Alberta arthurs (40 résultats)

Etat : Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Etat : Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Etat : Good. Good condition. Good dust jacket. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.

Hardcover. Etat : Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Etat : Acceptable. PLEASE NOTE: FORMER LIBRARY COPY. MAY HAVE IDENTIFYING MARKS, STAMPS AND/OR STICKERS, ETC.BOOK REMAINS IN ACCEPTABLE READING CONDITION. Former Library book. hardcover 100% of proceeds go to charity! Acceptable reading copy with obvious signs of use, wear, and/or cosmetic issues. Item is complete and remains readable despite notable condition issues. …

Hardcover. Etat : Very Good. Etat de la jaquette : Very Good.

hardcover. First Edition. Fine in a near fine Dust Jacket. First edition, 1st printing.

Hard Cover. Etat : vg+. Etat de la jaquette : vg+. Published in conjunction with the Center for Arts & Culture & the Henry Luce Foundation. 282 pages + section of glossy color plates; interior clean & tight. Hardcover (dj).

Hardcover. Etat : Like New. Etat de la jaquette : Like New. This copy is LIKE NEW; the text is clear, bright, and unmarked; binding is tight, but slightest shelf wear on edges. Apparent first edition (not noted but earliest appearance of book). STATED FIRST PRINTING. The jacket is LN: absolutely intact in all ways, including perfect color and design, but slight rubbing on front and rear. We have a five star rating because of our fulfilment success and because our descriptions are accurate. On foreign sales, because of the heavy weight of this book, we have to charge extra for shipping: however, we will only charge the difference between our regular shipping rate and the extra charge that the U.S.Post Office asks to ship the book. We guarantee: NO NASTY SURPRISES.…

hardcover. Etat : As New. Never read, no marks or highlighting in the book. Our copy is hardback, with a dust jacket, showing light shelf-wear.

Hardcover. Etat : Near Fine. Etat de la jaquette : Fine. 1st. xvii, 282 pages, illustrations (some colour); 22 cm. Published in conjunction with the Center for Arts and Culture and the Henry Luce Foundation. Near fine. Firm binding, clean inside copy. Spine slightly rolled at crown. Dust jacket protected in a mylar cover. *** "From church-sponsored arts festivals to religious protests outside museums, religion and art often interact as dynamic forces in American life. Now, following up on a fascinating series of dialogues among artists, religious leaders, journalists, and scholars, an interdisciplinary group of distinguished thinkers investigates this complex relationship, looking for common ground and opportunities for cooperation between the arts and religion in America. Crossroads goes beyond media hype to explain both the historical roots and current realities of the ways people understand art and religion in their daily lives, and it places the sensational controversies into context, from an examination of the Brooklyn Museum protest to a conversation with leading artists about spirituality in their work. Featuring a preface by Garry Wills, Crossroads brings art and religion in American life--past, present, and future--into sharper focus. / Alberta Arthurs is affiliated with MEM Associates in New York City and is a former director for arts and humanities at the Rockefeller Foundation. Glenn Wallach has taught history and American studies at Yale and Georgetown universities and is a senior associate scholar at the Center for Arts and Culture. Located in Washington, D.C., the Center for Arts and Culture is America's only independent think tank for arts and cultural issues. Garry Wills's many books include Papal Sin and Reagan's America. He teaches history at Northwestern University." - Publisher. Contributors: Paul DiMaggio, David Halle, Neil Harris, Peter Marsden, Sally Promey, Amei Wallach, and Robert Wuthnow. Size: 8vo. Collectible.…

Hardcover with dustjacket, 332 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover. Etat : New.

Etat : New.

Etat : New.

Hardback or Cased Book. Etat : New. Are the Arts Essential. Book.

Hardcover. Etat : Near Fine. Etat de la jaquette : Fine. First edition. 282pp. Illustrated with color plates. Ex-library with labels and stamp with inked library numbers on front fly, boards slightly bowed, near fine in an about fine dust jacket with spine label.

