alexander kenneth robert (32 résultats)

Paperback. Etat : Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Etat : Very Good. English, Keith (illustrateur). 1749137011. 6/5/2025 3:23:31 PM.

Single Issue Magazine. Etat : Very Good-. Vol. 26, No. 3. Edited by Eleanor Sullivan. Cover art by Gotbaum. Includes "Whiteout" (novelette) by Kenneth Gavrell; "The Frame" by Ernest Savage; "Flesh and blood" by Robert Twohy; "The Brunchupper Murder Case" by Theodore S. Drachman; "Tell Me True" by Jean Darling; "The Hundred-Thousand Dollar Wall" by Mark Townley; "A Case of Missing Identity" by James McKimmey; "Side Trip" by John H. Dirckx; "Heavy Bet" by Richard Ciciarelli; "A Piece of Cake" by Ron Montana; "Missed' by Gary Alexander; "Crime on Screen" by Peter Christian. Small dark stain to front; sticker ghost to front; rubbing; tanning.

Etat : Very Good. Ships from the UK. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.

Soft cover. Etat : Near Fine. Elizabeth Malczynski; (illustrateur). First Edition. Lightly rubbed on the corners with a flat uncreased spine; no interior markings. Cover art by Elizabeth Malczynski. This anthology contains: Above Ker-Is by Evangeline Walton; April in Paris by Ursula K. Le Guin (her first published genre story); The Throme of the Erril of Sherill by Patricia McKillip; Elphenor and Weasel by Sylvia Townsend Warner; The Thirty and One by David H. Keller; Old Pipes and the Dryad by Frank R. Stockton; The Smith the Weaver and the Harper by Lloyd Alexander; Crusader Damosel by Vera Chapman; The Golden Key by George MacDonald; The Glass of Supreme Moments by Barry Pain; The Kith of the Elf Folk by Lord Dunsany; Red Peach Blossom Inlet by Kenneth Morris; The Legend of the Christmas Rose by Selma Lagerlof; The Abominable Imprecation by Eric Linklater; Jirel Meets Magic by C. L. Moore; and A Harp of Fishbones by Joan Aiken. Book.

Soft cover. Etat : Very Good. Elizabeth Malczynski; (illustrateur). 1st Edition. (ix) 325 pp. Lightly rubbed on the corners with a flat uncreased spine; small date in ink on the front endpaper. Wraparound cover art by Elizabeth Malczynski. This anthology contains: The Rule of Names by Ursula K. Le Guin; The Sword of Welleran by Lord Dunsany; The light Princess by George MacDonald; The Grove of Ashtaroth by John Buchan; The Music frm Behind the Moon by James Branch Cabell; The Accommodating Circumstance by Frank R. Stockton; Riddles in the Dark by J. R. R. Tolkien; The Magician's Book by C. S. Lewis; The Dufflepuds Made Happy by C. S. Lewis; The Foundling by Lloyd Alexander; Come Lady Death by Peter S. Beagle; Bellard by Sylvia Townsend Warner; The Elves by Ludwig Tieck; The Peach Tree by H. E. Bates; The Loquacious Goblin by Alexander Grin; and The Tall One by Mark Van Doren. Book.

Single Issue Magazine. Etat : Very Good. Tan wraps Yap edges a little bent.

Trade Paperback. Etat : Near Fine. First Edition. Exhibition catalog for a show held at Yares Gallery October 27, 2016 - January 15, 2017. Square 4to. 11.5 x 11.5 in. 42pp., with full color reproductions throughout. Light wear, else a Near Fine copy.

Soft cover. Etat : Very Good. ORIGINAL 1965 PUBLICATION; articles in Spanish and English; softcovers, staple-bound; owner's stamp; light browning of covers; light creasing of corners of covers and several leaves; o/w in very good condition. Book.

