Abouseif doris (241 résultats)

Paperback. Etat : Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Etat : Very Good. Arabic Islamic thought allowed the development of autonomous norms of beauty that were independent of moral or religious criteria. The artistic work was viewed separately from the divine scheme and was free of metaphysical associations.Beauty, however, had a significant place in religious thought. The Arab-Muslim tradition views the beauty of the universe, emphasized in the Koran, and the literary superiority of the Koranic text itself as compelling evidence for the divine hand. Under the influence of Greek thought, philosophers, sufis, and theologians dealt with the beauty-love relationship as the basic factor in the motion of the universe. Sufi worship is based on passion for God's beauty, which is manifest in the human image.Having created a huge empire on the territory of the great ancient civilizations, the Arab conquerors saw themselves as the heirs of these cultures and acted accordingly as great patrons of the arts. The sponsorship of the arts, which bestowed a brilliance on the monarchs, was viewed as beneficial to the image of the Muslim community when facing its Christian antagonists.Poetry, calligraphy, music, architecture, and the decorative arts flourished in this system of sponsorship. It was Muslim orthodoxy itself, based on the Prophet's distance to the poets, that let art go its profane way. Sufi poets adopted the vocabulary of erotic and bacchic poetry to address God, and craftsmen applied the same architectural and decorative idiom to both religious and profane monuments. In music, virtuosity was associated with diabolic rather than divine inspiration. Music, poetry, and wine belonged to the same hedonistic experience.Doris Behrens-Abouseif's book provides a panorama of the concepts of beauty in classical and post-classical Arabic culture through the 15th century, drawing on Arabic texts from philosophy, theology, mysticism, poetry, and literary criticism as well as historiographic sources and tales from the Thousand and One Nights. Behrens-Abouseif elucidates the ways in which beauty was measured by the degree of pleasure it elicited in the recipient, an attitude that anticipates modernity in both East and West.…

Paperback. Etat : Good. Arabic Islamic thought allowed the development of autonomous norms of beauty that were independent of moral or religious criteria. The artistic work was viewed separately from the divine scheme and was free of metaphysical associations.Beauty, however, had a significant place in religious thought. The Arab-Muslim tradition views the beauty of the universe, emphasized in the Koran, and the literary superiority of the Koranic text itself as compelling evidence for the divine hand. Under the influence of Greek thought, philosophers, sufis, and theologians dealt with the beauty-love relationship as the basic factor in the motion of the universe. Sufi worship is based on passion for God's beauty, which is manifest in the human image.Having created a huge empire on the territory of the great ancient civilizations, the Arab conquerors saw themselves as the heirs of these cultures and acted accordingly as great patrons of the arts. The sponsorship of the arts, which bestowed a brilliance on the monarchs, was viewed as beneficial to the image of the Muslim community when facing its Christian antagonists.Poetry, calligraphy, music, architecture, and the decorative arts flourished in this system of sponsorship. It was Muslim orthodoxy itself, based on the Prophet's distance to the poets, that let art go its profane way. Sufi poets adopted the vocabulary of erotic and bacchic poetry to address God, and craftsmen applied the same architectural and decorative idiom to both religious and profane monuments. In music, virtuosity was associated with diabolic rather than divine inspiration. Music, poetry, and wine belonged to the same hedonistic experience.Doris Behrens-Abouseif's book provides a panorama of the concepts of beauty in classical and post-classical Arabic culture through the 15th century, drawing on Arabic texts from philosophy, theology, mysticism, poetry, and literary criticism as well as historiographic sources and tales from the Thousand and One Nights. Behrens-Abouseif elucidates the ways in which beauty was measured by the degree of pleasure it elicited in the recipient, an attitude that anticipates modernity in both East and West.…

Etat : As New. Like New condition. A near perfect copy that may have very minor cosmetic defects.

Etat : Very Good. Very Good Condition. Five star seller - Buy with confidence.