Hardback. Etat : New. A timely and kaleidoscopic reflection on the importance of the arts in our society In the midst of a devastating pandemic, as theaters, art galleries and museums, dance stages and concert halls shuttered their doors indefinitely and institutional funding for entertainment and culture evaporated almost overnight, a cohort of highly acclaimed scholars, artists, cultural critics, and a journalist sat down to ponder an urgent question: Are the arts essential? Across twenty-five highly engaging essays, these luminaries join together to address this question and to share their own ideas, experiences, and ambitions for the arts. Darren Walker discusses the ideals of justice and fairness advanced through the arts; Mary Schmidt Campbell shows us how artists and cultural institutions helped New York overcome the economic crisis of the 1970s, bringing new investment and creativity to the city; Deborah Willis traces histories of oppression and disenfranchisement documented by photographers; and Oskar Eustis offers a brief history lesson on how theaters have built communities since the Golden Age of Athens. Other topics include the vibrancy and diversity of Muslim culture in America during a time of rising Islamophobia; the strengthening of the common good through the art and cultural heritages of indigenous communities; digital data aggregation informing and influencing new art forms; and the jazz lyricisms of a theater piece inspired by a composer's two-month coma. Drawing on their experiences across the spectrum of the arts, from the performing and visual arts to poetry and literature, the contributors remind readers that the arts are everywhere and, in one important way after another, they question, charge and change us. These impassioned essays remind us of the human connections the arts can forge-how we find each other through the arts, across the most difficult divides, and how the arts can offer hope in the most challenging times. What answer does this convocation offer to Are the Arts Essential? A resounding Yes.…

Etat : As New. Unread book in perfect condition.

Hardback. Etat : New. A timely and kaleidoscopic reflection on the importance of the arts in our society In the midst of a devastating pandemic, as theaters, art galleries and museums, dance stages and concert halls shuttered their doors indefinitely and institutional funding for entertainment and culture evaporated almost overnight, a cohort of highly acclaimed scholars, artists, cultural critics, and a journalist sat down to ponder an urgent question: Are the arts essential? Across twenty-five highly engaging essays, these luminaries join together to address this question and to share their own ideas, experiences, and ambitions for the arts. Darren Walker discusses the ideals of justice and fairness advanced through the arts; Mary Schmidt Campbell shows us how artists and cultural institutions helped New York overcome the economic crisis of the 1970s, bringing new investment and creativity to the city; Deborah Willis traces histories of oppression and disenfranchisement documented by photographers; and Oskar Eustis offers a brief history lesson on how theaters have built communities since the Golden Age of Athens. Other topics include the vibrancy and diversity of Muslim culture in America during a time of rising Islamophobia; the strengthening of the common good through the art and cultural heritages of indigenous communities; digital data aggregation informing and influencing new art forms; and the jazz lyricisms of a theater piece inspired by a composer's two-month coma. Drawing on their experiences across the spectrum of the arts, from the performing and visual arts to poetry and literature, the contributors remind readers that the arts are everywhere and, in one important way after another, they question, charge and change us. These impassioned essays remind us of the human connections the arts can forge-how we find each other through the arts, across the most difficult divides, and how the arts can offer hope in the most challenging times. What answer does this convocation offer to Are the Arts Essential? A resounding Yes.…

Hardcover. Etat : new. Hardcover. A timely and kaleidoscopic reflection on the importance of the arts in our society In the midst of a devastating pandemic, as theaters, art galleries and museums, dance stages and concert halls shuttered their doors indefinitely and institutional funding for entertainment and culture evaporated almost overnight, a cohort of highly acclaimed scholars, artists, cultural critics, and a journalist sat down to ponder an urgent question: Are the arts essential? Across twenty-five highly engaging essays, these luminaries join together to address this question and to share their own ideas, experiences, and ambitions for the arts. Darren Walker discusses the ideals of justice and fairness advanced through the arts; Mary Schmidt Campbell shows us how artists and cultural institutions helped New York overcome the economic crisis of the 1970s, bringing new investment and creativity to the city; Deborah Willis traces histories of oppression and disenfranchisement documented by photographers; and Oskar Eustis offers a brief history lesson on how theaters have built communities since the Golden Age of Athens. Other topics include the vibrancy and diversity of Muslim culture in America during a time of rising Islamophobia; the strengthening of the common good through the art and cultural heritages of indigenous communities; digital data aggregation informing and influencing new art forms; and the jazz lyricisms of a theater piece inspired by a composer's two-month coma. Drawing on their experiences across the spectrum of the arts, from the performing and visual arts to poetry and literature, the contributors remind readers that the arts are everywhere and, in one important way after another, they question, charge and change us. These impassioned essays remind us of the human connections the arts can forgehow we find each other through the arts, across the most difficult divides, and how the arts can offer hope in the most challenging times. What answer does this convocation offer to Are the Arts Essential? A resounding Yes. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Etat : new.

Etat : New.

Etat : New. 2022. Hardcover. . . . . .

Etat : New.

Hardcover. Etat : Brand New. 496 pages. 10.00x6.00x0.75 inches. In Stock.

Hardcover. Etat : New. Special order direct from the distributor.

Etat : New. In English.

Hardback. Etat : New. New copy - Usually dispatched within 4 working days.