adolphe willette 1857 1926, Ancien ou d'occasion (14 résultats)

Original Lithographie aus dem Werk "Les Maitres de l'Affiche" von 1898. Blatt-Maße: ca. 39 x 30 cm. etwas fleckig, sonst gut erhalten. || Original first edition lithograph out of "Les Maitres de l'Affiche" from 1898. With the blind embossed stamp designed by J. Cheret. with some staining, otherwise in good condition. || Lithographie originale de l'ouvrage "Les Maîtres de l'Affiche" de 1898. || "Les Maitres de l'Affiche" was published by Imprimerie Chaix, under the direction of Jules Cheret between the years 1896 and 1900, as a monthly subscription. It features designs by artists such as: Alphonse Mucha, Henri de Toulouse-Lautrec, Theophile-Alexandre Steinlen, Bonnard, Forain, Eugene Grasset, Georges Meunier, Louis Rhead, Dudley Hardy, etc. Special issues included plates with original designes by renowed artists. Among the most sought-after posters from the series are "Job" by A. Mucha which helped establish Mucha as a creator of beautiful Art Nouveau popular images, and has been used widely all over the world, in various variants - and "Moulin Rouge" by Toulouse Lautrec. With more than one thousand poster designs, Jules Cheret was considered the father of poster art. Many of the posters from Les Maitres de l'Affiche" have been designed by Charet himself. In 1866, he opened his own print shop in Paris and from 1881 on, he operated as part of the Chaix Imprimerie which published "Les Maitres de l'Affiche". This work was created during La Belle Epoque" in France, a great time for advertising and part of the French Great Poster Movement" which started at the end of the 19th century. At that time, the streets of all large cities in the world were full of large-format, colorful, lively poster images. Advertising posters began to be regarded as works of art, and published as fine prints. Imprimerie Chaix played a great part in popularizing poster designs, as well as in keeping record of the artistic movement as a whole. Original Farblithographie aus dem Werk "Les Maitres de l'Affiche" von ca. 1896. Blatt-Maße: ca. 39 x 30 cm. gut erhalten. || Original first edition lithograph out of "Les Maitres de l'Affiche" from c. 1896. With the blind embossed stamp designed by J. Cheret. in good condition. || Lithographie originale en couleurs de l'ouvrage "Les Maîtres de l'Affiche" de environ 1896. || "Les Maitres de l'Affiche" was published by Imprimerie Chaix, under the direction of Jules Cheret between the years 1896 and 1900, as a monthly subscription. It features designs by artists such as: Alphonse Mucha, Henri de Toulouse-Lautrec, Theophile-Alexandre Steinlen, Bonnard, Forain, Eugene Grasset, Georges Meunier, Louis Rhead, Dudley Hardy, etc. Special issues included plates with original designes by renowed artists. Among the most sought-after posters from the series are "Job" by A. Mucha which helped establish Mucha as a creator of beautiful Art Nouveau popular images, and has been used widely all over the world, in various variants - and "Moulin Rouge" by Toulouse Lautrec. With more than one thousand poster designs, Jules Cheret was considered the father of poster art. Many of the posters from Les Maitres de l'Affiche" have been designed by Charet himself. In 1866, he opened his own print shop in Paris and from 1881 on, he operated as part of the Chaix Imprimerie which published "Les Maitres de l'Affiche". This work was created during La Belle Epoque" in France, a great time for advertising and part of the French Great Poster Movement" which started at the end of the 19th century. At that time, the streets of all large cities in the world were full of large-format, colorful, lively poster images. Advertising posters began to be regarded as works of art, and published as fine prints. Imprimerie Chaix played a great part in popularizing poster designs, as well as in keeping record of the artistic movement as a whole. Sprache: Französisch Gewicht in Gramm: 25.

