Andrew escobedo (166 résultats)

Hardcover. Etat : Very Good. unmarked, light shelfwear-NICE Standard-sized.

hardcover. Etat : Fine copy in fine dust jacket. 1st. 8vo, 261 pp.

Paperback. Etat : Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Hardcover. Etat : Used-Very Good. dj. Cloth, dj. Minor shelf-wear.

Etat : New. Num Pages: 280 pages, 1. BIC Classification: 1DBKE; HBJD1; HBLC. Category: (G) General (US: Trade); (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 229 x 152 x 24. Weight in Grams: 522. . 2004. hardcover. . . . .

Etat : New. Num Pages: 280 pages, 1. BIC Classification: 1DBKE; HBJD1; HBLC. Category: (G) General (US: Trade); (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 229 x 152 x 24. Weight in Grams: 522. . 2004. hardcover. . . . . Books ship from the US and Ireland.

Paperback. Etat : Good. Paperback journal in good condition, with creases at spine sides and leading corners - the latter affecting page corners within. Light wear on edges and spine ends. Text is clear throughout. TS. Used.

Paperback. Etat : New. Brand new book, sourced directly from publisher. Dispatch time is 6-7 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Etat : New.

Etat : As New. Unread book in perfect condition.

Paperback. Etat : New. Modern readers and writers find it natural to contrast the agency of realistic fictional characters to the constrained range of action typical of literary personifications. Yet no commentator before the eighteenth century suggests that prosopopoeia signals a form of reduced agency. Andrew Escobedo argues that premodern writers, including Spenser, Marlowe, and Milton, understood personification as a literary expression of will, an essentially energetic figure that depicted passion or concept transforming into action. As the will emerged as an isolatable faculty in the Christian Middle Ages, it was seen not only as the instrument of human agency but also as perversely independent of other human capacities, for example, intellect and moral character. Renaissance accounts of the will conceived of volition both as the means to self-creation and the faculty by which we lose control of ourselves. After offering a brief history of the will that isolates the distinctive features of the faculty in medieval and Renaissance thought, Escobedo makes his case through an examination of several personified figures in Renaissance literature: Conscience in the Tudor interludes, Despair in Doctor Faustus and book I of The Faerie Queen, Love in books III and IV of The Faerie Queen, and Sin in Paradise Lost. These examples demonstrate that literary personification did not amount to a dim reflection of "realistic" fictional character, but rather that it provided a literary means to explore the numerous conundrums posed by the premodern notion of the human will. This book will be of great interest to faculty and graduate students interested in medieval studies and Renaissance literature.…

Hardcover. Etat : Good. Former library book, clean pages, binding fine, has standard library matter. No dust jacket. Spenser Studies is published annually by AMS Press, Inc. as a forum for Spenser scholarship and criticism related to Renaissance subjects.

Hardcover. Etat : Good. Former library book, clean pages, binding fine, has standard library matter. No dust jacket.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Paperback or Softback. Etat : New. Volition's Face: Personification and the Will in Renaissance Literature. Book.

Paperback. Etat : New. Edmund Spenser's poetry remains an indispensable touchstone of English literary history. Yet for modern readers his deliberate use of archaic language and his allegorical mode of writing can become barriers to understanding his poetry. This volume of thirty-seven essays, written by distinguished scholars, offers a rich introduction to the literary, political and religious contexts that shaped Spenser's poetry, including the environment in which he lived, the genres he drew upon, and the influences that helped to fashion his art. The collection reveals the multiple personae that Spenser constructs within his work: to read Spenser is to read a rich archive of literary forms, and this volume provides the contexts in which to do so. A reading list at the end of the volume will prove invaluable to further study. …

Etat : New.

Etat : New.

Etat : New.

Etat : New.

Paperback. Etat : New.

Etat : New. 2017. Paperback. . . . . .

Etat : New. In English.

Etat : New.

Etat : New.

Etat : New. In English.

Etat : New. Satisfaction Guaranteed or your money back.

Etat : As New. Unread book in perfect condition.

Etat : New. 2017. Paperback. . . . . . Books ship from the US and Ireland.

Paperback. Etat : New. Modern readers and writers find it natural to contrast the agency of realistic fictional characters to the constrained range of action typical of literary personifications. Yet no commentator before the eighteenth century suggests that prosopopoeia signals a form of reduced agency. Andrew Escobedo argues that premodern writers, including Spenser, Marlowe, and Milton, understood personification as a literary expression of will, an essentially energetic figure that depicted passion or concept transforming into action. As the will emerged as an isolatable faculty in the Christian Middle Ages, it was seen not only as the instrument of human agency but also as perversely independent of other human capacities, for example, intellect and moral character. Renaissance accounts of the will conceived of volition both as the means to self-creation and the faculty by which we lose control of ourselves. After offering a brief history of the will that isolates the distinctive features of the faculty in medieval and Renaissance thought, Escobedo makes his case through an examination of several personified figures in Renaissance literature: Conscience in the Tudor interludes, Despair in Doctor Faustus and book I of The Faerie Queen, Love in books III and IV of The Faerie Queen, and Sin in Paradise Lost. These examples demonstrate that literary personification did not amount to a dim reflection of "realistic" fictional character, but rather that it provided a literary means to explore the numerous conundrums posed by the premodern notion of the human will. This book will be of great interest to faculty and graduate students interested in medieval studies and Renaissance literature.…