges ranging from 2 mm. to 7 mm. …

Etat : Near Fine. dj. First Edition. First Edition. Oblong quarto. SIGNED in pencil to the title page by five of the six exhibited artists in the year of publication: Alfred Leslie, Grace Hartigan, Norman Bluhm, Al Held, and Michael Goldberg. A seminalcatalogue, published on the occasion of the exhibition curated by Paul Schimmel at the New Port Harbor Museum in Newport Beach (Jun. 28 - Sep. 9, 1984); the exhibition then traveled to five additional museums through 1985. Schimmel here helped to re-contextualize the second generation of Abstract Expressionists; a group previously derided as derivative. Near fine copy in cloth boards, in illustrated jacket with minor creasing at corners, close to near fine. Signed.…

Paperback. Etat : As New.

First editions. Folio. The Poems by John Ashbery, illustrated by Joan Mitchell; Odes by Frank O'Hara, illustrated by Michael Goldberg; Permanently by Kenneth Koch, illustrated by Alfred Leslie; Salute by James Schuyler, illustrated by Grace Hartigan. Each volume has four screenprints by the respective artist and is one of 200 copies numbered in the press and signed by both the author and the artist. Cloth-backed illustrated boards. All the poets and artists were based in New York and had known each other for several years. The publisher left the choice of partners to the individuals themselves.A fine set in the original acetate dustwrappers and cloth slipcase.…

Etat : Fine. dj. First Edition. First edition. Complete in four folio volumes, each measuring 17½" x14¼". Each volume with three full-page color silkscreen prints and additional prints at title page and upper cover, original cloth-backed illustrated boards. First Edition. No. 77 of 200 copies. Each volume signed by the poet and artist on the limitation page. A Fine set, bright and sharp, in publisher's thick acetate jackets, housed in cloth slipcase with trivial shelf wear. A visionary collaboration between the leading lights of the New York School of poetry and four second generation abstract expressionist artists, produced at the height of their creative collective powers. A heady encapsulation of the New York literary and visual avant garde at the dawning of the '60s. Signed.…

Etat : Fine. dj. First Edition. Complete in four folio volumes, each measuring 17½" x14¼". Each volume with three full-page color silkscreen prints and additional prints at title page and upper cover, original cloth-backed illustrated boards. First Edition. No. 47 of 200 copies. Each volume signed by the poet and artist on the limitation page. A Fine set, bright and sharp, in publisher's thick acetate jackets, housed in cloth slipcase with light shelf wear. A visionary collaboration between the leading lights of the New York School of poetry and four second generation abstract expressionist artists, produced at the height of their creative collective powers. A heady encapsulation of the New York literary and visual avant garde at the dawning of the '60s. Signed.…

First edition of this exhibition flyer for the 1959 Tibor de Nagy exhibition of works by Larry Rivers and Grace Hartigan inspired by O'Hara's poetry. Octavo, original wrappers as issued, illustrated with twelve black and white lithographs. Association copy, inscribed by Larry Rivers on the verso of the front cover to fellow member of the informal New York School of artists Willem de Kooning, "For Bill de Kooning much admiration Larry Rivers." Musician, artist and filmmaker Larry Rivers took up painting in 1945 and lived in the the Hotel Chelsea, notable for its artistic residents such as Bob Dylan, Janis Joplin, Leonard Cohen, Arthur C. Clarke, Dylan Thomas, Sid Vicious and multiple people associated with Andy Warhol's Factory. A part of the New York School of the 1950s (of which Frank O'Harra was the crux due to his position at the MOMA), Rivers' paintings drew inspiration from the contemporary avant-garde movement, in particular abstract expressionism. De Kooning too was a part of the New York School, his well-known The Woman Series notable for its powerful expression of the frustrations and desires of the post-World War II era. In near fine condition. An intimate association copy, linking these great artists of the 20th century. The New York School was an informal group of American artists, musicians and poets active in New York City throughout the 50s and 60s. At the heart of the group was poet Frank O'Harra, due to his post as a curator at the Museum of Modern Art where he created connections between poets and painters including Larry Rivers, John Ashberry, and Fairfield Porter. The group participated in many joint collaborations including several publications, exhibitions, and works of art. While the poets of the group often wrote in an immediate and spontaneous manner reminiscent of stream of consciousness writing, the painters represented the New York abstract expressionists. The Abstract Expressionism movement in American painting was the first specifically American movement to achieve international influence and put New York City at the center of the western art world, a role formerly filled by Paris.…