J.d. talasek (25 résultats)

Paperback. Etat : Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

Paperback. Etat : Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Soft cover. Etat : Very Good. Paperback. Binding sound, text clean, light shelfwear. 58-page color illustrated oversize exhibition catalogue. SIGNED LETTER BY ARTIST loosely tipped in. Cheryl Goldsleger (illustrateur). Book.

Etat : Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

Softcover. Etat : VG. Minimal edge wear. Gray illustrated wraps with white lettering; French flaps. xiv; 57 pp. 18 color plates + many additional color illustrations. Catalogue of an exhibition held December 10, 2016-March 12, 2017. Cheryl Goldsleger (illustrateur).

Softcover. Etat : As New. Beige/maroon illus. card wraps with turquoise lettering. White lettering on turquoise spine. 240 pp. with 80 color and bw figures. Where do we come from? What are we? Where are we going? Few expressions in the culture of human thought have the iconic stature, and emotive power, that the word "evolution" entails. Though commonly relegated to modern-day science, the concept of evolution is ingrained in representations of life and nature in the visual arts, and artists and scientists have much to share on the meaning of human origin, human existence and human fate. The present volume documents an online symposium, Visual Culture and Evolution, in which a distinguished panel of artists, curators, scientists, historians, educators, media theorists and critics participated in a lively, informative conversation on the interface of art and science. Opening interviews by bio-artist Eduardo Kac and Pulitzer Prize-winning biologist E.O. Wilson set the stage for an engaging debate on this perennial topic.…

Soft cover. Etat : Near Fine. Morris Museum of Art, Augusta, GA, 2017. Softcover, 57 pp. Exhibition catalog, works by Cheryl Goldsleger (born 1951). Near fine condition with light edge wear.

Paperback. Etat : Brand New. Paperback.Width: 15 cm. Height: 23cm. 242 pages. English text.

paperback. Etat : Very Good. Oversized softcover. with french flaps. Covers are clean with a very mild wear to corners. Binding is tight and secure. Pages are bright and clean. Images are printed in full color and B&W. Title page dated 2017. Copyright dated 2017. 57 pages. A nice copy. This is an oversized book, so extra shipping will be necessary for priority or international shipping. We ship every day from a real neighborhood bookstore. This description is written by an actual person, who is holding the book in front of them to make sure it?s properly described. Please contact us with questions or if you would like to see photographs.…

Etat : Very Good. Very Good condition. Very Good dust jacket. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

First Edition. First edition. Softcover. 57 pages. Exhibition catalog for a show that ran December 10, 2016 through March 12, 2017. Essays by Fran Kaufman, J.D. Talasek, and Lilly Wei. Includes an artist's statement, numerous illustrations, biography, lists of previous exhibitions, selected awards, collections, selected bibliography, and checklist. A fine copy in French style wrappers. A nicely printed catalog. …

Paperback. Etat : New. In shrink wrap. Looks like an interesting title.

Etat : New. J.D. Talasek is Director, Cultural Programs of the National Academy of Sciences.Barbara Stauffer led temporary exhibitions and community programs at the Smithsonian National Museum of Natural History for over thirty years.Contributors i.

Taschenbuch. Etat : Neu. Neuware - Contributors investigate the motivation behind scientifically-embedded contemporary art practices as well as art-based scientific research and engagement that attempt to shape society. This edited volume reflects the rapidly developing practices comprising integrative and collaborative work across different knowledge domains (including art and science), the benefit of those processes to the individual, to knowledge production (and its complexity) and ultimately the benefits to society (why it is worth doing). The book will provide an overview of the factors in which the exhibition and performance of scientifically-engaged art inside and outside of traditional museum spaces has instigated cultural and aesthetic transformations and social interactions while presenting a variety of opportunities for educators, scientists, artists and the interested public to critically expand its engagement. The book is intended for scholars interested in collaborative and/or integrative work who study research, methodology, art history, science, and museum studies.…

hardcover. Etat : New. Brand new book, sourced directly from publisher. Dispatch time is 7-8 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Etat : New.

Etat : New.

Etat : As New. Unread book in perfect condition.

