Benjamin richter (407 résultats)

paperback. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Etat : New. HARDCOVER, BRAND NEW COPY, Perfect Shape, No Remainder Mark, 363-1108Fast Shipping With Online Tracking, International Orders shipped Global Priority Air Mail, All orders handled with care and shipped promptly in secure packaging, we ship Mon-Sat and send shipment confirmation emails. Our customer service is friendly, we answer emails fast, accept returns and work hard to deliver 100% Customer Satisfaction.…

Hardcover. Etat : New. HARDCOVER, BRAND NEW COPY, Perfect Shape, No Remainder Mark, 363-1108Fast Shipping With Online Tracking, International Orders shipped Global Priority Air Mail, All orders handled with care and shipped promptly in secure packaging, we ship Mon-Sat and send shipment confirmation emails. Our customer service is friendly, we answer emails fast, accept returns and work hard to deliver 100% Customer Satisfaction.…

Hardcover. Etat : Near Fine. Etat de la jaquette : Very Good. 1st. Cloth, 127 pages, illustrations (some colour); 29 cm. Text in English. Catalogue of an exhibition held at the Deutsche Guggenheim Berlin, October 11, 2002 to January 5, 2003. Firm binding, clean inside copy. Dust jacket nicked once. Another copy available. OVERSIZE! Additional shipping charges may be requested for international & priority orders. *** Gerhard Richter is arguably the most important German artist of the post-war period. He was known as a practitioner of the German variant of Pop art, "Capitalist Realism," in the sixties and seventies. But the artist has always straddled the concerns of both the Pop artists and the Minimalists. In recent years, some of his works have been totally abstract, deconstructing pictorial conventions, as in this commissioned work, "Eight Gray," a series of pieces utilizing mirrored surfaces. The installation is interpreted by the Marxist critic and art historian Benjamin H. D. Buchloh, who is the leading champion of Richter's work. A lavish publication. *** "Deutsche Guggenheim Berlin will present Gerhard Richter: Eight Gray, a new commission project consisting of eight monumental mirrored panels. One of the most influential artists of the twentieth century, Richter has become known for his manipulation of various pictorial conventions. His diverse production, which includes sculptural objects and paintings and ranges from landscapes to monochromes, is characterized as a whole by the artist's steadfast investigation of the nature of looking. Throughout his career he has experimented with the concept of the perceptual frame and, consequently, windows and mirrors; the commission for the Guggenheim grows out of a series of works Richter first conceived in the mid 1960s. The hazy reflections of the artist's series of enameled glass panels articulate the viewer's fleeting relationship to the real while referencing a long history of attempts to depict it on canvas and on film. Gerhard Richter's Eight Gray is the eighth commissioned work Deutsche Guggenheim Berlin." - Publisher. Size: 4to. …

Etat : As New. Unread book in perfect condition.

Etat : New.

dvd. Etat : Used - Good.

Paperback. Etat : New.

Zustand: Gut Einband: Leinen 8° 354 S. Reisebuch Libyen. Mit 32 einfarbigen u. 4 Farb-Tafeln, Kartenbeilage, Textzeichnungen. - Ohne Schutzumschlag, leichte Altersspuren. 650 gr.

Etat : New.