Lithograph, issued with 'Les Maitres de l'Affiche' a little spotting, mark on top corner where removed from album,

Original Farblithographie aus dem Werk "Les Maitres de l'Affiche" von 1900. Blatt-Maße: ca. 39 x 30 cm. gut erhalten. || Original first edition lithograph out of "Les Maitres de l'Affiche" from 1900. With the blind embossed stamp designed by J. Cheret. in good condition. || Lithographie originale de l'ouvrage "Les Maîtres de l'Affiche" de 1900. || "Les Maitres de l'Affiche" was published by Imprimerie Chaix, under the direction of Jules Cheret between the years 1896 and 1900, as a monthly subscription. It features designs by artists such as: Alphonse Mucha, Henri de Toulouse-Lautrec, Theophile-Alexandre Steinlen, Bonnard, Forain, Eugene Grasset, Georges Meunier, Louis Rhead, Dudley Hardy, etc. Special issues included plates with original designes by renowed artists. Among the most sought-after posters from the series are "Job" by A. Mucha which helped establish Mucha as a creator of beautiful Art Nouveau popular images, and has been used widely all over the world, in various variants - and "Moulin Rouge" by Toulouse Lautrec. With more than one thousand poster designs, Jules Cheret was considered the father of poster art. Many of the posters from Les Maitres de l'Affiche" have been designed by Charet himself. In 1866, he opened his own print shop in Paris and from 1881 on, he operated as part of the Chaix Imprimerie which published "Les Maitres de l'Affiche". This work was created during La Belle Epoque" in France, a great time for advertising and part of the French Great Poster Movement" which started at the end of the 19th century. At that time, the streets of all large cities in the world were full of large-format, colorful, lively poster images. Advertising posters began to be regarded as works of art, and published as fine prints. Imprimerie Chaix played a great part in popularizing poster designs, as well as in keeping record of the artistic movement as a whole. Original Farblithographie aus dem Werk "Les Maitres de l'Affiche" von ca. 1896. Blatt-Maße: ca. 39 x 30 cm. gut erhalten. || Original first edition lithograph out of "Les Maitres de l'Affiche" from c. 1896. With the blind embossed stamp designed by J. Cheret. in good condition. || Lithographie originale en couleurs de l'ouvrage "Les Maîtres de l'Affiche" de environ 1896. || "Les Maitres de l'Affiche" was published by Imprimerie Chaix, under the direction of Jules Cheret between the years 1896 and 1900, as a monthly subscription. It features designs by artists such as: Alphonse Mucha, Henri de Toulouse-Lautrec, Theophile-Alexandre Steinlen, Bonnard, Forain, Eugene Grasset, Georges Meunier, Louis Rhead, Dudley Hardy, etc. Special issues included plates with original designes by renowed artists. Among the most sought-after posters from the series are "Job" by A. Mucha which helped establish Mucha as a creator of beautiful Art Nouveau popular images, and has been used widely all over the world, in various variants - and "Moulin Rouge" by Toulouse Lautrec. With more than one thousand poster designs, Jules Cheret was considered the father of poster art. Many of the posters from Les Maitres de l'Affiche" have been designed by Charet himself. In 1866, he opened his own print shop in Paris and from 1881 on, he operated as part of the Chaix Imprimerie which published "Les Maitres de l'Affiche". This work was created during La Belle Epoque" in France, a great time for advertising and part of the French Great Poster Movement" which started at the end of the 19th century. At that time, the streets of all large cities in the world were full of large-format, colorful, lively poster images. Advertising posters began to be regarded as works of art, and published as fine prints. Imprimerie Chaix played a great part in popularizing poster designs, as well as in keeping record of the artistic movement as a whole. Sprache: Französisch Gewicht in Gramm: 25.

Hardcover. Etat : Near Fine. Color Plates, Illustrations In Text (illustrateur). 1st Edition. 183 Pp. Three Quarter Red Morocco Over Paper Colored In Red Black And Gilt, Multicolor Paint-Splash Endpapers, Original Wrappers Bound In, Top Edge Gilt. Original Lithographs, Color Plates, Tipped-In Color Plates, Illustrations Throughout. Lightly Used, Recently Refurbished.

WILLETTE (illustrateur). PARIS, Dentu editeur - 1893 - In-8 - 1 ère edition - 1/2 Reliure imitation vélin - Couverture illustrée de A. Wilette - Signet - 341 pages + Table Envoi manuscrit "A Paul Ginisty, l'un de ceux en qui grondent encore les derniers échos de l'Empire, Son admirateur et ami". Livres.

