K8 hardy (9 résultats)

Paperback. Etat : Brand New. 168 pages. 8.60x0.60x5.50 inches. In Stock. Dawn Kasper; K8 Hardy; Charles Atlas (illustrateur).

Paperback. Etat : New. Multimedia artist K8 Hardy uses photography in her Position Series (2007-12) to explore identity as performance and construction. Hardy used herself, her sister, and mannequins, styled in eclectic clothes, wigs, and makeup, to suggest personas outside normative categorisations of identity and gender expression, in tension with the ordinary domestic or urban spaces in which they are pictured. In the darkroom, Hardy superimposed bows, glasses, bras, and the spectral outlines of bodies over these portraits: analogue interventions that expose the photograph as a deliberate construction rather than fixed truth. Positions presents all fifty photographs from the cult series plus additional unseen images, cataloguing Hardy's pathbreaking body of work in the context of the DIY fashion, art, and thrift scenes in queer subcultures of early 2000s New York. Here self-objectification serves as a powerful riposte to the objectification of the female body in life and in art and to exclusionary art institutions, queering the conventions of the portraiture genre in an iconic act of rebellion.With a new text by Brontez Purnell.…

Paperback. Etat : new. Paperback. Multimedia artist K8 Hardy uses photography in her Position Series (2007-12) to explore identity as performance and construction. Hardy used herself, her sister, and mannequins, styled in eclectic clothes, wigs, and makeup, to suggest personas outside normative categorisations of identity and gender expression, in tension with the ordinary domestic or urban spaces in which they are pictured. In the darkroom, Hardy superimposed bows, glasses, bras, and the spectral outlines of bodies over these portraits: analogue interventions that expose the photograph as a deliberate construction rather than fixed truth. Positions presents all fifty photographs from the cult series plus additional unseen images, cataloguing Hardy's pathbreaking body of work in the context of the DIY fashion, art, and thrift scenes in queer subcultures of early 2000s New York. Here self-objectification serves as a powerful riposte to the objectification of the female body in life and in art and to exclusionary art institutions, queering the conventions of the portraiture genre in an iconic act of rebellion.With a new text by Brontez Purnell Presenting all fifty photographs from K8 Hardy's cult Position Series alongside unseen images, this book demonstrates a vivid and influential approach to queering the portraiture genre. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Etat : new. Paperback. Multimedia artist K8 Hardy uses photography in her Position Series (2007-12) to explore identity as performance and construction. Hardy used herself, her sister, and mannequins, styled in eclectic clothes, wigs, and makeup, to suggest personas outside normative categorisations of identity and gender expression, in tension with the ordinary domestic or urban spaces in which they are pictured. In the darkroom, Hardy superimposed bows, glasses, bras, and the spectral outlines of bodies over these portraits: analogue interventions that expose the photograph as a deliberate construction rather than fixed truth. Positions presents all fifty photographs from the cult series plus additional unseen images, cataloguing Hardy's pathbreaking body of work in the context of the DIY fashion, art, and thrift scenes in queer subcultures of early 2000s New York. Here self-objectification serves as a powerful riposte to the objectification of the female body in life and in art and to exclusionary art institutions, queering the conventions of the portraiture genre in an iconic act of rebellion.With a new text by Brontez Purnell Presenting all fifty photographs from K8 Hardy's cult Position Series alongside unseen images, this book demonstrates a vivid and influential approach to queering the portraiture genre. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Paperback. Etat : New. Multimedia artist K8 Hardy uses photography in her Position Series (2007-12) to explore identity as performance and construction. Hardy used herself, her sister, and mannequins, styled in eclectic clothes, wigs, and makeup, to suggest personas outside normative categorisations of identity and gender expression, in tension with the ordinary domestic or urban spaces in which they are pictured. In the darkroom, Hardy superimposed bows, glasses, bras, and the spectral outlines of bodies over these portraits: analogue interventions that expose the photograph as a deliberate construction rather than fixed truth. Positions presents all fifty photographs from the cult series plus additional unseen images, cataloguing Hardy's pathbreaking body of work in the context of the DIY fashion, art, and thrift scenes in queer subcultures of early 2000s New York. Here self-objectification serves as a powerful riposte to the objectification of the female body in life and in art and to exclusionary art institutions, queering the conventions of the portraiture genre in an iconic act of rebellion.With a new text by Brontez Purnell.…

Paperback. Etat : new. Paperback. Multimedia artist K8 Hardy uses photography in her Position Series (2007-12) to explore identity as performance and construction. Hardy used herself, her sister, and mannequins, styled in eclectic clothes, wigs, and makeup, to suggest personas outside normative categorisations of identity and gender expression, in tension with the ordinary domestic or urban spaces in which they are pictured. In the darkroom, Hardy superimposed bows, glasses, bras, and the spectral outlines of bodies over these portraits: analogue interventions that expose the photograph as a deliberate construction rather than fixed truth. Positions presents all fifty photographs from the cult series plus additional unseen images, cataloguing Hardy's pathbreaking body of work in the context of the DIY fashion, art, and thrift scenes in queer subcultures of early 2000s New York. Here self-objectification serves as a powerful riposte to the objectification of the female body in life and in art and to exclusionary art institutions, queering the conventions of the portraiture genre in an iconic act of rebellion.With a new text by Brontez Purnell Presenting all fifty photographs from K8 Hardy's cult Position Series alongside unseen images, this book demonstrates a vivid and influential approach to queering the portraiture genre. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Brossura. Etat : come nuovo. prima edizione. "In her highly anticipated book Discharge, Canadian-born, New York-based artist and photographer Petra Collins (born 1992) presents images of self-discovery and femininity that explore the emotional, complex intersection of life online and off. Responding to the ubiquity of social media, Collins offers images of unflinching honesty--girls on the brink of adulthood taking selfies, applying lip gloss, pleasuring themselves, or lounging in childhood bedrooms amid piles of stuffed animals--which explore the private and public aspects of growing up as a woman at a moment when female bodies are ubiquitously hyper-mediated by Photoshop and social media. "I'm used to being told by society that I must regulate my body to fit the norm," Collins writes in her introductory essay on censorship and social media. From there, the book deconstructs that norm through her intimate photographs of friends--photographs that, rather than counter the male gaze, document female subjects processing it. The young Collins uses film, lending her photographs, in spite of their inclusion of iPhones and laptops, a 70s aesthetic, a romantic nostalgia.Discharge includes a discussion between Collins and her friend, Rookie blogger and founder Tavi Gevinson, moderated by artist K8 Hardy. The photographs and discourse around them are part of a contemporary girl power revolution, proving that feminism and sexuality aren't mutually exclusive." Text: Hardy K8, Gevinson Tavi cm 22x28; pp. 112; COL; paperback. As new.…

Paperback. Etat : New.

[28] pp.; 21.7 x 13.9 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Periodical / zine published in conjunction with Amy Sillman exhibition titled "Transformer - or, how many lightbulbs does it take to change a painting?" held at Sikkema Jenkins Gallery, April 15 - May 15, 2010. Includes reproductions of work by Amy Sillman, Velimir Khlebnikov, Dieter Roth, Charles Peirce, Mike Smith, Picasso, Jasper Johns, Philip Guston, George Grosz, R.H. Quaytman, David Salle, Lisa Milroy, Claes Oldenburg, James Rosenquist, Palmer Hayden, Francis Picabia, George Clinton / P-Funk, and Christina Ramberg. Second printing does not include the Audio CD that was included in the first printing. Fine. As issued. Does not include folded poster, it is unclear if the second edition included the folder poster or not.…