RICHARD WILSON, RICHARD DUTTON (98 résultats)

Paperback. Etat : Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Etat : Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.

Paperback. Etat : Very Good. 1. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Etat : Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Etat : Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Etat : Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Etat : Acceptable. Highlighting/Underlining/Wear Satisfaction 100% guaranteed.

Paperback. Etat : As New. Never read, no marks or highlighting in the book. Our copy is paperback showing light shelf-wear.

Etat : Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:9780719063695.

Paperback. Etat : Good +. Paperback. 9" X 6". xii, 267pp. Slight curl to front and rear covers. Very mild wear to covers and edges. Pages clean and unmarked. Binding is sound. An overall solid copy of this collection of essays on the topic of Roman Catholicism in early modern England.

Etat : Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Clean from markings. In fair condition, suitable as a study copy. Library sticker on front cover. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,550grams, ISBN:9780719063633.

Paperback. Etat : Good. No jacket. Longman, 1992. Paperback, 8vo, xiii,249pp. A little stained and creased. A fair copy. 0582045541/0.4uk . (Please note that our condition gradings are stricter than those of Abebooks and many other sellers. There may therefore be a discrepancy between this description and its listed condition grading).

Etat : As New. Unread book in perfect condition.

Etat : As New. Unread book in perfect condition.

Etat : New.

Paperback. Etat : New. This important collection of essays focuses on the place of Roman Catholicism in early modern England, bringing new perspectives to bear on whether Shakespeare himself was Catholic.In the Introduction, Richard Wilson reviews the history of the debate over Shakespeare's religion, while Arthur Marotti and Peter Milward offer current perspectives on the subject. Eamon Duffy offers a historian's view of the nature of Elizabethan Catholicism, complemented by Frank Brownlow's study of Elizabeth's most brutal enforcer of religious policy, Richard Topcliffe. Two key Catholic controversialists are addressed by Donna Hamilton (Richard Vestegan) and Jean-Christophe Mayer (Robert Parsons). Robert Miola opens up the neglected field of Jesuit drama in the period, whilst Sonia Fielitz specifically proposes a new, Jesuit source-text for Timon of Athens. Carol Enos (As You Like It), Margaret Jones-Davies (Cymbeline), Gerard Kilroy (Hamlet) and Randall Martin (Henry VI 3) read individual plays in the light of these questions, while Gary Taylor's essay fittingly investigates the possible influence of religious conflicts on the publication of the Shakespeare First Folio. Theatre and religion: Lancastrian Shakespeare as a whole represents a major intervention in this fiercely contested current debate.

Paperback. Etat : New. Explores the network of social, political and spiritual connections in north west England as a site for regional drama, introducing the reader to the non-metropolitan theatre spaces which formed a vital part of early modern dramatic activity. Uses the possibility that Shakespeare began his theatrical career to provide a range of new contexts for reading his plays. Examines the contexts in which the apprentice dramatist would have worked, providing new insight into regional performance, touring theatre and the patronage of the Earls of Derby. Examines the experiences of Catholic families and the way in which Lancashire's status as a Catholic stronghold led to conflict with central government's attempts to create a united state. All this feeds into innovative readings of individual plays such as Twelfth Night, Romeo and Juliet and A Midsummer Night's Dream.

Etat : Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,650grams, ISBN:071906368X.

Etat : New.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Etat : Very Good. Some outer edges have minor scuffs. Cover has light scratches/marks. Reading content is in like new condition.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Etat : New. This important collection of essays focuses on the place of Roman Catholicism in early modern England, bringing new perspectives to bear on whether Shakespeare himself was Catholic.In the Introduction, Richard Wilson reviews the history of the debate over Shakespeare's religion, while Arthur Marotti and Peter Milward offer current perspectives on the subject. Eamon Duffy offers a historian's view of the nature of Elizabethan Catholicism, complemented by Frank Brownlow's study of Elizabeth's most brutal enforcer of religious policy, Richard Topcliffe. Two key Catholic controversialists are addressed by Donna Hamilton (Richard Vestegan) and Jean-Christophe Mayer (Robert Parsons). Robert Miola opens up the neglected field of Jesuit drama in the period, whilst Sonia Fielitz specifically proposes a new, Jesuit source-text for Timon of Athens. Carol Enos (As You Like It), Margaret Jones-Davies (Cymbeline), Gerard Kilroy (Hamlet) and Randall Martin (Henry VI 3) read individual plays in the light of these questions, while Gary Taylor's essay fittingly investigates the possible influence of religious conflicts on the publication of the Shakespeare First Folio. Theatre and religion: Lancastrian Shakespeare as a whole represents a major intervention in this fiercely contested current debate.

Paperback. Etat : new. Paperback. Exploring the network of social, political and spiritual connections in north west England during Shakespeare's formative years, this text discusses how the cultural context in which the apprentice dramatist worked may have shaped him as an artist. It provides readings of "Twelfth Night", "Romeo and Juliet" and "A Midsummer Night's Dream", and explores the position of Lancashire as a Catholic stronghold and home to Counter-Refomation missionaries in opposition to the attempts of central government to create a united state. The text also introduces the reader to the non-metropolitan theatre spaces which formed a vital part of Early Modern dramatic activity. Exploring the network of social, political and spiritual connections in north west England during Shakespeare's formative years, this text discusses how the surrounding cultural context may have shaped him as an artist, looking at "Twelfth Night", "Romeo and Juliet" and "A Midsummer Night's Dream". Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Etat : new. Paperback. This collection of essays focuses on the place of Roman Catholicism in early modern England, bringing new perspectives to bear on the question of whether Shakespeare himself was Catholic. In the introduction Richard Wilson reviews the history of the debate over Shakespeare's religion, while Arthur Marotti and Peter Milward offer perspectives on the subject. Eamon Duffy offers a historian's view of the nature of Elizabethan Catholicism, complemented by Frank Brownlow's study of Elizabeth's most brutal enforcer of religious policy, Richard Topcliffe. Two key Catholic controversialists are addressed by Donna Hamilton (Richard Verstegan) and Jean-Christophe Mayer (Robert Parsons). Robert Miola opens up the neglected field of Jesuit drama in the period, while Sonia Fielitz specifically proposes a new, Jesuit source-text for "Timon of Athens". Carol Enos ("As You Like It"), Margaret Jones-Davies ("Cymbeline"), Gerard Kilroy ("Hamlet") and Randall Martin ("3 Henry VI") read individual plays in the light of these questions, while Gary Taylor's essay fittingly investigates the possible influence of religious conflicts on the publication of the Shakespeare First Folio. This important collection of essays focuses on the place of Roman Catholicism in early modern England, bringing new perspectives to bear on whether Shakespeare himself was Catholic. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Etat : Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:9780719063695.

Hardcover. Etat : Very Good. No Jacket. Very Good clean solid HARDBACK copy. Corners bumped (not affecting the text); rear endpaper is stamped "VHPS employee booksale". #.

Paperback. Etat : New. Explores the network of social, political and spiritual connections in north west England as a site for regional drama, introducing the reader to the non-metropolitan theatre spaces which formed a vital part of early modern dramatic activity. Uses the possibility that Shakespeare began his theatrical career to provide a range of new contexts for reading his plays. Examines the contexts in which the apprentice dramatist would have worked, providing new insight into regional performance, touring theatre and the patronage of the Earls of Derby. Examines the experiences of Catholic families and the way in which Lancashire's status as a Catholic stronghold led to conflict with central government's attempts to create a united state. All this feeds into innovative readings of individual plays such as Twelfth Night, Romeo and Juliet and A Midsummer Night's Dream.