Type specimen (74 résultats)

paper wrappers. 4to. paper wrappers. (xii), 110 pages. From Albertus to Zeppelin, the compilers cover the best in letter design from Great Britain, Europe and the United States. A fine copy. Type Specimen (illustrateur).

self paper wrappers. 4to. self paper wrappers. not paginated. Type specimen showcasing Neon Optima offered by the Neon Type Division of the Typefounders of Chicago. Minor wear. Type Specimen (illustrateur).

paper wrappers. small 4to. paper wrappers. (8) pages. An introduction of new types of the Continental Typefounders Association, which were called Kabel Italic. A fine copy. Type Specimen (illustrateur).

self paper wrappers. 4to. self paper wrappers. 15 pages. A fine copy. Contains a large assortment of Special Characters. Type Specimen (illustrateur).

Soft cover. Etat : Fine. Sewn decorated wrappers with cover label, large 8vo., 9, (2) pages + folding broadside displaying Baskerville type. Specmen of Baskerville type printed by the D. Stempel Type-Foundry as an inset in the Fleuron V, with the trimmed type review laid in. A fine copy.

Soft cover. Etat : Fine. 1st Edition. Green paper wrappers titled in blue and white. A fine copy. The ITC adaptation of Rudolf Koch's famouus design of 1927, has been redesigned with shorter ascenders to all lower case characters and adjusting several others.

Brown paper wrappers, titled in white and green. A fine copy. An unusual widely-curved sans serif with a forward slant designed for film typography. The inspiration for ITC Eras was Greek stone-cut lapidary letters and Roman capitals. It was created by Albert Boton in collaboration with Albert Hollenstein.

Soft cover. Etat : Fine. 1st Edition. Printed on pale blue wove paper and sewn into grey printed card covers, cut flush. A fine copy. Specimens of Bembo, Imprint, Centur, Lutetia, Greek and music types, with Garamond loosely inserted.

Soft cover. Etat : Very Good. 1st Edition. Blue and white paper wrappers, titled in colours. A near fine copy. Designed by Jovica Veljovic.

Soft cover. Etat : Fine. 1st Edition. Purple wrappers, titled in orange and white. A near fine copy. Designed by Ray Baker. The major attribute of Newtext is space saving, via minus leading, That is, a letter with a 9 point width and legibility sets on an 8 point body.

Soft cover. Etat : Fine. 1st Edition. Yellow wrappers titled in green and black. A near fine copy. Designed by Ray Baker. An interesting face that "fills the gap between serif and sans serif", and chiefly designed for advertising and publication graphics.

Soft cover. Etat : Very Good. 1st Edition. Wrappers in blue and white, titled in red. A very good to fine copy. The second typeface designed by Jovica Velijovic. 'It offers a family which blends classic proportions with the grace and charm of a calligraphic style'. There is something of Times Roman about it.

single sheet folded. 8vo. single sheet folded. unpaginated. Type specimen of the Lilith type, revived by the Bauer Type Foundry. Includes samples advertisements. Minor wear. Type Specimen (illustrateur).

No Binding. Etat : Near Fine. Broadside printed in red and black measuring 16 1/2 by 11 inches, folded twice. Text begins "Clement & The Printers Come Over & Stay Till Doomsday". An insert from The Fleuron, 1928. Minor marginal toning, else a near fine copy.

wrappers. 8vo. wrappers. 86 pages. Table of contents. Description of various typefaces. Near fine. From the reference collection of W. Thomas Taylor. From the private reference library of Dorothy Sloan with a commemorative bookplate loosely inserted. Type Specimen (illustrateur).

Soft cover. Etat : Very Good. 1st Edition. Printed in green and black, decorations, facsimiles and alphabets. Stapled into decorative wrappers. Slightly soiled. A very good copy. A revival of the nineteenth-century fat faces cut by the English type-founder Robert Thorne.

Soft cover. Etat : Very Good. 1st Edition. Printed in blue and black with examples of use. Corded into blue card wrappers titled in black with a decoration in brown. A very good copy. A set of bold, condensed capitals with stubby serifs with white gaps in some strokes.

Soft cover. Etat : Fine. 1st Edition. Title-page in red and black. Sewn into semi-stiff green card covers, printed in red. Linotype Juliana broadside loosely inserted. A fine copy. Designed by S.L. Hartz.

Soft cover. Etat : Very Good. 1st Edition. Semi-stiff two toned wrappers titled in brown. A very good copy. Uncommon.

Folio, gilt cloth. C.pp56, fine. Handsomely produced in red & black throughout. **** To confirm availability before ordering, please click the link Ask Bookseller A Question.

Attractively printed in black and red with use of decorative borders; green paper covers, titled in black. A fine copy.