Paperback. Etat : Very Good. Arabic Islamic thought allowed the development of autonomous norms of beauty that were independent of moral or religious criteria. The artistic work was viewed separately from the divine scheme and was free of metaphysical associations.Beauty, however, had a significant place in religious thought. The Arab-Muslim tradition views the beauty of the universe, emphasized in the Koran, and the literary superiority of the Koranic text itself as compelling evidence for the divine hand. Under the influence of Greek thought, philosophers, sufis, and theologians dealt with the beauty-love relationship as the basic factor in the motion of the universe. Sufi worship is based on passion for God's beauty, which is manifest in the human image.Having created a huge empire on the territory of the great ancient civilizations, the Arab conquerors saw themselves as the heirs of these cultures and acted accordingly as great patrons of the arts. The sponsorship of the arts, which bestowed a brilliance on the monarchs, was viewed as beneficial to the image of the Muslim community when facing its Christian antagonists.Poetry, calligraphy, music, architecture, and the decorative arts flourished in this system of sponsorship. It was Muslim orthodoxy itself, based on the Prophet's distance to the poets, that let art go its profane way. Sufi poets adopted the vocabulary of erotic and bacchic poetry to address God, and craftsmen applied the same architectural and decorative idiom to both religious and profane monuments. In music, virtuosity was associated with diabolic rather than divine inspiration. Music, poetry, and wine belonged to the same hedonistic experience.Doris Behrens-Abouseif's book provides a panorama of the concepts of beauty in classical and post-classical Arabic culture through the 15th century, drawing on Arabic texts from philosophy, theology, mysticism, poetry, and literary criticism as well as historiographic sources and tales from the Thousand and One Nights. Behrens-Abouseif elucidates the ways in which beauty was measured by the degree of pleasure it elicited in the recipient, an attitude that anticipates modernity in both East and West.…

Paperback. Etat : Good. Arabic Islamic thought allowed the development of autonomous norms of beauty that were independent of moral or religious criteria. The artistic work was viewed separately from the divine scheme and was free of metaphysical associations.Beauty, however, had a significant place in religious thought. The Arab-Muslim tradition views the beauty of the universe, emphasized in the Koran, and the literary superiority of the Koranic text itself as compelling evidence for the divine hand. Under the influence of Greek thought, philosophers, sufis, and theologians dealt with the beauty-love relationship as the basic factor in the motion of the universe. Sufi worship is based on passion for God's beauty, which is manifest in the human image.Having created a huge empire on the territory of the great ancient civilizations, the Arab conquerors saw themselves as the heirs of these cultures and acted accordingly as great patrons of the arts. The sponsorship of the arts, which bestowed a brilliance on the monarchs, was viewed as beneficial to the image of the Muslim community when facing its Christian antagonists.Poetry, calligraphy, music, architecture, and the decorative arts flourished in this system of sponsorship. It was Muslim orthodoxy itself, based on the Prophet's distance to the poets, that let art go its profane way. Sufi poets adopted the vocabulary of erotic and bacchic poetry to address God, and craftsmen applied the same architectural and decorative idiom to both religious and profane monuments. In music, virtuosity was associated with diabolic rather than divine inspiration. Music, poetry, and wine belonged to the same hedonistic experience.Doris Behrens-Abouseif's book provides a panorama of the concepts of beauty in classical and post-classical Arabic culture through the 15th century, drawing on Arabic texts from philosophy, theology, mysticism, poetry, and literary criticism as well as historiographic sources and tales from the Thousand and One Nights. Behrens-Abouseif elucidates the ways in which beauty was measured by the degree of pleasure it elicited in the recipient, an attitude that anticipates modernity in both East and West.…

paperback. Etat : Good. Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Standard-sized.

Etat : good. Book is in good condition and may include underlining highlighting and minimal wear. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Paperback. Etat : Very Good. First Edition. First Edition, First Printing. Published by Markus Wiener Publishers, 2019. Octavo. Paperback. Book is very good.

paperback. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Etat : Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,450grams, ISBN:9781558761995.

