Ainger michael (53 résultats)

Etat : very_good. Fast Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy.

Paperback. Etat : As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

paperback. Etat : Good. Good. Used with wear but is still in solid reading condition. NO markings to text. Pasadena's finest new and used bookstore since 1992.

Etat : Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Soft cover. Etat : Very Good. 1st Edition. Book cover in clear protective film.

paperback. Etat : Very Good. First Edition. First edition with full number line. Light shelf wear. Else clean and tight.

Hardback. Etat : Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

paperback. Etat : Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.…

hardcover. Etat : Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only. …

Hardcover. Etat : Near Fine. Near Fine. B/w illus.; tall 8vo 9" - 10" tall; 528 pages.

super octavo hardcover (VG+) in d/w (VG) ; all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition, but usually secondhand; frequently they are superior examples. Ordering more than one book will reduce your overall postage cost.…

Etat : New.

Etat : As New. Unread book in perfect condition.

Paperback. Etat : New. 'A Gilbert is of no use without a Sullivan.' With these words, W.S. Gilbert summed up his reasons for persisting in his collaboration with Arthur Sullivan despite the combative nature of their relationship. In fact, Michael Ainger suggests in Gilbert and Sullivan the success of the pair's work is a direct result of their personality clash, as each partner challenged the other to produce his best work. After exhaustive research into the D'Oyly Carte collection of documents, Ainger offers the most detailed account to date of Gilbert and Sullivan's starkly different backgrounds and long working partnership. Having survived an impoverished and insecure childhood, Gilbert flourished as a financially successful theater professional, married happily and established himself as a property owner. His sense of proprietorship extended beyond real estate, and he fought tenaciously to protect the integrity of his musical works. Sullivan, the product of a supportive family who nourished his talent, was much less satisfied with stability than his collaborator. His creative self-doubts and self-demands led to nervous and physical breakdowns, but it also propelled the team to break the successful mode of their earliest work to produce more ambitious pieces of theater, including The Mikado and The Yeoman of the Guards . Offering previously-unpublished draft libretti and personal letters, this thorough double-biography will be an essential addition to the library of any Gilbert and Sullivan fan.…

Etat : New.

paperback. Etat : New. In shrink wrap. Looks like an interesting title.

Etat : New. Num Pages: 528 pages, 36 black and white half tone illustrations. BIC Classification: AVGC9; AVH; BGF. Category: (G) General (US: Trade). Dimension: 156 x 229 x 31. Weight in Grams: 806. . 2009. Paperback. . . . .

Etat : As New. Unread book in perfect condition.

Paperback. Etat : new. New Copy. Customer Service Guaranteed.

Paperback / softback. Etat : New. New copy - Usually dispatched within 4 working days.

Etat : New. Num Pages: 528 pages, 36 black and white half tone illustrations. BIC Classification: AVGC9; AVH; BGF. Category: (G) General (US: Trade). Dimension: 156 x 229 x 31. Weight in Grams: 806. . 2009. Paperback. . . . . Books ship from the US and Ireland.

Paperback. Etat : New. 'A Gilbert is of no use without a Sullivan.' With these words, W.S. Gilbert summed up his reasons for persisting in his collaboration with Arthur Sullivan despite the combative nature of their relationship. In fact, Michael Ainger suggests in Gilbert and Sullivan the success of the pair's work is a direct result of their personality clash, as each partner challenged the other to produce his best work. After exhaustive research into the D'Oyly Carte collection of documents, Ainger offers the most detailed account to date of Gilbert and Sullivan's starkly different backgrounds and long working partnership. Having survived an impoverished and insecure childhood, Gilbert flourished as a financially successful theater professional, married happily and established himself as a property owner. His sense of proprietorship extended beyond real estate, and he fought tenaciously to protect the integrity of his musical works. Sullivan, the product of a supportive family who nourished his talent, was much less satisfied with stability than his collaborator. His creative self-doubts and self-demands led to nervous and physical breakdowns, but it also propelled the team to break the successful mode of their earliest work to produce more ambitious pieces of theater, including The Mikado and The Yeoman of the Guards . Offering previously-unpublished draft libretti and personal letters, this thorough double-biography will be an essential addition to the library of any Gilbert and Sullivan fan.…

Etat : New.

Etat : As New. Unread book in perfect condition.

Etat : New.

Hardback. Etat : New. New copy - Usually dispatched within 4 working days.

Etat : As New. Unread book in perfect condition.

Etat : New. Through research into the D'Oyly Carte collection of documents, Ainger offers an account Gilbert and Sullivan's starkly different backgrounds and long working partnership. Ainger suggests that it is the clash between these two strong personalities that accounts for the success of their work, as each challenged the other to produce his best work. Num Pages: 528 pages, numerous halftones. BIC Classification: 3JH; AVGC9; AVH; BGF. Category: (P) Professional & Vocational. Dimension: 244 x 166 x 27. Weight in Grams: 888. . 2002. Illustrated. hardcover. . . . .…

Hardback. Etat : New. "A Gillbert is of no use without a Sullivan" - with those words, W. S. Gillbert summed up his reasons for persisting in his collaberation with Arthur Sullivan despite the combative nature of their relationship. In fact, Micheal Ainger suggests in Gillbert and Sullivan, the pair's success is a direct result of their personality clash, as each partner challenged the other to produce his best work. After exhaustive research into the D'Oyly Carte collection of documents, Ainger offers the most detailed account to date of Gillbert and Sullivan's starkly different backgrounds and long working partnership. Having survived an impoverished and insecure childhood, Gillbert flourished as a financially successful theatre professional, married happily and established himself as a property owner. His sense of proprietorship extended beyond real estate, and he fought tenaciously to protect the integrity of his musical works. Sullivan, the product of a supportive family who nourished his talent, was much less satisfied with stability than his collaborator. His creative self-doubts and self-demands led to nervous and physical breakdowns, but also propelled the team to break the successful mode of their earliest work to produce more ambitious pieces of theatre, including The Mikado and The Yeoman of the Guard. Offering previously unpublished draft librettos and personal letters, this thorough double biography will be an essential addition to the library of any Gillbert and Sullivan fan.…

Etat : New. Through research into the D'Oyly Carte collection of documents, Ainger offers an account Gilbert and Sullivan's starkly different backgrounds and long working partnership. Ainger suggests that it is the clash between these two strong personalities that accounts for the success of their work, as each challenged the other to produce his best work. Num Pages: 528 pages, numerous halftones. BIC Classification: 3JH; AVGC9; AVH; BGF. Category: (P) Professional & Vocational. Dimension: 244 x 166 x 27. Weight in Grams: 888. . 2002. Illustrated. hardcover. . . . . Books ship from the US and Ireland.…