AURELI, PIER VITTORIO (141 résultats)

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Etat : New. 2024. Fall 2023. paperback. . . . . .

Paperback. Etat : Brand New. Paperback.Width: 24 cm. Height: 30cm. 120 pages. English text.

Paperback. Etat : New. A landmark study of abstraction in architectural history, theory, and practice that challenges our assumptions about the meaning of abstract forms.In this theoretical study of abstraction in architecture-the first of its kind-Pier Vittorio Aureli argues for a reconsideration of abstraction, its meanings, and its sources. Although architects have typically interpreted abstraction in formal terms-the purposeful reduction of the complexities of design to its essentials-Aureli shows that abstraction instead arises from the material conditions of building production. In a lively study informed by Walter Benjamin, Karl Marx, Alfred Sohn-Rethel, and other social theorists, this book presents abstraction in architecture not as an aesthetic tendency but as a movement that arises from modern divisions of labor and consequent social asymmetries. These divisions were anticipated by the architecture of antiquity, which established a distinction between manual and intellectual labor, and placed the former in service to the latter. Further abstractions arose as geometry, used for measuring territories, became the intermediary between land and money and eventually produced the logic of the grid. In our own time, architectural abstraction serves the logic of capitalism and embraces the premise that all things can be exchanged-even experience itself is a commodity. To resist this turn, Aureli seeks a critique of architecture that begins not by scaling philosophical heights, but by standing at the ground level of material practice.

Paperback. Etat : Brand New. translation edition. 200 pages. 7.10x1.00x4.60 inches. In Stock.

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Etat : New. 2024. Fall 2023. paperback. . . . . . Books ship from the US and Ireland.

Paperback. Etat : New. A landmark study of abstraction in architectural history, theory, and practice that challenges our assumptions about the meaning of abstract forms.In this theoretical study of abstraction in architecture-the first of its kind-Pier Vittorio Aureli argues for a reconsideration of abstraction, its meanings, and its sources. Although architects have typically interpreted abstraction in formal terms-the purposeful reduction of the complexities of design to its essentials-Aureli shows that abstraction instead arises from the material conditions of building production. In a lively study informed by Walter Benjamin, Karl Marx, Alfred Sohn-Rethel, and other social theorists, this book presents abstraction in architecture not as an aesthetic tendency but as a movement that arises from modern divisions of labor and consequent social asymmetries. These divisions were anticipated by the architecture of antiquity, which established a distinction between manual and intellectual labor, and placed the former in service to the latter. Further abstractions arose as geometry, used for measuring territories, became the intermediary between land and money and eventually produced the logic of the grid. In our own time, architectural abstraction serves the logic of capitalism and embraces the premise that all things can be exchanged-even experience itself is a commodity. To resist this turn, Aureli seeks a critique of architecture that begins not by scaling philosophical heights, but by standing at the ground level of material practice.

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Paperback. Etat : New. Architectural form reconsidered in light of a unitary conception of architecture and the city.In The Possibility of an Absolute Architecture, Pier Vittorio Aureli proposes that a sharpened formal consciousness in architecture is a precondition for political, cultural, and social engagement with the city. Aureli uses the term absolute not in the conventional sense of "pure," but to denote something that is resolutely itself after being separated from its other. In the pursuit of the possibility of an absolute architecture, the other is the space of the city, its extensive organization, and its government. Politics is agonism through separation and confrontation; the very condition of architectural form is to separate and be separated. Through its act of separation and being separated, architecture reveals at once the essence of the city and the essence of itself as political form: the city as the composition of (separate) parts. Aureli revisits the work of four architects whose projects were advanced through the making of architectural form but whose concern was the city at large: Andrea Palladio, Giovanni Battista Piranesi, Étienne Louis-Boullée, and Oswald Mathias Ungers. The work of these architects, Aureli argues, addressed the transformations of the modern city and its urban implications through the elaboration of specific and strategic architectural forms. Their projects for the city do not take the form of an overall plan but are expressed as an "archipelago" of site-specific interventions.

Etat : New.

Paperback / softback. Etat : New. New copy - Usually dispatched within 4 working days. 165.

Paperback. Etat : New. A landmark study of abstraction in architectural history, theory, and practice that challenges our assumptions about the meaning of abstract forms.In this theoretical study of abstraction in architecture-the first of its kind-Pier Vittorio Aureli argues for a reconsideration of abstraction, its meanings, and its sources. Although architects have typically interpreted abstraction in formal terms-the purposeful reduction of the complexities of design to its essentials-Aureli shows that abstraction instead arises from the material conditions of building production. In a lively study informed by Walter Benjamin, Karl Marx, Alfred Sohn-Rethel, and other social theorists, this book presents abstraction in architecture not as an aesthetic tendency but as a movement that arises from modern divisions of labor and consequent social asymmetries. These divisions were anticipated by the architecture of antiquity, which established a distinction between manual and intellectual labor, and placed the former in service to the latter. Further abstractions arose as geometry, used for measuring territories, became the intermediary between land and money and eventually produced the logic of the grid. In our own time, architectural abstraction serves the logic of capitalism and embraces the premise that all things can be exchanged-even experience itself is a commodity. To resist this turn, Aureli seeks a critique of architecture that begins not by scaling philosophical heights, but by standing at the ground level of material practice.

Etat : Nuevo. Una recopilación de textos de los protagonistas europeos artífices del resurgimiento de la obra de Aldo RossiEsta selección de textos representa parte del interés que la figura de Aldo Rossi ha suscitado en la última década. Su trabajo fue una presencia casi constante en los debates internacionales sobre la arquitectura en el último tercio del siglo xx, especialmente en las décadas de 1970 y 1980, y, sin embargo, fue igualmente erradicada sin concesiones cuando nos acercábamos ya al cambio de siglo. Se trata de textos "de arquitectos"; es decir, de producción de pensamiento en relación con la propia práctica de la arquitectura, de aclarar cómo uno se sitúa ante la arquitectura y la ciudad en su propio hacer, y nos muestran un vasto territorio de indagación que aún está bien lejos de llegar a su propio agotamiento.

Etat : New.

Etat : New. 2023. Paperback. . . . . .

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Paperback. Etat : Very Good.

Paperback. Etat : New. Architectural form reconsidered in light of a unitary conception of architecture and the city.In The Possibility of an Absolute Architecture, Pier Vittorio Aureli proposes that a sharpened formal consciousness in architecture is a precondition for political, cultural, and social engagement with the city. Aureli uses the term absolute not in the conventional sense of "pure," but to denote something that is resolutely itself after being separated from its other. In the pursuit of the possibility of an absolute architecture, the other is the space of the city, its extensive organization, and its government. Politics is agonism through separation and confrontation; the very condition of architectural form is to separate and be separated. Through its act of separation and being separated, architecture reveals at once the essence of the city and the essence of itself as political form: the city as the composition of (separate) parts. Aureli revisits the work of four architects whose projects were advanced through the making of architectural form but whose concern was the city at large: Andrea Palladio, Giovanni Battista Piranesi, Étienne Louis-Boullée, and Oswald Mathias Ungers. The work of these architects, Aureli argues, addressed the transformations of the modern city and its urban implications through the elaboration of specific and strategic architectural forms. Their projects for the city do not take the form of an overall plan but are expressed as an "archipelago" of site-specific interventions.

Etat : New. Pier Vittorio Aureli teaches at the &Eacutecole Polytechnique F&eacuted&eacuterale de Lausanne (EPFL). He is the cofounder of the architectural office, Dogma. He is the author of The Possibility of an Absolute Architecture (MIT Press, 2011) and The Proje.

Etat : As New. Unread book in perfect condition.