Gabrielle brainard (7 résultats)

Soft cover. Etat : Near Fine. No Jacket. 1st Edition. 4to, stiff wrappers. 184 pp, numerous color illustrations.

Paperback. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Etat : Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Etat : Fine. LIKE NEW!!! Has a red or black remainder mark on bottom/exterior edge of pages.

Softcover. Etat : As New. First Edition. Very few student-written and -published academic journals are this finely and handsomely produced. Sterling condition softcover copy, with unfurled tips, tight binding, and clean internals, showing only very slight shelf- and edge-wear. Bright-red card stock wraps, with a pasted-on Inuit couple on front cover. Double-column text. [8], 9-184 pp. Another fine contribution to the Yale Journal of Architecture, published by the Yale School of Architecture.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.…

Trade Paperback. Etat : New. The Grand Tour was once the culmination of an architect's education. As ajourney to the cultural sites of Europe, the Tour's agenda was clearly defined: tostudy ancient monuments in order to reproduce them at home. Architects returned fromtheir Grand Tours with rolls of measured drawings and less tangible spoils: patronage, commissions, and cultural cachet. Although no longer carried out underthe same name, the practices inscribed by the Grand Tour have continued relevancefor contemporary architects. This edition of Perspecta--the oldest and mostdistinguished student-edited architectural journal in America--uses the Grand Tour, broadly conceived, as a model for understanding the history, current incarnation, and future of architectural travel. Perspecta 41 asks: where do we go, how do werecord what we see, what do we bring back, and how does it change us? Contributionsinclude explorations of architects' travels in times of war; Peter Eisenman'saccount of his career-defining 1962 trip with Colin Rowe around Europe in aVolkswagen; Robert Venturi and Denise Scott Brown's discussion of their travelingand its effect on their collecting, teaching, and design work; drawings documentingthe monolithic churches of Lalibela, Ethiopia; an account of how James Gamble Rogersdesigned Yale's Sterling Library and residential colleges using his collection ofpostcards; and a proposed itinerary for a contemporary Grand Tour--inAmerica.ContributorsEsra Akcan, Aaron Betsky, Ljiljana Blagojevic [acute accent overc], Edward Burtynsky, Matthew Coolidge and CLUI, Gillian Darley, Brook Denison, Helen Dorey, Keller Easterling, Peter Eisenman, Dan Graham and Mark Wasiuta, JefferyInaba and C-Lab, Sam Jacob, Michael Meredith, Colin Montgomery, Dietrich Neumann, Enrique Ramirez, Mary-Ann Ray and Robert Mangurian, Kazys Varnelis, Robert Venturiand Denise Scott Brown, Enrique Walker Architectural travel, from the Eternal City to the generic city.…

Trade Paperback. Etat : Used - Very Good. The Grand Tour was once the culmination of an architect's education. As ajourney to the cultural sites of Europe, the Tour's agenda was clearly defined: tostudy ancient monuments in order to reproduce them at home. Architects returned fromtheir Grand Tours with rolls of measured drawings and less tangible spoils: patronage, commissions, and cultural cachet. Although no longer carried out underthe same name, the practices inscribed by the Grand Tour have continued relevancefor contemporary architects. This edition of Perspecta--the oldest and mostdistinguished student-edited architectural journal in America--uses the Grand Tour, broadly conceived, as a model for understanding the history, current incarnation, and future of architectural travel. Perspecta 41 asks: where do we go, how do werecord what we see, what do we bring back, and how does it change us? Contributionsinclude explorations of architects' travels in times of war; Peter Eisenman'saccount of his career-defining 1962 trip with Colin Rowe around Europe in aVolkswagen; Robert Venturi and Denise Scott Brown's discussion of their travelingand its effect on their collecting, teaching, and design work; drawings documentingthe monolithic churches of Lalibela, Ethiopia; an account of how James Gamble Rogersdesigned Yale's Sterling Library and residential colleges using his collection ofpostcards; and a proposed itinerary for a contemporary Grand Tour--inAmerica.ContributorsEsra Akcan, Aaron Betsky, Ljiljana Blagojevic [acute accent overc], Edward Burtynsky, Matthew Coolidge and CLUI, Gillian Darley, Brook Denison, Helen Dorey, Keller Easterling, Peter Eisenman, Dan Graham and Mark Wasiuta, JefferyInaba and C-Lab, Sam Jacob, Michael Meredith, Colin Montgomery, Dietrich Neumann, Enrique Ramirez, Mary-Ann Ray and Robert Mangurian, Kazys Varnelis, Robert Venturiand Denise Scott Brown, Enrique Walker Architectural travel, from the Eternal City to the generic city. Very nice clean, tight copy free of any marks.…