Csapo eric, wilson peter (42 résultats)
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Hardcover. Etat : Fair. 2014 De Gruyter large format hardcover edition. Ex library copy with stamps and labels else good condition. Contents: The Theatre of Dionysus Eleuthereus in Athens: New Data and Observations on its 'Lycurgan' Phase - Christina Papastamati-von Moock The Archaeology of the 'Rural' Dionysia in Attica - Hans…Rupprecht Goette The Evolution of Theatre Architecture Outside Athens in the Fourth Century - Jean-Charles Moretti How Pots and Papyri Might Prompt a Re-Evaluation of Fourth-Century Tragedy - Oliver Taplin Performing Classics: The Tragic Canon in the Fourth Century and Beyond - Sebastiana Nervegna Literary Evidence for New Tragic Production: The View from the Fourth Century - Johanna Hanink The Evolution of Comedy in the Fourth Century - Andrew Hartwig Philippus in acie tutior quam in theatro fuit … (Curtius 9. 6. 25): The Macedonian Kings and Greek Theatre - Eoghan Moloney Theatre, Religion and Politics at Alexander's Travelling Royal Court - Brigitte Le Guen Cooking Up Rhesus: Literary Imitation and Its Consumers - Vayos Liapis Rethinking Choregic Iconography in Apulia - Zachary Biles and Jed Thorn Greek Theatre in Non-Greek Apulia - Edward G. D. Robinson Regional Theatre in the Fourth Century. The Evidence of Comic Figurines of Boeotia, Corinth and Cyprus - J. Richard Green Theatre in the Fourth-Century Black Sea Region - David Braund and Edith Hall The Finance and Organisation of the Athenian Theatre in the Time of Eubulus and Lycurgus - Eric Csapo and Peter Wilson Inscribed Public Records of the Dramatic Contests at Athens: IG II² 2318-2323a and IG II² 2325 - Benjamin W. Millis.

Greek Theatre in the Fourth Century BC
Eric Csapo, Hans Rupprecht Goette, J. Richard Green, Peter Wilson
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Etat : Gebraucht / Used. Hardcover. Very good. Xi,578pp. Illustr.
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Hardcover. Etat : Very Good. 2020 Cambridge University Press hardcover edition. Light reading wear else very good condition.

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Hardback. Etat : New. Why did ancient autocrats patronise theatre? How could ancient theatre - rightly supposed to be an artform that developed and flourished under democracy - serve their needs? Plato claimed that poets of tragic drama "drag states into tyranny and democracy". The word order is very deliberate: he goes on to sa…y that tragic poets are honoured "especially by the tyrants, and secondly by the democracies" (Republic 568c). For more than forty years scholars have explored the political, ideological, structural and economic links between democracy and theatre in ancient Greece. By contrast, the links between autocracy and theatre are virtually ignored, despite the fact that for the first 200 years of theatre's existence more than a third of all theatre-states were autocratic. For the next 600 years, theatre flourished almost exclusively under autocratic regimes. The volume brings together experts in ancient theatre to undertake the first systematic study of the patterns of use made of the theatre by tyrants, regents, kings and emperors. Theatre and Autocracy in the Ancient World is the first comprehensive study of the historical circumstances and means by which autocrats turned a medium of mass communication into an instrument of mass control.

Greek Theatre in the Fourth Century B.C.
Csapo, Eric (EDT); Goette, Hans Rupprecht (EDT); Green, J. Richard (EDT); Wilson, Peter (EDT)
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Greek Theatre in the Fourth Century B.C.
Csapo, Eric (EDT); Goette, Hans Rupprecht (EDT); Green, J. Richard (EDT); Wilson, Peter (EDT)
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Greek Theatre in the Fourth Century B.C.
Csapo, Eric (EDT); Goette, Hans Rupprecht (EDT); Green, J. Richard (EDT); Wilson, Peter (EDT)
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Etat : As New. Unread book in perfect condition.

Theatre and Autocracy in the Ancient World
Csapo, Eric & Elodie Paillard & J. Richard Green & Brigitte Le Guen & Peter Wilson & Jelle Stoop & Hans Rupprecht Goette
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Hardcover. Etat : Very Good+. Etat de la jaquette : No Dust Jacket As Issued. Words and number in pen on front free endpaper, otherwise text clean and tight; no dust jacket; 8vo 8" - 9" tall; 290 pages.

