C w eckersberg (30 résultats)

Soft cover. Etat : Near Very Good. Unmarked, farily clean and solid copy. Light foxing on covers. Covers picture ship line sketch and fully drawn ship. Priority and International Shipping will cost more. Illustrated (illustrateur).

paperback. Etat : Acceptable. With internal markings in pencil Acceptable, Reading copy only, with writing/markings, bumps/creasing, and heavy wear. Oversized.

Wrappers. Etat : Fine Condition. 294 pages. 146 illustrations 96 in color. Text is in English. Illustrated wraps. Published on the occasion of the exhibition from The Museum of Fine Arts, Houston, Texas October 6, 2002-January 5, 2003. List of Abbreviations. Notes. Book.

Paperback. Etat : Very Good. Not issued. Softcover with French flaps. Inscribed by one of the authors, Philip Conisbee, senior curator of European paintings at the National Gallery of Art, Washington, to the art historian, Leo Steinberg; no other markings. Slight cover wear. Ships in a box. Fast shipping from NYC. Signed by Author.…

First edition. Tall 8vo. 218 pp. Illustrations. Softcover, pictorial wraps, very good copy. With matching English translation (sans illustrations) of the Danish text. (44002). Udstillingskatalog i anledning af 200 året for kunstnerens fødsel.2.1.-10.4. 1983.

Print. Sheet 11.25 x 14.5 inches, lithograph 6.5 x 9 inches. Lithograph from painting by Eckersberg (1783-1853) with date of 1833 for painting. Eckersberg is known as the Father of Danish painting. He laid the foundation for the art period called the Golden Age of Danish Painting. Very good copy.Scattered foxing in sheet margins.…

Edition Bløndal, Copenhagen 1993. 136 pages. Richly illustrated in colour and b/w. Orig. soft cover with dust wrappers Near fine/ near fine wrapper.

Edition Bløndal, Copenhagen 1993. 136 pages. Richly illustrated in colour and b/w. Orig. soft cover with dust wrappers. Very Good+/Good+. Tear on wrapper. * Inscribed by Erik (Fischer).

paperback. Etat : Very Good. Very Good .Ships From Multiple Locations. book.

Den Kongelige Kobberstiksamling, Statens Museum for Kunst, København 1983. Lille 4to. 234 sider. Rigt illustreret i s/h. Heftet. Pæn med få brugsspor. * Kobberstiksamlingens billedhæfter, 5.

Nordlundes Bogtrykkeri, København 1977. 4°. 24 sider + 26 plancher i farver. Orig. marmoreret kartonbind. Pænt eksemplar. * Med forord af Jan Møller.

Kunstmuseet Brundlund Slot, Aabenraa 2017. 4to. 96 sider. Rigt illustreret i farver. orig. illustreret kartonbind. Velholdt.

Kunstbogklubben, København 2005. 416 sider. Rigt illustreret i s/h og farver. Orig. hellærredsbind uden smudsomslag. Lette brugsspor og en mindre rift i smudomslagets bagside ved den øverste kapitæl.

Med en indledning af Emil Hannover. Forening for Boghaandværk, København 1917. 67 sider. Illustreret i s/h. Heftet med orig. omslag.

LeatherBound. Etat : New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Reprinted from 1852 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set and contains approximately 16 pages. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English. …

Statens Museum for Kunst, København 2016. 4to. 238 sider. Rigt illustreret i farver. Orig. halvlærredsbind. Exlibris. Pænt eksemplar.

Kunstbogklubben, København 2005. 416 sider. Rigt illustreret i s/h og farver. Orig. hellærredsbind med smudsomslag. Pænt eksemplar.

Kunstforeningen, København 1898. 4°. 307 sider. Illustreret i s/h. Kønt samtidigt mørkegrønt halvlæderbind. Exlibris. Ryggen let falmet. * I årevis den mest omfattende biografi om "den danske malerkunsts fader".

Paperback. Etat : As New.

Kunstforeningen, København 1898. 4°. 307 sider. Illustreret i s/h. Indbundet ubeskåret med orig. foromslag i nydeligt papirbind (Oscar Jacobsen). Let kantstødt. Lette småskrammer på ryg. * I årevis den mest omfattende biografi om "den danske malerkunsts fader".

