vincent trasov (25 résultats)

Etat : very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Softcover, 56 pages printed 1 side only; in English and German; good condition; ex-museum librry copy with moderate rubbing to covers; clear tape around bottom of spine; stamps to a few pages and some pages starting to loosen from spine and jut out a bit; no internal marks. Foreign shipping may be extra.

Softcover, oddly paginated with 29 illustrations, in English and German; fair condition; waterstain and small abrasions to rear cover; rippling along top edge of last 40 pages; no pages stuck together or pulled apart; no internal marks. As is; fine reference copy.

Etat : Very good. - Octavo, tan wraps with a color illustration mounted on the front wrap. The covers are lightly soiled and the bottom corner of the front wrap is lightly creased. 71 pages, profusely illustrated in black & white and colo. The bottom corner of the title page is creased. Near fine internally. Text by Lorne Falk, Emmett Williams, et al.

Hard cover. Etat : Very good. No jacket. In great condition. Binding is tight and inside is clean and unmarked.

Softcover, oddly paginated with 29 illustrations, in English and German; good condition; ex-museum library sticker lower left corner; stamps to outer page edges and inner front cover; no other internal marks. Foreign shipping may be extra.

Taschenbuch. Etat : Gut. 37 S. Alle Bücher & Medienartikel von Book Broker sind stets in gutem & sehr gutem gebrauchsfähigen Zustand. Die Ausgabe des gelieferten Exemplars kann um bis zu 10 Jahre vom angegebenen Veröffentlichungsjahr abweichen und es kann sich um eine abweichende Auflage handeln. Unser Produktfoto entspricht dem hier angebotenen Artikel, dieser weist folgende Merkmale auf: Altersentsprechend nachgedunkelte/saubere Seiten in fester Bindung. Einband leicht belesen/bestoßen. Sprache: Englisch Gewicht in Gramm: 550.

Bibliothekseinband (Leinen). Etat : Gut. VIII, 56 Bl.; überwiegend mit z. T. farb. Abb. Guter Zustand. Bibliotheksexemplar mit Stempeln und Signatur auf Einband. Sonst Seiten sauber. Sprache: Deutsch Gewicht in Gramm: 605.

Hardcover. Etat : As New. 1st Edition. First and only edition of 1000, first printing. As new hardback issued without dust jacket, clean and unmarked.

Soft cover. Etat : Very Good. No Jacket. XXII Bienal Internacional de Sao Paulo. Signed by both Vincent Trasov and Michael Morris on front endpaper. Rubbing to cover edges. (ABEBOOKS doesn't accept ISBN listed in book; 0921381109). Signed by Artist.

weicher Einband. . Broschur, IX, 37 Seiten, Gr8°. * mit Widmung des Autors, Rückendeckel gebräunt, ansonsten guter Zustand (K9).

Broschüre. Etat : Sehr gut. en, fr (illustrateur). Doppel-Katalog einer Ausstellung und Performance von Vincent Trasov und Michael Morris: Vinvent Trasov: Burned Studies - Exhibition at Galerie Donguy, Paris 25.01.1983 - 10.2.1983 / Closed Circuit: Video-Performance at Galerie Donguy, Paris 11.02.1983. Michael Morris: "Aufvideosehen". Video-Performance dans le cadre du 2e Festival International de Performance de Paris dans/in Centre Culturel Canadien / Canadien Cultural Centre, Paris 11.02.1983. 36 S. Französisch / Englisch. Mit zahlreichen s/w-Abbildungen. Einband und Rücken sauber, Einbanddeckel minimal lichtrandig, Schnitt ebenso, Seiten minimal lichtrandig, sauber, ausgesprochen guter Zustand. (Vincent Trasov: Painter, video-artist, performance-artist. Canadian, born 1947. In 1969 he founded Imgae Bank with Michael Morris, a method for personal exchange of information amongst artists. He has made videotapes since 1971. 1973 he was co-funder and co-director of Western Front Society, Vancouver. Michael Morris: Painter, photographer, video-artist, performance-artist and curator. Canadian, born 1942 In England. In 1969 he founded Image Bank together with Vincent Trasov, 1973 he was co-founder an co-director of Western Front Society, Vancouver. 1990 he and Trasov founded the Vincent/Trasov-Archive, Vancouver.) Sprache: en, fr Size: 8°.

Paperback. Etat : Near Fine. First Edition. 4to. [152] pp. Near Fine. Slightest rubbing to rear wrap.

EA, 56 S., OKart., Widmung auf Widmungsseite, gut erhalten Aufgrund der EPR-Regelung kann in folgende Länder KEIN Versand mehr erfolgen: Bulgarien, Finnland, Frankreich, Griechenland, Luxemburg, Österreich, Polen, Rumänien, Schweden, Slowakei, Spanien.

