Ellen handy (82 résultats)

Hard Cover. Etat : vg-. Etat de la jaquette : vg-. 1st Edition. 232 pages; b/w & color photos throughout; previous owner name & date on front ep; price-clipped dj. Hardcover (dj).

paperback. Etat : Very Good.

Hardcover with dustjacket, 232 pages; very good condition; small stain to last page; no other internal marks. Foreign shipping may be extra.

paperback. Etat : Good.

Soft cover. Etat : Good. A catalog that was published in connection with an exhibition by the same title, that was shown at the International Center of Photography in New York City from December 5, 1997 through February 22, 1998. An introductory essay sub-titled "Photography, Advertising and the Symbols of Modernity" by Ellen Handy (Assistant Curator) provides context. Illustrated throughout with mostly full-page b/w photographs from the exhibit. Measures 9.25" x 10" with 63+ pages. There is some fading to the edges of the covers; this has no impact on the contents, which is clean with no marks of any kind.…

Softcover exhibition catalog, 40 pages, very good condition, inscribed and signed, perhaps by artist, otherwise no internal marks, clean and crisp.

Paperback. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. First edition. Near Fine clothbound hardcover with a remainder mark to the top edge of the text block in a Near Fine dust jacket with light shelf wear. All dust jackets are protected by a clear mylar cover. Note that the white line along the spine in our photo is the reflection of the flash. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. "An innovative look at the diversity of the photographic medium. It showcases works by such masters as Richard Avedon, Duane Michals, Yasushi Nagao, Larry Clark, Henri Cartier-Bresson and Irving Penn. With an unconventional compendium of the varying viewpoints of its practitioners, the book poses the question What is photography? Simultaneously, it celebrates the medium that encompasses the richness of the world in which we live." Essays by Anne Hollander, Diane Johnson, Ann Lauterbach, and Charles Simic; introduction by Ellen Handy; preface by Willis E. Hartshorn. 232 pages; 145 duo-toned b&w and 30 color plates; 12 x 10.25 inches. Artist biographies. Due to size and weight, international and expedited shipping will be more than quoted.…

Paperback. Etat : Very Good. A nice, solid copy. ; Duotones; 8.5 X 1 X 10.75 inches; 262 pages.

First Edition. First edition. Softcover. 40 pages. Exhibition catalog for a show that ran October 24, 2000 through January 24, 2001. Essays by Ellen Handy, Sudharshan Seneviratne, and Alison Nordstrom. Includes numerous color illustrations. A fine copy in wrappers with a brochure for an exhibit of this work that appeared in India in 1997. Uncommon.…

Paperback. Etat : Very Good. First Edition. Firm binding, no ownership markings, light curling/bumping to bottom fore-edge corner. ; Well packaged in a box, ships with tracking.

Soft cover. Etat : Very Good. VERY GOOD/ SOFT COVER: Minor Shelf Wear. Was New in our Retail Store but now Front Cover is Creased. (Bullfinch Press) Location: R 69.

Softcover. Etat : Near Fine. Light scratching to laminated stiff wraps. ; Clean and tight. High quality paper, b/w photos. Due to size, ships within US only an donly by media rate mail. ; Small 4to 9" - 11" tall; 256 pp.

1st printing of 1st edition. Claverol's photos capture the history & essence of Andorra & Andorran daily life between 1930 and 1970; 143 pages, illustrated (most of the photographs are annotated). Oversized book that requires additional shipping costs for Priority Mail & all international orders. Fine exhibition catalog in decorative wrappers (soft cover book). …

Paperback. First edition. AS NEW paperback in the publisher's shrink wrap. "Higher Ground consists of intimate portraits of the passengers on Brooklyn's elevated trains, passengers variously lost in reverie, locked in fantasies, suspended animatedly between destinations. These brilliant photographs, capturing the dialectic between desire and disappointment, anxiety and comfort, ultimately remind us of our own continuous rites of passage as human beings."--Henry Louis Gates. The catalogue for an exhibition held at the International Center for Photography, NYC, September 20 - November 29, 1998. Photographs by Thomas Roma; essays by Ian Frazier and Ellen Handy. 96 pages; 115 duo-toned b&w illustrations; 8.25 x 11.25 inches. Ships the next business day, wrapped in padding, in a box. …

Hardcover. Etat : Used - Very Good. Images from the World Between is an engaging survey of circus imagery in twentieth-century American art. In her introductory essay, curator Donna Gustafson chronicles the history of the American circus, showing how and why it came to be an important subject for American art. Through a discussion of a wide range of paintings, sculptures, prints, and photographs, Gustafson examines how the circus has been represented both as a microcosm of society and as an alternative reality. Some artists have been drawn to the abstract beauty of the circus ring, tent, and performances. Others have immortalized individual performers such as trapeze artist Alfredo Codona, animal trainer Clyde Beatty, and aerialist Lillian Lietzel for their physical prowess, grace, and courage. Still others have focused on the darker aspects of circus life, such as the danger inherent in many of the performances and the appeal of the grotesque.The book accompanies an exhibition organized by the American Federation of Arts. Among the artists discussed are Diane Arbus, George Bellows, Rhona Bitner, Alexander Calder, John Stuart Curry, Charles Demeuth, Walt Kuhn, Yasuo Kuniyoshi, Lisette Model, and Bruce Nauman. In addition to Gustafson's, the book contains essays by Karal Ann Marling on the postwar revival of interest in circus motifs and on the clown in popular culture, by Ellen Handy on the circus in twentieth-century photography, by Lee Siegel on the circus in twentieth-century literature, and by Eugene R. Gaddis on A. Everett 'Chick' Austin's collection and exhibition of paintings with circus themes. As director of the Wadsworth Atheneum and the Ringling Museum of Art, and as a performing magician, Austin united the worlds of art and the circus. The circus as a focal point of twentieth-century American art. Open copy with light to mild wear, clean pages with tight binding, dust jacket wrapped in Brodart protector.…