Greek Theatre in the Fourth Century B.C.
Csapo, Eric (EDT); Goette, Hans Rupprecht (EDT); Green, J. Richard (EDT); Wilson, Peter (EDT)
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Hardcover. Etat : New.

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Hardback. Etat : New. Age-old scholarly dogma holds that the death of serious theatre went hand-in-hand with the 'death' of the city-state and that the fourth century BC ushered in an era of theatrical mediocrity offering shallow entertainment to a depoliticised citizenry. The traditional view of fourth-century culture is encour…aged and sustained by the absence of dramatic texts in anything more than fragments. Until recently, little attention was paid to an enormous array of non-literary evidence attesting, not only the sustained vibrancy of theatrical culture, but a huge expansion of theatre throughout (and even beyond) the Greek world. Epigraphic, historiographic, iconographic and archaeological evidence indicates that the fourth century BC was an age of exponential growth in theatre. It saw: the construction of permanent stone theatres across and beyond the Mediterranean world; the addition of theatrical events to existing festivals; the creation of entirely new contexts for drama; and vast investment, both public and private, in all areas of what was rapidly becoming a major 'industry'. This is the first book to explore all the evidence for fourth century ancient theatre: its architecture, drama, dissemination, staging, reception, politics, social impact, finance and memorialisation.

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Hardback. Etat : New. Age-old scholarly dogma holds that the death of serious theatre went hand-in-hand with the 'death' of the city-state and that the fourth century BC ushered in an era of theatrical mediocrity offering shallow entertainment to a depoliticised citizenry. The traditional view of fourth-century culture is encour…aged and sustained by the absence of dramatic texts in anything more than fragments. Until recently, little attention was paid to an enormous array of non-literary evidence attesting, not only the sustained vibrancy of theatrical culture, but a huge expansion of theatre throughout (and even beyond) the Greek world. Epigraphic, historiographic, iconographic and archaeological evidence indicates that the fourth century BC was an age of exponential growth in theatre. It saw: the construction of permanent stone theatres across and beyond the Mediterranean world; the addition of theatrical events to existing festivals; the creation of entirely new contexts for drama; and vast investment, both public and private, in all areas of what was rapidly becoming a major 'industry'. This is the first book to explore all the evidence for fourth century ancient theatre: its architecture, drama, dissemination, staging, reception, politics, social impact, finance and memorialisation.

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Hardcover. Etat : Very Good. Book is in very good condition with minor bumps to corners.940pp with b/w illustrations.

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Hardback. Etat : New. Why did ancient autocrats patronise theatre? How could ancient theatre - rightly supposed to be an artform that developed and flourished under democracy - serve their needs? Plato claimed that poets of tragic drama "drag states into tyranny and democracy". The word order is very deliberate: he goes on to sa…y that tragic poets are honoured "especially by the tyrants, and secondly by the democracies" (Republic 568c). For more than forty years scholars have explored the political, ideological, structural and economic links between democracy and theatre in ancient Greece. By contrast, the links between autocracy and theatre are virtually ignored, despite the fact that for the first 200 years of theatre's existence more than a third of all theatre-states were autocratic. For the next 600 years, theatre flourished almost exclusively under autocratic regimes. The volume brings together experts in ancient theatre to undertake the first systematic study of the patterns of use made of the theatre by tyrants, regents, kings and emperors. Theatre and Autocracy in the Ancient World is the first comprehensive study of the historical circumstances and means by which autocrats turned a medium of mass communication into an instrument of mass control.

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Buch. Etat : Neu. Neuware - Why did ancient autocrats patronise theatre How could ancient theatre - rightly supposed to be an artform that developed and flourished under democracy - serve their needs Plato claimed that poets of tragic drama 'drag states into tyranny and democracy'. The word order is very deliberate: he goes on t…o say that tragic poets are honoured 'especially by the tyrants, and secondly by the democracies' (Republic 568c). For more than forty years scholars have explored the political, ideological, structural and economic links between democracy and theatre in ancient Greece. By contrast, the links between autocracy and theatre are virtually ignored, despite the fact that for the first 200 years of theatre's existence more than a third of all theatre-states were autocratic. For the next 600 years, theatre flourished almost exclusively under autocratic regimes. The volume brings together experts in ancient theatre to undertake the first systematic study of the patterns of use made of the theatre by tyrants, regents, kings and emperors. Theatre and Autocracy in the Ancient World is the first comprehensive study of the historical circumstances and means by which autocrats turned a medium of mass communication into an instrument of mass control.