Hardcover/Softcover. AE-4466 Ehemaliges Bibliotheksexemplar mit entsprechenden Merkmalen in gutem Zustand. Sprache: Deutsch Gewicht in Gramm: 550.

Broschur. Etat : Sehr gut. 37 Seiten Sehr gutes Exemplar, Einband rückseitig mit lichtbedingten Gebrauchsspuren. - SIGNIERTes Widmungsexemplar: Thank you for the summer of 84 in Berlin.". / Sprache: Deutsch und Englisch. / Von weitem: ein Rauchzeichen. Näherkommend: Flammen im Schnee. Von nahem: ein groß gewachsener Mann, der einen von diesen blauen, französischen Arbeitskitteln trägt, verbrennt etwas, das an große gestreifte Flaggen oder Banner erinnert. Dies ist Arbeit im Freien, bei jedem Wetter: mit Chemikalien, Feuer, dichtem Rauch und beißenden Gerüchen. Der Arbeiter schafft Kunst. Er nennt diese Werke "process paintings" (Prozessuale Bilder) . Selbstverständlich sind diese gestreiften Flaggen und Banner bearbeitete Leinwände (man denke an präparierte Klaviere). Ein Streifen dieser Leinwände ist unbehandelt, der andere nur bemalt, der dritte ist mehrfarbig, chemisch behandelt. Daneben auch weitere Kombinationen in diesem Feld der unbegrenzten Möglichkeiten. Dann: eins - zwei - drei - FEUER! Und Vincent läßt seine vorbereiteten Leinwände mit Feuer und Rauch spielen. Aber dies ist Kunst, keine Brandstiftung, und der Künstler weiß aufgrund seiner langen Erfahrung die Flamme zu bändigen, die er entfachte. Auf diese Art und Weise ist das entstandene Gemälde das Zeugnis einer künstlerischen Entwicklung und nicht lediglich das zurückbleibende Objekt einer Performance. Der Prozeß ist ein Ereignis, und Vincent bei der Arbeit reagiert auf das Ritual des Prozesses. Aber das Ereignis kommt ohne jedes "brou-ha-ha" und ohne den Aufwand der "Performance art" aus. Dies ist eine sehr private Aktion. Die private Aktion, öffentliche Kunst zu machen. (Emmet Wiiliams) ISBN 9783923466016 Sprache: Deutsch Gewicht in Gramm: 550.

Paperback. Etat : Good +. First Edition. THE RISE AND FALL OF THE PEANUT PARTY (Signed) by John Mitchell and Vincent Trasov covers Mr Peanut's (aka Vincent Trasov) run for mayor of VANCOUVER. Paper with stiff cover. Great illustrations. 80 pages. Good + condition. Edition of 1000.

Soft cover. Etat : Fine. Vancouver: UBC Fine Arts Gallery, 1994. 47pp; illus. 8vo; signature-bound in printed color wraps. Signed, dated, and inscribed by Morris on the title page. Minor rubbing along joints, else fine. Inscribed copy of this catalog of an exhibition of works from the Morris/Trasov Archive, held Oct. 30-Nov. 28, 1992 at the UBC Fine Arts Gallery in Vancouver. With a preface by Morris and Trasov, and essays by Keith Wallace and Scott Watson. Described in the preface as a "sample of documents, correspondence and ephemera covering twenty-five years of collaborative research into the nature of art and life and the subsequent networking that these activities involve." Michael Morris (1942-2022) and Vincent Trasov (b. 1947) were founders of influential correspondence art collective Image Bank, as well as co-founders of Vancouver's Western Front art center. Inscribed by Author(s).

Soft cover. Etat : Fine. Limited/Numbered. Printed wraps. 72pp. Illus. Signed by both authors. "This edition is limited to 1,000 copies of which Numbers 1 - 50 are signed by the authors." Also dated 29/11/76. Towards the back is a tri-fold sheet, "Schedule B Polling Districts School District 39 (Vancouver)." A preprinted description: "This book satirizes the political weirdness of the Nixon era. Trasov, a collaborative performance artist, fully garbed as the Planters' Chocolate and Nut Company 1916 icon/mascot, 'Mr. Peanut,' ran for office of May of Vancouver in 1974. He lost, but garnered 2745 votes." Signed copies very scarce.