Hardcover. Etat : As New. Etat de la jaquette : As New. First Edition. The hardcover First Edition/1st printing of "Convergence: The Art Collection of the National Academy of Sciences" presents itself in Brand New condition with a crisp, as-new dust jacket. Its illustrated covers are visually striking, boasting sharp corners and spine ends that enhance the book's aesthetic appeal.The binding is square and tight, ensuring the structural integrity of the book and providing a seamless reading experience. As one flips through the pages, the interior appears pristine, with clean and bright pages that even retain that coveted "new book smell."Rest assured, the book will be meticulously packaged for shipment to ensure it remains protected from any potential damage during transit. Additionally, a USPS electronic tracking number will be provided free of charge for your convenience.If you require further information or additional pictures of the book, please do not hesitate to contact us. We are here to assist you in any way possible.Since its establishment on Constitution Avenue, Washington, D.C. in 1924, the National Academy of Sciences has served as a prescient cultural platform for the intersection of art and science. "Convergence: The Art Collection of the National Academy of Sciences" is the first publication to present the Academy's landmark holdings. No other force has had a greater impact on contemporary culture than advancements in science and technology, providing rich terrain for artists to explore and investigate.The Academy's growing collection encompasses painting, prints, sculpture, photography, and architecture (in the form of the newly restored historic building that serves as the NAS's headquarters), a significant selection of which is presented together for the first time in "Convergence." Essays by art and science thought-leaders, including E. O. Wilson, Roald Hoffman, Anne Collins Goodyear, Andrew Solomon, and Lucy Lippard, among others, help to connect the dots between these emerging and increasingly influential constellations of cultural and scientific intersection.…

Etat : As New. Unread book in perfect condition.

Hardcover without dustjacket as issued, 196 pages; in English and Spanish; as new condition; clean and crisp; no other internal markings. Foreign shipping may be extra.

Etat : New. J.D. Talasek is Director, Cultural Programs of the National Academy of Sciences.Barbara Stauffer led temporary exhibitions and community programs at the Smithsonian National Museum of Natural History for over thirty years.Contributors i.

Buch. Etat : Neu. Neuware - Contributors investigate the motivation behind scientifically-embedded contemporary art practices as well as art-based scientific research and engagement that attempt to shape society. This edited volume reflects the rapidly developing practices comprising integrative and collaborative work across different knowledge domains (including art and science), the benefit of those processes to the individual, to knowledge production (and its complexity) and ultimately the benefits to society (why it is worth doing). The book will provide an overview of the factors in which the exhibition and performance of scientifically-engaged art inside and outside of traditional museum spaces has instigated cultural and aesthetic transformations and social interactions while presenting a variety of opportunities for educators, scientists, artists and the interested public to critically expand its engagement. The book is intended for scholars interested in collaborative and/or integrative work who study research, methodology, art history, science, and museum studies.…

Paperback. Etat : New. Where do we come from? What are we? Where are we going? Few expressions in the culture of human thought have the iconic stature, and emotive power, that the word "evolution" entails. Though commonly relegated to modern-day science, the concept of evolution is ingrained in representations of life and nature in the visual arts, and artists and scientists have much to share on the meaning of human origin, human existence and human fate. The present volume documents an online symposium, Visual Culture and Evolution, in which a distinguished panel of artists, curators, scientists, historians, educators, media theorists and critics participated in a lively, informative conversation on the interface of art and science. Opening interviews by bio-artist Eduardo Kac and Pulitzer Prize-winning biologist E.O. Wilson set the stage for an engaging debate on this perennial topic.…

Paperback. Etat : New. Visual artist and theorist Suzanne Anker opened the 2007 international online conference Bioscience and Visual Culture with the following words: "The ubiquitous employment of digital technologies within the practices of research science and medicine, architecture and design, filmmaking and video production, as well as the visual and performing arts, has set ajar a multiplex of communication networks which crisscross traditional boundaries." This volume documents the virtual symposium, which was hosted by the National Academy of Sciences in Washington, D.C. and the Center for Art, Design and Visual Culture at the University of Maryland, Baltimore County. Herein, artists, scientists, historians, ethicists, curators, sociologists and writers discuss the myriad intersections between visual culture and the biosciences. The impressive list of international panelists includes Carl Djerassi of Stanford University, Troy Duster of NYU, Marvin Heiferman of SVA, David Freedberg of Columbia University, artist Catherine Chalmers, Art in America Senior Editor Nancy Princenthal and writer Andrew Solomon. …