- Couverture rigide
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Buch. Etat : Neu. Druck auf Anfrage Neuware - Printed after ordering - Age-old scholarly dogma holds that the death of serious theatre went hand-in-hand with the 'death' of the city-state and that the fourth century BC ushered in an era of theatrical mediocrity offering shallow entertainment to a depoliticised citizenry. The tra…ditional view of fourth-century culture is encouraged and sustained by the absence of dramatic texts in anything more than fragments. Until recently, little attention was paid to an enormous array of non-literary evidence attesting, not only the sustained vibrancy of theatrical culture, but a huge expansion of theatre throughout (and even beyond) the Greek world. Epigraphic, historiographic, iconographic and archaeological evidence indicates that the fourth century BC was an age of exponential growth in theatre. It saw: the construction of permanent stone theatres across and beyond the Mediterranean world; the addition of theatrical events to existing festivals; the creation of entirely new contexts for drama; and vast investment, both public and private, in all areas of what was rapidly becoming a major 'industry'. This is the first book to explore all the evidence for fourth century ancient theatre: its architecture, drama, dissemination, staging, reception, politics, social impact, finance and memorialisation.

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Etat : Sehr gut. Zustand: Sehr gut | Seiten: 280 | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

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Etat : Hervorragend. Zustand: Hervorragend | Seiten: 280 | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

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Hardback. Etat : New. Age-old scholarly dogma holds that the death of serious theatre went hand-in-hand with the 'death' of the city-state and that the fourth century BC ushered in an era of theatrical mediocrity offering shallow entertainment to a depoliticised citizenry. The traditional view of fourth-century culture is encour…aged and sustained by the absence of dramatic texts in anything more than fragments. Until recently, little attention was paid to an enormous array of non-literary evidence attesting, not only the sustained vibrancy of theatrical culture, but a huge expansion of theatre throughout (and even beyond) the Greek world. Epigraphic, historiographic, iconographic and archaeological evidence indicates that the fourth century BC was an age of exponential growth in theatre. It saw: the construction of permanent stone theatres across and beyond the Mediterranean world; the addition of theatrical events to existing festivals; the creation of entirely new contexts for drama; and vast investment, both public and private, in all areas of what was rapidly becoming a major 'industry'. This is the first book to explore all the evidence for fourth century ancient theatre: its architecture, drama, dissemination, staging, reception, politics, social impact, finance and memorialisation.

- Couverture rigide
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Hardback. Etat : New. Age-old scholarly dogma holds that the death of serious theatre went hand-in-hand with the 'death' of the city-state and that the fourth century BC ushered in an era of theatrical mediocrity offering shallow entertainment to a depoliticised citizenry. The traditional view of fourth-century culture is encour…aged and sustained by the absence of dramatic texts in anything more than fragments. Until recently, little attention was paid to an enormous array of non-literary evidence attesting, not only the sustained vibrancy of theatrical culture, but a huge expansion of theatre throughout (and even beyond) the Greek world. Epigraphic, historiographic, iconographic and archaeological evidence indicates that the fourth century BC was an age of exponential growth in theatre. It saw: the construction of permanent stone theatres across and beyond the Mediterranean world; the addition of theatrical events to existing festivals; the creation of entirely new contexts for drama; and vast investment, both public and private, in all areas of what was rapidly becoming a major 'industry'. This is the first book to explore all the evidence for fourth century ancient theatre: its architecture, drama, dissemination, staging, reception, politics, social impact, finance and memorialisation.

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A Social And Economic History Of The Theatre To 300 Bc: Volume 1, The Theatre Festivals Of Athens: Documents With Translation And Commentary
Csapo, Eric (university Of Warwick);wilson, Peter (university Of Sydney)
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Hardcover. Etat : gut. 2022. Theatre and Autocracy in the Ancient World In deutscher Sprache. pages.

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A Social And Economic History Of The Theatre To 300 Bc: Volume 1, The Theatre Festivals Of Athens: Documents With Translation And Commentary
Csapo, Eric (university Of Warwick);wilson, Peter (university Of Sydney)
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Etat : As New. Unread book in perfect condition.

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