Single issue magazine. Etat : Very Good. Cover art by Ed Emshwiller (illustrateur). First Edition. Kokomo, IN: Standard Magazines, Inc. Standard Magazines, Inc., Kokomo, IN, 1955 First Edition 114pp Contents page in photos. A good copy with dust soiling and rubbing to covers, spine heel chipped, and the text lightly toned . See Photos whb10E.

broschiert. Etat : Sehr gut. 167 Seiten Das Buch ist in gutem Zustand, nur geringe Gebrauchs- Alters- oder Lagerungsspuren, Einband minimal berieben / schwach fleckig, Besitzstempel/-vermerk auf Vorsatz. ISBN: 9780486221311 Wir senden umgehend mit beiliegender MwSt.Rechnung. Sprache: Englisch Gewicht in Gramm: 392.

Paperback. Etat : Used; Very Good. **SHIPPED FROM UK** We believe you will be completely satisfied with our quick and reliable service. All orders are dispatched as swiftly as possible! Buy with confidence! Greener Books.

Softcover. Etat : Very good condition. v, 109-244 pp. Volume 3, Number 2 (Summer 1995). Softcover.

Softcover. Etat : Near Fine. First Edition; First Printing. Apex of the M (Buffalo) , c1997, paperback, "around 1000 copies". , Near Fine with minor spine fading. 168 pages, unmarked. Rikki Ducornet, Paul Celan, Andrew Schelling, Clayton Eshleman, Kenneth Irby, Robert Duncan and Helen Adam, Norman Finklestein, Juliana Spahr, Kevin Killian, Will Alexander, David Matlin, Elena Rivera, Mary Hilton, Noah de Lissovoy. POETRY LITERATURE; E2631 V1V; 168 pages.

Softcover. Etat : Near Fine. First edition. Cover by Lee Vecchiola. Small quarto. 76pp. Paper wraps. Some bumping to the yapped edges, near fine. A magazine of poetry and prose founded by Banks and Matthews in 1964 while they were students at the University of North Carolina. Contributors include from Robert Creeley, W.S. Merwin, Dabney Stuart, Floyce Alexander, Doug Collins, Howard McCord, Banks, Greg Kuzma, George Hitchcock, Robert Morgan, Kathy Quick, Stanley Cooperman, Dave Kelley, Matthews, Kenneth O. Hansen, James Tate, Robert Bonazzi, William Witherup, Dennis Trudell, Peter Wild, and Jean Follain.

Etat : New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.

Hardcover. Etat : Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!

hardcover. Etat : Good. Scarce publication. Ex-library; usual treatments. Nice dust jacket and cover. Interior pages are clean throughout. Binding is secure.

Brand new book. Fast ship. Please provide full street address as we are not able to ship to P O box address.

Etat : Brand New. New. US edition. Expediting shipping for all USA and Europe orders excluding PO Box. Excellent Customer Service.

Brand new book. Fast ship. Please provide full street address as we are not able to ship to P O box address.

Hardcover. Etat : Very good condition. Etat de la jaquette : dj. xxi, 874, Maps pp. Dustjacket. LCC: 9319315.

292 pp.; 24 x 20 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Critical theory by Sally Banes on post modernist dance in the early 1960's with photographs by Robert Alexander. "'Terpsichore in Sneakers' is the first full-scale discussion of the artists who have made post-modern dance today's pre-eminent choreographic movement. Sally Banes traces post-modernism's origins in the work of Cunningham and Ann Halprin, its explosion in the Judson Dance Theater of the early '60s, and its relationship to other avant-garde movements in the arts during th 1960s and 70s including Happenings, pop and minimal art and related developments in the visual arts, theater and literature." -- taken from jacket cover. Individual chapters are devoted to Simone Forti, Yvonne Rainer, Steve Paxton, Trisha Brown, David Gordon, Deborah Hay, Lucinda Childs, Douglas Dunn, Meredith Monk, Kenneth King and The Grand Union. Includes photographs, chronology and a selected bibliography. Fine. Covers and contents clean and unmarked in unread condition. Due to size and weight additional shipping charges will be required for international orders.

paperback. Etat : New. In shrink wrap. Looks like an interesting title!

Etat : Good. 8vo. 32 pp. Stapled Wraps. VG. Photographs, illustrations.

hardcover. Etat : New. In shrink wrap. Looks like an interesting title!