Soft cover. Etat : Near Fine. 1st Edition. Vancouver, Canada: Western Front Publication, 1979. First edition, one of of 1,000 copies. [72]pp. 8vo; perfect-bound in printed wraps. Illustrated throughout in black and white. Some minor foxing to textblock top. Light soiling to wraps. Near fine. Inscribed "Best wishes for the 80's" and signed by Michael [Morris] and Vincent [Trasov] on front flyleaf. A selection of work by five of the eight founding members of the Western Front art center in Vancouver, BC; this copy signed by members Michael Morris and Vincent Trasov, who also founded influential correspondence art group Image Bank. Organized in four sections: "Image Bank Correspondence Exchange" by Michael Morris and Vincent Trasov, "Vincent Trasov a.k.a. Mr. Peanut," "New York Corres Sponge Dance School of Vancouver Reunion" by Glenn Lewis, "and "Dr. & Lady Brute Present Spots Before Your Eyes," by Eric Metcalfe and Kate Craig. With contributor bios and bibliographies at rear. Inscribed by Author(s).

Softcover. Etat : Near Fine. First edition. Oblong small quarto. Seventeen small booklets, in a portfolio, housed in a stiff card slipcase. A few booklets with just a bit of light foxing, the introductory booklet lacking staples, thus near fine in a toned, near fine portfolio with a crease on the spine and a bit of edgewear, housed in a lightly worn, very good slipcase with creases along the top and bottom edges, a sticker shadow on one panel, missing the closing tabs on the end, with old tape that had held it shut. Includes booklets by Jack Dale, Michael de Courcy, Christos Dikeakos, Judith Eglington, Gerry Gilbert, Roy Kiyooka, Glenn Lewis, Taras Masciuch, NE Thing Co. Ltd., Michael Morris, Jone Pane, Timothy Porter, Peter Thomas, Vincent Trasov, and Robertson Wood. A powerful collection of work by prominent players in the flourishing multimedia art scene of Canada's west coast.

Two printed cardboard covers contains 15 staple-bound booklets by the listed artists and 2 unbound booklets with a list of participants and photos of the artists; very good condition; the books are as new; the slipcase has light edgewear; no internal marks. Foreign shipping may be extra.

Etat : Fine. Vancouver, BC: Image Bank, 1971., 1971. Fine. - Quarto, 11 inches high by 8-1/2 inches wide. 19 loose leaves laid into the original printed folder with the title "LEGAL TENDER". The contents consist of 13 leaves of text and 6 leaves on thicker paper, illustrated on both sides. Near fine. This annual report was published two years after the founding of the Image Bank by Michael Morris, Vincent Trasov and Gary Lee-Nova. The Image Bank was a system of postal correspondence between participating artists for the exchange of information and ideas.

Cards in a box. Etat : Fine. Image Bank Post Card Show organized by Image Bank, a Vancouver, BC group headed by Michael Morris and Vincent Trasov. This box of 48 artists' post card +one card listing participants, is the documentation for the show and includes cards by many of the artists who are major art-world players today. Some of the artists included are Michael Morris, Vincent Trasov, Vito Acconci, Eleanor Antin, Robert Filliou,Les Levine, Ray Johnson, Peter Hujar, Alison Knowles,Geoffrey Hendricks, Dick Higgins, Davi Det Hompson, Ben Vautier, Ed Rusha, Tom Phillips, Gordon Matta-Clark (hand cut card), Sol Lewitt, Yvonne Rainer, Robert Mapplethorpe among others. Includes cards from 48 artists plus a card listing all the participants. Cards enclosed in a cardboard box. Slight rubbing to the box. All the cards are in as new condition.

Various. Etat : Very Good +. Image Bank / Morris / Trasov Archive Package1. 1. Fanzini Goes to the Movies; John Jack Baylin, Vancouver, 1973 (self-published).2. Art & Correspondence from the Western Front; Western Front Publication, Vancouver 1979.3. File; Annual Artists' Directory; Vol. 2, No. 5 February 1974, Toronto.4. Morris/Trasov Archive newspaper tabloid, Banff 1990.5. Image Bank Post Card Show 1977. 48 postcards by 48 artists. (choice Gordon Matta-Clark postcard produced by hand).6. Art Rite; Image Bank edition no. 18. New York, 1978.7. Image Bank Archives / Excyclopedia Project / Image Recycle; insert for IS 12/13, published by Coach House Press, Toronto, edited by Victor Coleman, 1973.8. Image Bank Archives 1984 announceme.9. International Image Exchange Directory; Image Bank. Published by Talonbooks, Vancouver, 1972.10. Art's Birthday tabloid; Western Front Society and Image Bank, 1974. (This item and the following six items document a network event on February 2, 1974, celebrating Robert Fillious's idea of art's birthday and the Hollywood Decca-Dance).11. Elk's Building Hollywood; Image Bank silkscreen print, edition of 100, 1974.12. 10 Sphinx d'Or Award envelopes, 1974.13. 10 Sphinx d'Or Award cards, 1974.14. Mondo Arte script; Glenn Lewis, 1974.15. Art's Birthday dinner invitation card, 1974.16. Decca Dance placemat; Glenn Lewis and Vincent Trasov, 1974.