Hardcover. Etat : Fine. Etat de la jaquette : Fine. 1st. Cloth, 127 pages, illustrations (some colour); 29 cm. Text in English. Catalogue of an exhibition held at the Deutsche Guggenheim Berlin, October 11, 2002 to January 5, 2003. Firm binding, clean inside copy. Dust jacket protected in a mylar cover. OVERSIZE! Additional shipping charges may be requested for international & priority orders. *** Gerhard Richter is arguably the most important German artist of the post-war period. He was known as a practitioner of the German variant of Pop art, "Capitalist Realism," in the sixties and seventies. But the artist has always straddled the concerns of both the Pop artists and the Minimalists. In recent years, some of his works have been totally abstract, deconstructing pictorial conventions, as in this commissioned work, "Eight Gray," a series of pieces utilizing mirrored surfaces. The installation is interpreted by the Marxist critic and art historian Benjamin H. D. Buchloh, who is the leading champion of Richter's work. A lavish publication. *** "Deutsche Guggenheim Berlin will present Gerhard Richter: Eight Gray, a new commission project consisting of eight monumental mirrored panels. One of the most influential artists of the twentieth century, Richter has become known for his manipulation of various pictorial conventions. His diverse production, which includes sculptural objects and paintings and ranges from landscapes to monochromes, is characterized as a whole by the artist's steadfast investigation of the nature of looking. Throughout his career he has experimented with the concept of the perceptual frame and, consequently, windows and mirrors; the commission for the Guggenheim grows out of a series of works Richter first conceived in the mid 1960s. The hazy reflections of the artist's series of enameled glass panels articulate the viewer's fleeting relationship to the real while referencing a long history of attempts to depict it on canvas and on film. Gerhard Richter's Eight Gray is the eighth commissioned work Deutsche Guggenheim Berlin." - Publisher. Size: 4to. Collectible.…

Paperback. Etat : Very Good+. Text clean and tight; Walter Benjamin Studies; 8.43 X 5.85 X 0.73 inches; 176 pages.

hardcover. Etat : New. Brand New.

0. 354 S., 8°, Ln. mit SU, mit 32 einfarbigen und 4 farbigen Tafeln, einer topographischen Faltkarte sowie einigen Textzeichnungen. (HKWR2). Band.

Hardcover. Etat : Fine. Etat de la jaquette : Fine. New hardcover in bright, glossy dust jacket; 128 pages. NO remainder marks or flaws; no defects.

Broschiert. Etat : Gut. 145 Seiten; Das Buch befindet sich in einem sehr gut erhaltenen Zustand. Sprache: Deutsch Gewicht in Gramm: 210.

Etat : New.

Hardcover. First edition, first printing. A monograph on a specific installation of eight enameled glass panels that Gerhard Richter did on commission for the Deutsche Guggenheim, Berlin. Additionally, the text and illustrations explore related works from Richter's career. Essay by Benjamin H.D. Buchloh; preface by Tessen von Heydebreck. 128 pages; 80 color and 25 b&w illustrations; 10 x 11.25 inches. Bibliography. Text in English. Condition: As New clothbound hardcover in dust jacket in the publisher's shrink wrap. Ships the next business day, wrapped in padding, in a box. …

First Edition. First edition. Softcover. 160 pages. Exhibition catalog for a traveling show that started in Toronto and went to Chicago, Washington, D.C and San Francisco. Features an essay by I. Michael Danoff and the text of Benjamin H.D. Buchloh's interview with Richter. Includes numerous color and black and white illustrations. A clean near fine copy in wrappers and with laid in checklist.…

dj. First Edition. First edition and first printing. Hardcover. 160 pages. Monograph printed for a traveling show that started in Toronto and went to Chicago, Washington, D.C and San Francisco. Features text by Roald Nasgaard, an essay by I. Michael Danoff and the text of Benjamin H.D. Buchloh's interview with Richter. Includes numerous color and black and white illustrations, chronological list of illustrated works, chronology, list of previous exhibitions, and a selected bibliography. A near fine copy in cloth boards with a remainder mark to the bottom edge of the pages and in a very good dust jacket with some small chips, tears and other light wear.…

First Edition. First edition. Hardcover. 143 pages. Features text contributions in English, French and German by Dietmar Elger, Wilfried Wiegand, Stephan von Wiese, and Paul Moorhouse. An often intimate collection of black and white photographs of Richter by Benjamin Katz. A fine copy in photo-illustrated boards. No dust jacket as issued.…

Etat : New.