Etat : Good. Original lithograph poster. 117 x 75 cm. Repaired and mounted on cloth by the artisan binder Sasha Mosalov. . - French Revolution scene. In foreground a French general has his arm around a half-clothed Marianne. The French were victorious at Battle of Valmy in 1792 where they beat the Austrians. .Notes: - Translation of title: Banque de l'Union Parisienne. So that France will be victorious as in Valmy! For the liberation of the territory! Everyone subscribe to the 4th National Loan. - Signed: A. Willette, 1892-1918. - Promotional goal: Fr. J8. 1918. - Item is no. 87 in a printed checklist available in the Library of Congress Prints and Photographs Reading Room.

Etat : Good. Original lithograph poster. 118 x 80cm. Repaired and mounted on cloth by the artisan binder Sasha Mosalov. . A poilu embracing a girl. Behind them is a sewing machine, and a tipped chair; a little dog is in the left-hand corner. Caption: Enfin seuls . . .! Alone at last .Library of Congress Control Number99613767.

Etat : Good. Lithograph. 41 x 31 cm (support mount). artist's name in lower right of image ?A. Willette', with the blindstamp of L'Estampe Moderne (Lugt 2790), printed by L'Imprimerie Champenois, edited by Charles Masson and H. Piazza, with the original tissue paper guard. Very Good, mount sheet lightly toned and with a tear along right edge.

Etat : Good. 4 broadsides. 28 x 38cm., for the years 1932, 1937-39. Reproductions of works by Willette on one side.

Pas de couverture. Etat : Très bon. Edition originale. Adolphe Willette, Les sept péchés capitaux : La Luxure (1917). Lithographie originale. Épreuve signée et numérotée. Rare. Adolphe Willette (1857-1926) De la série des Sept péchés capitaux La Luxure (1917) Lithographie originale tirée sur chine appliqué sur vélin fort Épreuve avant la lettre avec remarque Epreuve signée et numérotée par l'artiste. Signature dans la lithographie : A. Willette, 1917 Dimensions : 65 x 50 cm (feuille) - 36 x 31 cm (lithographie) Rare. Très bon état. Signé par l'illustrateur.

Pas de couverture. Etat : Très bon. Edition originale. Adolphe Willette, Les sept péchés capitaux : La Paresse (1906). Lithographie originale. Essai d'artiste (signée). Rare. Adolphe Willette (1857-1926) De la série des Sept péchés capitaux La Paresse (sans date) Lithographie originale tirée sur chine appliqué sur vélin fort Épreuve avant la lettre avec remarque Essai d'artiste, épreuve signée Signature dans la lithographie : A. Willette Dimensions : 65 x 50 cm (feuille) - 36 x 31 cm (lithographie) Rare. Très bon état. Papier support teinté. Signé par l'illustrateur.

Pas de couverture. Etat : Très bon. Adolphe Willette, Les sept péchés capitaux : L'Avarice (1917). Lithographie originale. Essai d'artiste (signée). Rare. Adolphe Willette (1857-1926) De la série des Sept péchés capitaux L'Avarice ( (1917) Lithographie originale tirée sur chine appliqué sur vélin fort Épreuve avant la lettre avec remarque Essai d'artiste, épreuve signée Signature dans la lithographie : A. Willette, 1906 Dimensions : 65 x 50 cm (feuille) - 36 x 31 cm (lithographie) Rare. Très bon état.

Etat : Good. 11 ALS covering a 24 year period on copyright matters.Adolphe Léon Willette (30 July 1857 ? 4 February 1926) was a French painter, illustrator, caricaturist, and lithographer, as well as an architect of the famous Moulin Rouge cabaret. .11 LASDatées entre 1898 et 1922Concernent des droits de reproductions, des droits d'auteu.La fascinante épopée du droit d'auteur Pendant près d'un demi-siècle, Jacques-Louis Duchemin (1895-1978), membre et juriste du Syndicat de la propriété artistique, puis son fils Wladimir Duchemin (1941-2018), directeur de la Société de la propriété artistique des dessins et modèles (Spadem), se sont battus pour mettre sur pied et défendre les droits des peintres ses. Rémunération, contrefaçon, diffusion, exploitation. ce fonds épistolaire exceptionnel nous fait entrer dans l'intimité des plus grand es créateur rices du XXe siècle. Provenance:Fonds d'archives Duchemin, par descendance.

Etat : Good. 40 unbound plates, 34 x 25.5 cm. Engraved cover and 39 of 40 engraved plates. Lacking the preface page. Monod, 11540. Carteret, IV, 410.