Paperback. Etat : New. In shrink wrap. Looks like an interesting title!

Etat : Good. 8vo. 32 pp. Soft Covers. Very Good, with one loose page. Photographs. Illustrations.

Etat : Good. 8vo., 32 pp., Very Good, Softcovers. Photographs. Illustrations.

Hardcover. Etat : Very good. Etat de la jaquette : Good. Daniel Alexander (Authors photograph) (illustrateur). First Printing [Stated]. xvi, [2], 381, [1] pages. Illustrated endpapers. Illustrations. Appendix. Index. The DJ has some wear and soiling. The surprise take over of a university building by the SDS brought to light the conflicts and differences between students, between students and faculty and the administration and the demands of the black students on campus. The police came in and ended the takeover but the analysis of the differing positions shows that the struggle is not over. It couldn't happen here, almost everyone said about the oldest and most renowned university in the country. Then, on April 9, 1969, a band of students led by the SDS seized University Hall and disproved the conventional wisdom that put Harvard above such violence. The authors probe the confusion of inflamed and contradictory reports. They identify forces set in motion many months before the event, and follow the gradual hardening of attitudes on issues that divided students, faculty, and administration. The account of the seventeen-hour period during which students occupied University Hall produces striking vignettes--a senior adviser being carried out of the building over the shoulder of a student, the orderly procedures of the insurgents for providing food and supplies, the president of the university watching the police action through field glasses from his house, cops congratulating themselves on a job well done. In the wake of the bust, the story follows the forging of new policies by each faction under the pressures of passionate concern, tight deadlines, and the glare of publicity. As part of the wider anti-war movement of the 1960s, student organizations such as the Harvard chapter of the Students for a Democratic Society (SDS) ran anti-war activities on campus. In November 1966 for instance, Secretary of Defense Robert McNamara was prevented from leaving the campus by a group of about 800 students. Forced from his car, he was hoisted up on the hood of a convertible, where he agreed to answer questions from the crowd on the Vietnam War. A letter signed by 2,700 Harvard undergraduates apologizing to McNamara was sent to him a few days after. A year later, in October 1967, a recruitment visit by Dow Chemicals, which supplied napalm to the military, was interrupted by protests. The Harvard Reserve Officer Training Corps (ROTC) programs drew particular attention, with sit-ins disrupting their meetings. Although the faculty was willing to reduce the programs' privileges, the Harvard Corporation refused to terminate it. These developments, alongside the creation of a degree program in Afro-American studies, led to the events of April 1969. On the night of April 8 to 9, a group of about 300 students, led by the SDS, tacked a list of demands on the door of the home of Nathan Pusey, then President of Harvard. Not only did it call for the abolition of ROTC, but also for lower rent and student involvement in designing the curriculum for the Afro-American studies degree. The demands were later rejected by Pusey as baseless. At noon on April 9, a group of 30 to 70 students entered University Hall, ejecting administrative staff and faculty. While most left the building peacefully, some faculty like assistant dean Archie Epps were forcefully expelled. At 4:15 pm Harvard Yard was closed off by the administration, citing safety concerns. The occupiers were threatened with criminal prosecution and disciplinary action if they did not leave by 4:30. The Boston Globe estimated the number of students inside University Hall to now be about 500, with at least 3000 onlookers in the Yard. At 5 pm, a meeting between moderate students and Dean Fred Glimp was convened at Lowell Lecture Hall, both agreeing on a peaceful resolution of the conflict. In the aftermath of the occupation, a series of reforms began. The ROTC lost the privileges not held by other extracurricular activities by a vote of the faculty later endorsed by the Harvard Corporation. Student representatives got a role in the appointment of faculty for Afro-American studies. A special "Committee of Fifteen" was formed to deal with the participants of the occupation. Unusual for a faculty board, it was not appointed, but elected by the Faculty of Arts and Sciences, consisting of ten of its members and augmented by five students, three from the College and one each of Radcliffe College and the Graduate School. Harvard President Nathan Pusey estimated the damage from the occupation to amount to approximately two professors' annual salaries.