Davide crosara (50 résultats)

Etat : New.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

hardcover. Etat : Very Good.

Etat : New.

HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Etat : New. 2026. 1st Edition. paperback. . . . . .

HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Etat : As New. Unread book in perfect condition.

Paperback. Etat : Brand New. 250 pages. 6.14x0.55x9.21 inches. In Stock.

Etat : New. 2026. 1st Edition. paperback. . . . . . Books ship from the US and Ireland.

Paperback. Etat : New.

Etat : New.

Etat : As New. Unread book in perfect condition.

Hardback. Etat : New. Beckett's dialogue with the arts (music, painting, digital media) has found a growing critical attention, from seminal comprehensive studies (Oppenheim 2000; Harvey, 1967, to name just two) to more recent contributions (Gontarski, ed., 2014; Lloyd, 2018). Research has progressively moved from a general inquiry on Beckett beyond the strictly literary to issues related to intermediality and embodiment (Maude, 2009; Tajiri, 2007), post humanism and technology (Boulter, 2019; Kirushina, Adar, Nixon eds, 2021), intersections with popular culture (Pattie and Stewart, eds., 2019). However, a specific analysis on Beckett's relationship with Italian arts and poetry on one side-and on Italian artists' response to Beckett's oeuvre on the other-is still missing. The volume offers an original examination of Beckett's presence on the contemporary Italian cultural scene, a stage where he became (andstill is) the fulcrum of some of the most significant experimentations across different genres and media. The reader will look at him as an "Italian" artist, in constant dialogue with the most significant modern European cultural turns.…

Etat : New. In.

Paperback. Etat : New.

Hardback. Etat : New. New copy - Usually dispatched within 4 working days.

Hardback. Etat : New. Beckett's dialogue with the arts (music, painting, digital media) has found a growing critical attention, from seminal comprehensive studies (Oppenheim 2000; Harvey, 1967, to name just two) to more recent contributions (Gontarski, ed., 2014; Lloyd, 2018). Research has progressively moved from a general inquiry on Beckett beyond the strictly literary to issues related to intermediality and embodiment (Maude, 2009; Tajiri, 2007), post humanism and technology (Boulter, 2019; Kirushina, Adar, Nixon eds, 2021), intersections with popular culture (Pattie and Stewart, eds., 2019). However, a specific analysis on Beckett's relationship with Italian arts and poetry on one side-and on Italian artists' response to Beckett's oeuvre on the other-is still missing. The volume offers an original examination of Beckett's presence on the contemporary Italian cultural scene, a stage where he became (andstill is) the fulcrum of some of the most significant experimentations across different genres and media. The reader will look at him as an "Italian" artist, in constant dialogue with the most significant modern European cultural turns.…

Hardback. Etat : New. Beckett's dialogue with the arts (music, painting, digital media) has found a growing critical attention, from seminal comprehensive studies (Oppenheim 2000; Harvey, 1967, to name just two) to more recent contributions (Gontarski, ed., 2014; Lloyd, 2018). Research has progressively moved from a general inquiry on Beckett beyond the strictly literary to issues related to intermediality and embodiment (Maude, 2009; Tajiri, 2007), post humanism and technology (Boulter, 2019; Kirushina, Adar, Nixon eds, 2021), intersections with popular culture (Pattie and Stewart, eds., 2019). However, a specific analysis on Beckett's relationship with Italian arts and poetry on one side-and on Italian artists' response to Beckett's oeuvre on the other-is still missing. The volume offers an original examination of Beckett's presence on the contemporary Italian cultural scene, a stage where he became (andstill is) the fulcrum of some of the most significant experimentations across different genres and media. The reader will look at him as an "Italian" artist, in constant dialogue with the most significant modern European cultural turns.…

Hardcover. Etat : Brand New. 250 pages. 6.02x9.00x1.00 inches. In Stock.

Etat : New.

Hardback. Etat : New. Beckett's dialogue with the arts (music, painting, digital media) has found a growing critical attention, from seminal comprehensive studies (Oppenheim 2000; Harvey, 1967, to name just two) to more recent contributions (Gontarski, ed., 2014; Lloyd, 2018). Research has progressively moved from a general inquiry on Beckett beyond the strictly literary to issues related to intermediality and embodiment (Maude, 2009; Tajiri, 2007), post humanism and technology (Boulter, 2019; Kirushina, Adar, Nixon eds, 2021), intersections with popular culture (Pattie and Stewart, eds., 2019). However, a specific analysis on Beckett's relationship with Italian arts and poetry on one side-and on Italian artists' response to Beckett's oeuvre on the other-is still missing. The volume offers an original examination of Beckett's presence on the contemporary Italian cultural scene, a stage where he became (andstill is) the fulcrum of some of the most significant experimentations across different genres and media. The reader will look at him as an "Italian" artist, in constant dialogue with the most significant modern European cultural turns.…

Etat : New.

Etat : As New. Unread book in perfect condition.

Etat : As New. Unread book in perfect condition.

Etat : New.

HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000.

HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Etat : New. In.