Paperback. Etat : Very Good.

hardcover. Etat : fine. Etat de la jaquette : fine. First. Black & white and color illustrations throughout. 160 pages. 4to, green cloth with gilt lettering at spine and cover emblem, pictorial d.w. New York: Thames & Hudson, (1988). First edition. A fine copy in a fine dust wrapper. Published on the occasion of the exhibition of the same name organized jointly by the Museum of Contemporary Art, Chicago, and the Art Gallery of Ontario, Toronto. RICHTER, Gerhard (illustrateur).…

186 S., ill. OLwd., Gr.-8°., Kopffarbschnitt., Mit Reproduktionen von 16 farb. Aquarellen, 2 Ölbildern, 25 Textabb. und 2 Diagrammen des Verfassers., Einband wasserfleckig und angeschmutzt., Name und Strich auf Titel., [xxx] * Ohne Schutzumschlag. Sprache: Deutsch 400 gr.

354 SS. mit 32 s/w und vier farb. Tafeln, einer farb Faltkarte und etl. Textzeichnungen. 8°. OLn. mit OU. Gut. Aufgrund der von der Europäischen Union erlassenen EPR-Handels-Erschwernisse kann in folgende Länder KEIN VERSAND mehr erfolgen: Bulgarien, Griechenland, Luxemburg, Polen, Österreich, Rumänien, Dänemark, Schweden, Slowakei, Spanien. Sollte eine deutsche Lieferadresse möglich sein, kann an diese aber problemlos geliefert werden! * * * due to EPR-Restrictions NO SHIPPING to Austria, Bulgaria, Denmark, Greece, Luxembourg, Poland, Romania, Sweden, Slovakia and Spain * * * Sprache: Deutsch 740 gr. …

Hardcover. Etat : Gut. 2. Auflage. OLn., SU, 8°, 186 S., mit 16, Aquarellen, 2 Ölbildern und 25 Textzeichnungen des Verfassers sowie 6 Karten und 2 Blockdiagrammen, Schutzumschlag fleckig und mit Randläsuren.

Paperback. Etat : Very Good. Museum Boymans-van Beuningen, Published 1989. Paperback, 166 pp.; 27 cm; text in Dutch and English in parallel; edition of 3000 copies; catalogue designed by 8vo, London, printed by Rosbeek, Nuth; illustrated with color plates of the 1988-89 paintings, several double-page, and black-and-white plates of the grey paintings and the October 18, 1977 cycle; list of illustrations, bibliography, exhibitions. In Very Good condition. Pictorial paper covers with French flaps (a Richter abstract in black and white wrapping front and rear, title in red), sewn binding with the stitching visible in the gutter; moderate shelf wear with rubbing and creasing along spine and outer edges, some color loss along edges and at corners, light bumping to corners. Binding tight. Page 37 has one paragraph of the Buchloh essay bracketed in ink with a small ink dot beside the name Stephen Biko; otherwise unmarked. Catalogue of the exhibition held 15 October to 3 December 1989, organized and edited by Richter together with curator Karel Schampers, for which Richter made some 45 new paintings adapted to the museum's galleries, shown alongside six grey paintings of 1966-76 as points of reference. The new work is in two groups: the large abstracts of 1988-89 (Grad, Lot, Rain, Uran, and others, in a palette restrained to blacks, whites, and greys with color breaking through) and the fifteen photo-paintings of the cycle October 18, 1977, taken from press and police photographs of the last days of the Baader-Meinhof group (Youth Portrait, Confrontation, Hanged, Dead, Funeral, Cell, Record Player). Rotterdam was the cycle's fourth showing, after Krefeld, the Portikus in Frankfurt, and the ICA London earlier in 1989 and before its 1990 American tour. Buchloh's essay, A Note on Gerhard Richter's October 18, 1977, reads the cycle against Warhol's Disasters and against the "polit-kitsch" of recent German history painting; Tilroe's introduction and Schampers's foreword take up Richter's refusal of a fixed style. Contents: Acknowledgements (Wim Crouwel); Foreword (Karel Schampers); Gerhard Richter (Anna Tilroe); A Note on Gerhard Richter's October 18, 1977 (Benjamin H. D. Buchloh); Catalogue; List of Illustrations; Bibliography; Exhibitions.…

Halbleinen. Etat : Gut. Guter Schutzumschlag. S. 185. mit farbabb. im Anhang.

Etat : very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.