Ibram lassaw (10 résultats)

Soft Cover (Stapled Binding). Etat : Very Good. Type: Book 1985 PUBLICATION. Clean throughout/ light wear on covers.

Softcover unpaginated; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Paperback. Etat : Very Good. First Edition. First Edition, First Printing. Published by Guild Hall of East Hampton, 1988. Quarto. Paperback. Book is very good. Great copy of this engaging art title.100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York. …

Etat : Good. 4to. 48 pp. Soft Cover. Very Good. Illustrated paper wraps. B&W plates throughout. Errata laid in.

Paperback. Etat : Very good in wraps. 24 x 28cm 238pp very good paperback, Italian text and colour reproductions showing the sculptural works of the Egyptian-born American sculptor of Russian heritage, known for non-objective construction in brazed metals.

Softcover, 240 pages; in Italian; as new condition; clean and crisp; no internal marks. DVD in English at rear. Foreign shipping may be extra.

Soft cover. Etat : Good-. No Dust Jacket. Original blue spiral-bound wraps, covers stained. Light dampstain to lower margin of first and last few pages, not affecting any text or images. Previous owner's name on verso of front cover. Title page detached, but present. Plate by Werner Drewes name signed in pencil (by artist ?) at opposite end of printed signature, as if plate is printed to be viewed upside down. Illust. w/ numerous b/w plates.…

Traduction de Jean Cathelin. Paris: Georges Fall (Collection «Le Musée de poche», dirigée par Jean-Clarence Lambert), 1959. Un volume 18,5x14cm broché sous couverture illustrée, de 76 pages sur papier fort avec 39 reproductions en noir et en couleurs. Exemplaire en bon état. Créée par l?éditeur Georges Fall, la collection Le Musée de poche publia 52 monographies d?artistes entre 1955 et 1965, chacune rédigée par des écrivains et critiques de renom. Excellente collection dédiée au nouveau courant d?art abstrait, notamment de la nouvelle Ecole de Paris, qui permis de faire découvrir des artistes alors inconnus du grand public. Livres.…

64 pp.; 28.8 x 22.9 cm.; glue bound; other special feature[s]; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; First issue of six issues published of "It Is: A Magazine for Abstract Art." Director and collator: Sebastian Gallo. Contents include: "Recent Attacks on Abstract Art," by Hubert Crehan; "The Canvas Plane, or Onwards and Upwards," by Michael Goldberg; "Drawing the Figure," by Nicholas Marsicano; "Ambiance and Abstract Sculpture," by E.A. Navaretta; "44 Titles for Artists Under 45," by Ad Reinhardt; "The Literary Style in Art Writings Today," by Ruthven Todd; "A Manifesto-in-Progress," by P.G. Pavia and "Polemics," by P.G. Pavia. Artists include Landis Lewitin, Michael Lakakis, Reubin Nakian, Philip Guston, William de Kooning, Ad Reinholt, Ernie Briggs, Enrico Donati, John Ferren, Robert Goodnough, Raoul Hague, David Hare, Carl Holty, Angelo Ippolito, Franz Kline, Elaine de Kooning, Al Kotin, Ibram Lassaw, Mercedes Matter, Constantino Nivola, Ray Parker, Milton Resnick, James Rosati, Ludwig Sander, David Slivka, George Spaventa, Estaban Vincente, Alfred Duhrssen, Ray Parker, Jack Tworkov and Wilfred Zogbaum. Includes a statement and cahier section from various artists. Front cover: Landis Lewitin. Back cover: Michael Lekakis and Reuben Nakian. Reference : "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 269. Fair / Good. Repaired and moisture damaged copy. 12.2 cm. area of yellow soiling to top edge and right side edge of recto. Removed cloth binding tape along spine edge and recto and verso at spine. Two 2 cm. tears to top edge of spine. Intact cloth binding tape to interior along inside front cover and title page and last page and inside back cover. 6 cm. of water staining to top corner of pages. 9 cm. business card from previous owners adhered to inside of back cover. Contents otherwise clean and unmarked. Sold "as-is.".…

Etat : Fine. [East Hamptom, NY]: Ashawagh Hall. 1975., 1975. Fine. ORIGINAL SIGNED LIMITED EDITION POSTER BY IBRAM LASSAW FOR AN EAST HAMPTON EXHIBITION - An original 29 inch high by 23 inch wide poster designed by the Russian-American sculptor and artist Ibram Lassaw for the "Ashawagh Hall Aug 2 thru 17, 1975 / The Springs Artists Exhibition" in East Hamptom, New York. Titled in black along the top, the abstract black, pink & red image depicts a jagged construction reminiscent of a jigsaw puzzle piece. Lithographed on a white background, the poster is signed in full "Ibram Lassaw" in pencil above his printed signature. The poster is further numbered "19/50" in pencil at bottom left. The bottom edge of the poster is slightly darkened. Near fine. Limited edition of 50 numbered copies, signed in pencil by the artist. The Russian-American sculptor and artist Ibram Lassaw (1913-2003) was born in Egypt. His parents, who were Russian emigrees living in Egypt, moved to the U.S. and settled in Brooklyn, NY. A student at the Clay Club and New York's Beaux-Arts Institute of Design, he was influenced by Kandinsky, Arp, and others. He soon followed his abstract paintings and drawings with sculptural works. His open-space constructions were created through welding. He worked for the Public Works of Art Project in the mid-30's and joined the WPA as a teacher and sculptor before serving in the army during the war. He promoted modernist styles and influenced the growth of abstract art in the U.S. One of its founding members, he served as president of the American Abstract Artists organization from 1946 to 49. He, along with other artists such as Jackson Pollock, Lee Krasner, Willem de Kooning and many more, spent his summers on the south fork of Long Island, moving there permanently in 1963.…