LeatherBound. Etat : New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Reprinted from 1852 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set and contains approximately 20 pages. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English. …

2 bind. Nyt Nordisk Forlag Arnold Busck, København 2009. 1432 sider. Orig. lyseblå hellærredsbind med smudsomslag. Med nogle brugsspor. * Denne formidabelt kommenterede udgave af den myreflittige, men lidenskabsløse (som skribent) Eckersbergs dagbøger udgør et mageløst kildemateriale til den danske guldalder.…

Th. Lind, København 1872. 264 sider. Samtiigt halvlæderbind. Lette brugsspor. Exlibris indsat. * Det første større skriftlige arbejde om Eckersberg.Med dedikation fra forfatteren på friblad.

Th. Lind, København 1872. 264 sider. Samtiigt mørkegråt helshirtingsbind med rygforgyldning. * Det første større skriftlige arbejde om Eckersberg.

Kunstforeningen, København 1898. 4°. 307 sider. Illustreret i s/h. Elegant samtidigt halvbind af mørkeblåt kalveskind med rig rygforgyldning (Anker Kyster). * Den første omfattende biografi om "den danske malerkunsts fader" i en smuk indbinding.

Kunstforeningen, København 1898. 4°. 307 sider. Illustreret i s/h. Elegant samtidigt sort halvlæderbind med rig rygforgyldning (Anker Kyster). Navn på fribladet. Udvendige false med småskrammer. * Den første omfattende biografi om "den danske malerkunsts fader" i en smuk indbinding. Bindet er et ungdomsarbejde af Kyster med det lille navnestempel.…

Lahde, (1806 - ca. 1814) + (ca. 1818-20 for the final three plates). Small folio (binding: 31,7 x 20,6 cm). Bound in an elegant pastiche half calf by Anker Kyster, with lovely gilt spine, old marbled paper boards and beautiful hand-made patterned end-papers. Bound with four of the exceedingly scarce title-pages/front wrappers for issues one, one/two three, and five, stating which plates were in the issue in question. Complete with all 34 magnificent engraved plates of costumes, all on large, good paper and in exquisite, precise original handcolouring. Most of the leaves measure 31 x 20,2 cm, one (En Brand Officer) measures 28x19,5. At the end are withbound the three final plates that were issued a bit later, with the complete ediiton of 1820. Thus making the final plate count 37. The three final plates all measure 28x20 cm. The two first plates have been neatly restored at upper right corner, far from affecting image. Otherwise, the copy is in magnificent condition. With the ex-libris of Oskar Davidsen to verso of front free end-paper. The exceedingly scarce first edition of Senn and Lahde?s (with the possible collaboration of Eckersberg) magnificent ?Klædedragter i Kjøbenhavn? (Costumes in Copenhagen), which is the first work devoted to costumes of the Danish capital and thus of seminal historical importance to the understanding of Copenhagen folklore at the brink of the golden age. The magnificent plates are of unusually high quality and differ from those of other works of this kind in being more artistically ambitious. The plates show attempts at depicting action and movement and portraying a certain situation. They are much less stiff than other costume plates of the period, and the features of the persons in the pictures show an intentional individualization. In short, they are much more closely related to the genre painting than would be expected. This highly important and extensive collection of Copenhagen costumes was made in Denmark, by foreigners and with an international aim. The Swiss painter and engraver Johannes Senn (1780-1861) spent 15 years in Denmark, from 1804 till 1819, and the German-born Gerhard Ludvig Lahde (1765-1833) came to Copenhagen in 1787 in order to attend the Art Academy and later became a Danish citizen. The two artists find themselves at the beginning of a period, in which national feeling, the strengthened sense of nationality, and a romantic view of nature are rapidly growing a period in which the interest in ?common? man and the people of a nation are becoming the centre of attention. Out of this grows the need to represent the people, the ?real? population, to the rest of the world and to claim a specific sense of what it is to be, in this case, a Copenhagener. ?Klædedragter i Kjøbenhavn? began appearing in 1806, and we know that by 1810, three issues with six plates in each (i.e. 18 plates) had appeared. The following three issues appeared shortly after, though not all containing six plates (the fifth issue, as is evident from the exceedingly scarce title/wrapper bound in the present copy, only contained four plates), amounting to 34 plates in all. These plates later appeared in Lahde?s ?Elementarværk I Tegnekunsten (1817-18), and a selection of 12 plates were issued separately under the title ?Karakteristiske Figurer eller Det daglige Liv i Hovedstaden? (1812). A further three plates were issued later (these three plates have been added to the present copy), and in 1820, all 37 plates appeared together. In 1830, the work appeared again, this time with 35 plates, under the title ?Kjøbenhavns Klædedragter eller Det Daglige Liv i Hovedstaden? Provenance: Oskar Davidsen, one of the most significant Danish book collectors, whose collection included virtually all illuminated and coloured Danish books. (Colas: 1721 for the later edition, not having the original).…

