Revealing Masks: Exotic Influences and Ritualized Performance in Modernist Music Theater (California Studies in Twentieth Century Music)

Sheppard, W. Anthony

ISBN 10: 0520223020 / ISBN 13: 9780520223028

Edité par University of California Press (edition First Edition), 2001

A propos de cet article

It's a preowned item in good condition and includes all the pages. It may have some general signs of wear and tear, such as markings, highlighting, slight damage to the cover, minimal wear to the binding, etc., but they will not affect the overall reading experience.

N° de réf. du vendeur 0520223020-11-1

Détails bibliographiques

• Titre: Revealing Masks: Exotic Influences and Ritualized Performance in Modernist Music Theater (California Studies in Twentieth Century Music)
• Éditeur: University of California Press (edition First Edition)
• Date de parution: 2001
• Langue: anglais
• ISBN à 10 chiffres: 0520223020
• ISBN à 13 chiffres: 9780520223028
• Reliure: Hardcover
• Édition: First Edition.
• État de l'article: Good

A propos de ce titre

Synopsis

W. Anthony Sheppard considers a wide-ranging constellation of important musical works in this fascinating exploration of ritualized performance in twentieth-century music. Revealing Masks uncovers the range of political, didactic, and aesthetic intents that inspired the creators of modernist music theater. Sheppard is especially interested in the use of the "exotic" in techniques of masking and stylization, identifying Japanese Noh, medieval Christian drama, and ancient Greek theater as the most prominent exotic models for the creation of "total theater."

Drawing on an extraordinarily diverse-and in some instances, little-known-range of music theater pieces, Sheppard cites the work of Igor Stravinsky, Benjamin Britten, Arthur Honegger, Peter Maxwell Davies, Harry Partch, and Leonard Bernstein, as well as Andrew Lloyd Webber and Madonna. Artists in literature, theater, and dance-such as William Butler Yeats, Paul Claudel, Bertolt Brecht, Isadora Duncan, Ida Rubenstein, and Edward Gordon Craig--also play a significant role in this study.

Sheppard poses challenging questions that will interest readers beyond those in the field of music scholarship. For example, what is the effect on the audience and the performers of depersonalizing ritual elements? Does borrowing from foreign cultures inevitably amount to a kind of predatory appropriation? Revealing Masks shows that compositional concerns and cultural themes manifested in music theater are central to the history of twentieth-century Euro-American music, drama, and dance.

À propos de l?auteur

W. Anthony Sheppard is Assistant Professor of Music at Williams College.