Etat : acceptable. Fully readable with visible signs of use. Cover may have creases, dents, or edge wear. Pages may include writing, highlighting, or folded corners. Binding remains intact. Dust jacket included if originally issued with hardcover. Supplemental items e.g., CDs, codes, or inserts are not guaranteed. We ship daily, Monday through Friday excluding weekends and holidays , in a protective poly mailer for secure delivery.…

Etat : acceptable. Used - Acceptable: All pages and the cover are intact, but shrink wrap, dust covers, or boxed set case may be missing. Pages may include limited notes, highlighting, or minor water damage but the text is readable. Item may be missing bundled media.

Hardcover. Etat : Near Fine. Near Fine. 1st. Cloth, 232 pages, illustrations (some colour); 32 cm. Near fine. Firm binding, clean inside copy. Age toning. Stated First edition. Dust jacket, with light shelfwear, protected in a mylar cover. OVERSIZE! Additional shipping charges may be requested for international & priority orders. A massive coffee-table book. Profusely illustrated. *** "A look at the diversity of the photographic medium. The volume showcases works by such photographers as Richard Avedon, Cindy Sherman, Margaret Bourke-White, Henri Cartier-Bresson and Irving Penn in celebration of the 25th anniversary of the International Center of Photography." - Publisher. *** CONTENTS: Preface, by Willis E. Hartshorn; The anatomy, philosophy, and history of a collection of photographs, by Ellen Handy; About seeing; Still life, by Ann Lauterbach; Fashion and style, by Anne Hollander; Interiors, by Diane Johnson; Cities and urban encounters; Landscapes; War and disaster; Everyday life; Verbal image, by Charles Simic; Portraits; Biographies of photographers. Size: Folio. Collectible.…

Etat : Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.

Softcover. Etat : As New. Laminated stiff wraps with flaps. B/w photos. Heavy paper stock. Due to size, ships within US only and only by media rate mail. ; Small 4to 9" - 11" tall; 256 pp.

paperback. Etat : Very Good. ***VERY GOOD CONDITION***CLEAN PAGES*** Light cover wear. Moderate edge wear to cover. Small green sticker at bottom of front cover. We specialize in non-fiction books. Follow us on Facebook and Instagram.

Etat : Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Magazine. First edition. Near Fine magazine with a touch of shelf wear and a mailing label to the back. SHIPS THE NEXT BUSINESS DAY, WRAPPED IN PADDING AND CARDBOARD. Issue 58 of Photography Center Quarterly (Vol. 15, No. 2), the magazine published by The Center for Photography at Woodstock from 1979 through 2009. This issue includes: Lisa G. Corrin on an installation by Ann Fessler; Ellen Handy on Sheryl Conkelton and her appointment at the Museum of Modern Art, NYC; a selection of young artists' portfolios; an introduction by Kathleen Kenyon; and much more. Edited by Kathleen Kenyon. Staple-bound magazine; 32 pages; b&w photographic reproductions throughout; 8.25 x 11 inches.…

Pamphlet. This is not a book. The original gallery guide for an exhibition whose premise was that "the photographic imagery of the 1980's is part of 'an intermittently continuous lineage' of 'inventive photographic vision' that dates back to the medium's beginnings and that appeared most recently in the 1960's." Divided into three thematic sections--Fragments and Repetitions, Images From Images, and Fictions and Illusions--the show demonstrated that "much that seems new and unfamiliar in very recent work corresponds to the experimentation of a previous generation." Artists included: Bernd and Hilla Becher, the Starn Twins, Cindy Sherman, Duane Michals, John Baldessari, Robert Cumming, Andy Warhol, Robert Heinecken, Frederick Sommer, Harry Callahan, Ray Metzker, and others. Text by the exhibition curator Ellen Handy (though uncredited.) Accordion-fold brochure; 10 panels; 3.25 x 11 inches, folds out to 17 x 11. Checklist; list of events. Condition: Pamphlet with a bit of crimping at the edges, otherwise Fine. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day.…

1 Very good. light shelf wear, ex museum stamp on blank flyleaf.

Hardcover with dustjacket; 160 pages, very good condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Soft cover. Etat : Very Good. No Jacket. 1st Edition. A clean unmarked copy in excellent condition.

Soft cover. Etat : Very good. No jacket. First Edition. First edition. Cover is lightly rubbed and worn along edges. Inside pages are clean and unmarked.

Hardcover. Etat : Fine. Near Fine dj. First Edition. [book is tight, clean, as-new; jacket shows just a bit of surface handling wear]. (B&W/color photographs) "Published on the occasion of ICP's twenty-fifth anniversary, [this book] provides an innovative look at the diversity of the photographic medium. The selection displays great strength in documentary photography and photojournalism, as well as a marvelous range of fine art, commercial, and vernacular photography. It presents the work of such masters as Richard Avedon, Weegee, Cindy Sherman, Robert Capa, Dorothea Lange, Henri Cartier-Bresson, Margaret Bourke-White, Alfredo Jaar, Ansel Adams, and Irving Penn alongside that of lesser known and anonymous photographers. [It] provides a delightfully unconventional compendium of the infinitely varying viewpoints of its many practitioners." Preface by Willis E. Hartshorn. Essays by Anne Hollander, Diane Johnson, Ann Lauterbach, and Charles Simic. Introduction by Ellen Handy. ***NOTE: Additional shipping charges for this heavy book will apply for non-U.S. customers; please inquire before placing your order.***.…