ECKERSBERG, C.W. Forsög til en Veiledning i Anvendelsen af Perspectivlæren for unge Malere. Title page and 12 pp., 4 etched plates. Folio, 335 x 255 mm., bound in contemporary grey wrappers. Copenhagen: Thieles Bogtrykkeri, 1833. WITH: Linearperspectiven, anvendt paa Malerkunsten, en Række af perspectiviske Studier af C. W. Eckersberg, med tilhörende Forklaringer. One page introduction by G.F. Ursin and 11 etched plates, numbered 1-10, with 9a and 9b, accompanied by 9 text leaves (the texts accompanying plates 7a and 8, and 9a and 9b are each on one page). Loose in the original wrappers in a new blue cloth folding box. Copenhagen: C. A. Reitzel, 1841. First edition of both works. Christoffer Wilhelm Eckersberg is considered to be the founding father of the nineteenth century Danish school of painting, and was the most influential teacher in the history of Danish art. The National Gallery in Washington mounted a major retrospective of his work in 2003. He was extremely interested in the subject of perspective, and while a professor at the Royal Danish Academy, he published these two books on the subject. The first: Forsög til en Veiledning i Anvendelsen af Perspectivlæren for unge Malere( Theory of Perspective for Young Painters), was published in 1833, and contains four plates which just demonstrate perspective. His second book Linearperspectiven was published in 1841 and contains exquisite etchings he made which he called "scenes from everyday life". The charm of these plates makes this one of the loveliest of all works on perspective. A facsimile was issued in 1977, which would also appear to be very scarce. Both works are rare with OCLC recording only 3 copies worldwide, two in Danish libraries and one set at the National Gallery. Forsög til en Veiledning with the spine rebacked, several professional paper repairs and some staining, a good sound copy. All the pages have been mounted on tissue in Linearperspectiven, still an appealing copy.…

Kunstforeningen, København 1898. 4°. 307 sider. Illustreret i s/h. Elegant samtidigt sort halvlæderbind med rig rygforgyldning (Anker Kyster). * Den første omfattende biografi om "den danske malerkunsts fader" i en smuk indbinding. Bindet er et ungdomsarbejde af Kyster med det lille navnestempel.

Thieles Bogtrykkeri, København 1833. Lille folio. 14 sider + 1 blankt blad + IV foldede raderede tavler med perspektiv-eksempler. Senere jævnt halvlærredsbind med rester af håndskrevet titelfelt. Bindet temmelig slidt. Lidt gulnet i kanterne. * Meget sjælden. ** Eckersberg lagde megen vægt på at lære sine elever ved Kunstakademiet perspektivets elementære principper. "Med denne korte afhandling indskrev Eckersberg sig i en lang tradition, skabt af fremtrædende kunstnere, der hver især har fremlagt deres kunstsyn i teoretiske skrifter. (.) Eckersbergs ærinde er først og fremmest at opstille lovmæssigheder for billedkonstruktion, men som den eneste gang i sit liv benytter han også lejligheden til at gøre rede for sit kunstsyn skriftligt" (P.M. Hornung & Kasper Monrad: Eckersberg (2005), p. 370. At Eckersberg havde held med sin pædagogik kan bl.a. ses hos eleven Christen Købke, hvis hele komposition i det berømte billede "Parti af Østerbro i Morgenbelysning" (1836) er hentet direkte fra planche IV i Eckersbergs værk. *** Eckersberg har formentlig selv raderet bogens illustrationer. **** Very scarce work on perspective by one of the greatest Danish artists of the Golden Age of the 19th century. The plates were most likely engraved and printed by Eckersberg himself.…