Anna rogers (553 résultats)

Paperback. Etat : Fair. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

UNKNOWN. Etat : Acceptable. No dust jacket (spiral-bound). Eleventh Printing, June 1979. The book is in good condition for its age. The spiral binding is intact, although the cover shows some wear typical of a book from 1979. There are no inscriptions or library markings, and the pages are clean with no significant tears or markings. The absence of a dust jacket is standard for this spiral-bound format. Sketches by Anna Crockett (illustrateur).…

Paperback. Etat : Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Etat : Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Etat : Very Good. Rogers, Jessica (illustrateur).

perfect. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority. Hancock, David (illustrateur).

Etat : Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Hardcover. Etat : New. NEW and UNREAD hardcover with Dust Jacket, from bookstore stock. Very minor shelf wear. May contain price tag.; 100% Satisfaction Guaranteed! Ships same or next business day.

Etat : As New. Unread book in perfect condition.

Etat : New.

Etat : very_good. Fast Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy.

paperback. Etat : Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

hardcover. Etat : As New. Ships quickly. Like new. Minimal shelf/reading wear. Orphans Treasure Box sells books to raise money for orphans and vulnerable kids. Hancock, David (illustrateur).

Hardcover. Etat : Very Good+. Etat de la jaquette : Very Good+. A tight, clean copy. Near fine/very good+; Our City; 237 pages.

Hardcover. Etat : Acceptable. No Jacket. First Edition. Name of previous owner on ffep.

Etat : As New. Unread book in perfect condition.

Etat : New.

Etat : New.

Paperback. Etat : New. Peter Weir's haunting and allusive Picnic at Hanging Rock (1975), set in 1900, tells the story of the mysterious disappearance of three schoolgirls and their teacher on a trip to a local geological formation. The film is widely hailed as a classic of new Australian cinema, seen as exemplary of a peculiarly Australian style of heritage filmmaking.Anna Backman Rogers' study considers Picnic from feminist, psychoanalytic and decolonialising perspectives, exploring its setting in a colonised Australian bushland in which the Aboriginal people are a spectral presence in a landscape stolen from them in pursuit of the white man's 'terra nullius'. She delves into the film's production history, addressing director Weir's influences and preoccupations at the time of its making, its reception and its lasting impact on visual culture more broadly. Rogers addresses the film's treatment of the young schoolgirls and their teachers, seemingly, as embodiments of an archetype of the 'eternal feminine', as objects of the male gaze, and in terms of ideas about female hysteria as a protest against gender norms. She argues that Picnic is, in fact, highly subversive: a film that requires its viewers to read its seductive surfaces against the grain of the image in order to uncover its psychological depths. …

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

hardcover. Etat : Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.…

Hardcover. Etat : Fair. Fair hardcover. No DJ. ORIGINAL 1904 EDITION. Pages are clean and unmarked. Slightly tanned. Couple pages have foxing spots. Covers show edge wear with some rubbing/scuffing. Binding cracked slightly and back strip inlay loose but bindingl still intact.; 100% Satisfaction Guaranteed! Ships same or next business day.…

Paperback. Etat : New. Peter Weir's haunting and allusive Picnic at Hanging Rock (1975), set in 1900, tells the story of the mysterious disappearance of three schoolgirls and their teacher on a trip to a local geological formation. The film is widely hailed as a classic of new Australian cinema, seen as exemplary of a peculiarly Australian style of heritage filmmaking.Anna Backman Rogers' study considers Picnic from feminist, psychoanalytic and decolonialising perspectives, exploring its setting in a colonised Australian bushland in which the Aboriginal people are a spectral presence in a landscape stolen from them in pursuit of the white man's 'terra nullius'. She delves into the film's production history, addressing director Weir's influences and preoccupations at the time of its making, its reception and its lasting impact on visual culture more broadly. Rogers addresses the film's treatment of the young schoolgirls and their teachers, seemingly, as embodiments of an archetype of the 'eternal feminine', as objects of the male gaze, and in terms of ideas about female hysteria as a protest against gender norms. She argues that Picnic is, in fact, highly subversive: a film that requires its viewers to read its seductive surfaces against the grain of the image in order to uncover its psychological depths. …

Etat : New.

Hardcover. Etat : Fair. No Jacket. 214 Pages; 6 Chapters. Pages Tight. Moderate Page Wear; No Markings On Pages; Sticker Pasted On Front Inside Cover; Slight Warping On Pages;; Page Edges Cut Roughly And Darkened; Light Purple Linen Like Hard Covers With Gild Lettering On Front Cover And Spine. Some Rubbing; Corners Slightly Bumped; Spine And Portion On Back Cover Near Spine Are Greatly Faded. Moderate Shelf Wear. Chapter Headings Include: Why American Marriages Fail; Some Faults Of American Men; Why American Mothers Fail; What We Put Up With; Behind The Times; A Few Fallacies In Our Education, Etc. Rare Vintage Copy.…

Etat : As New. Unread book in perfect condition.

Etat : New.

Paperback. Etat : New. All too often, the movies of Sofia Coppola have been dismissed as "all style, no substance." But such an easy caricature, as this engaging and accessible survey of Coppola's oeuvre demonstrates, fundamentally miscontrues what are rich, ambiguous, meaningful films. Drawing on insights from feminist philosophy and psychology, the author here takes an original approach to Coppola, exploring vital themes from the subversion of patriarchy in The Virgin Suicides to the "female gothic" in The Beguiled. As Rogers shows, far from endorsing a facile and depoliticized postfeminism, Coppola's films instead deploy beguilement, mood, and pleasure in the service of a robustly feminist philosophy.…

Paperback or Softback. Etat : New. Sofia Coppola: The Politics of Visual Pleasure. Book.