Paperback. Etat : Good. Pages clean; binding tight; minor wear to covers. 173 pages. Illustrated. Size: 8.5'' x 11".

Etat : New.

Paperback or Softback. Etat : New. Beauty in Arabic Culture. Book.

Etat : acceptable. Ausreichend/Acceptable: Exemplar mit vollständigem Text und sämtlichen Abbildungen oder Karten. Schmutztitel oder Vorsatz können fehlen. Einband bzw. Schutzumschlag weisen unter Umständen starke Gebrauchsspuren auf. / Describes a book or dust jacket that has the complete text pages (including those with maps or plates) but may lack endpapers, half-title, etc. (which must be noted). Binding, dust jacket (if any), etc may also be worn.…

Etat : As New. Unread book in perfect condition.

Paperback. Etat : New. illustrated Edition. Although beauty, in the pre-modern Arab world, was enjoyed and promoted almost everywhere, Islam does not possess a general theory on aesthetics or a systematic theory of the arts. This is a study of the Arabic discourse on beauty. The author had to search for her evidence in written statements from a wide variety of sources, such as the Qur'an, legal, religious and Sufi texts, chronicles, biographies, belle-lettres, literary criticism, and scientific, geographic and philosophical literature. The result is a compendium of references to beauty in chapters on the Religious Approach, Secular Beauty and Love, Music and Belle-Lettres, and the Visual Arts. This approach is informative and provocative. For the generalist, it provides comparative material for an understanding of the early Arab cultural context. For the specialist, it raises questions of sponsorship and purpose.…

Etat : very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Etat : New.

Hardcover. Etat : Good. Leiden, E. J. Brill. 1989. xviii+173 pages. Publisher's cloth. Spine ends are slightly bumped. Illustrated. Studies in Islamic Art and Architecture III.

Paperback. Etat : New. illustrated Edition. Although beauty, in the pre-modern Arab world, was enjoyed and promoted almost everywhere, Islam does not possess a general theory on aesthetics or a systematic theory of the arts. This is a study of the Arabic discourse on beauty. The author had to search for her evidence in written statements from a wide variety of sources, such as the Qur'an, legal, religious and Sufi texts, chronicles, biographies, belle-lettres, literary criticism, and scientific, geographic and philosophical literature. The result is a compendium of references to beauty in chapters on the Religious Approach, Secular Beauty and Love, Music and Belle-Lettres, and the Visual Arts. This approach is informative and provocative. For the generalist, it provides comparative material for an understanding of the early Arab cultural context. For the specialist, it raises questions of sponsorship and purpose.…

Broschiert. Etat : Gut. 22cm; 203; Broschiert. Sprache: Englisch, Zustand: Gut bis Sehr Gut min. gebräunt (Innen); Einband (Außen) hat min. bis geringe Gebrauchsspuren; * Die Photos sind original von uns erstellt worden, u.a. erkennbar an einem kleinen weißen Stück Papier im oberen Schnitt. Ab und an verwenden Suchmaschinen Verlagsphotos, bei den Portalen selbst, werden aber nur unsere Originalphotos gezeigt.…

Soft cover. Etat : Very Good. No Jacket. 8vo, pictorial wraps. 203 pp. Numerous b/w photos and line illustrations. Small ink signature at top of the inside cover and under title on title page. Else very good copy, tight and clean. This is a small book that can be shipped airmail overseas for only $ 24.00.…

Soft cover. Etat : Near Fine. 1st Edition. This is a near fine second printing paperback copy, blue spine.

Soft cover. Etat : Fine. viii, 220 pages : illustrations ; 24 cm.

Soft cover. 8vo. pp 203. Beige covers illustrated in brown. Illustrated throughout in black and white. ISBN: 9774240359 Very good, a little sunned at spine.

Etat : Fair. Volume 7. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. No dust jacket. Library sticker on front cover. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,850grams, ISBN:9004099271.…

Paperback. Etat : New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Etat : New.