architecture scamozzi vincenzo (2 résultats)

Hardcover. Etat : Fine. FIRST EDITION. A special copy, bound in contemporary gold-tooled vellum (soiled and lightly rumpled, later label, ties lacking). The majority of copies, either in institutions or privately held, are in simple, unadorned stiff vellum. Internally fine. Two preliminary leaves with a light dampstain, a few insignificant stains. Later endpapers and pastedowns. Illustrated with 2 engraved titles incorporating a portrait of the author, 42 full-page woodcut illustrations (3 double-page), and 44 full-page engraved illustrations (5 of them double-page). Text with ornamental initials and headpieces. The first edition of one of the last major architectural treatises of the Italian Renaissance, composed by the Italian architect Vincenzo Scamozzi (1548-1616). Originally conceived in 10 books, only books 1 to 3 of the first part and books 6 to 8 of the second part were published; the others remained unfinished at Scamozzi's death in 1616. "They cover the history and theory of architecture, fortification and town planning, palaces and villas, building materials, and methods of construction."(Millard Catalogue). All of the illustrations are the work of the author. "Scamozzi, along with Sebastiano Serlio, Palladio, and Vignola, was one of the most distinguished theorists of the Renaissance He is distinguished among 16th century Italian architectural theorists in having also produced a large body of surviving architectural works. These include the Procuratie Nuove in Venice and the design of the town of Sabbioneta In his old age, Scamozzi 'enjoyed an undisputed international reputation and provided a direct link with Palladio for Bernini's generation' (Wittkower 1983, 26) and also connected 'the Palladian tradition to the greater inventions of his pupil Longhena'(Lewis 1977, 45). Scamozzi had been the student and assistant of Andrea Palladio, many of whose works he completed after 1580, including the Teatro Olimpico in Vicenza. He was highly cultivated and well traveled, spending time in Rome and Naples between 1578 and 1580, and joined the Venetian delegation sent to congratulate Sixtus V on his election as pope in 1585. Scamozzi settled in Venice in 1581 after his extensive stay in Rome and Naples, where he excavated, measured and drew architectural ruins and studied mathematics." "According to Horst de la Croix (1963,35), Scamozzi is the last Renaissance treatise writer to integrate both civic and military architecture in one study For example, in book 2 of part i, Scamozzi's discussion of the urban building site includes the dimensions of great cities, the qualities of good ports, the layout of streets and principal buildings of a city, and the form and constituent elements of fortification. His instructions cover the entire range of urban considerations, including the width of streets (which should not be wider than the height of flanking buildings in order to maintain optimal temperatures), their pavement (which should not be of stone because it is too noisy), the design of the five proposed squares of the city, and the perimeter of the city (5 km long and surrounded by a military street). "Contrary to Vitruvius who defines architecture as concerned with buildings, solar clocks, and machines (cats. 155-161), Scamozzi divides it into four aspects: architecture as humanist discipline, building, decoration, and preservation. In book one he elaborates on his axiom that architecture is a science and thus teachable. He is concerned with architectural ideas as the property of the architect and advises that one's designs and models should be kept close by, and that the architect should dispose of his drawings as he sees fit. In addition to the Vitruvian requirements for the architect's education, Scamozzi maintains the importance of the architect's honor and the patron's dignity and is among the first to recognize and 'formulate the political ambivalence' of the architect's position (Kruft 1994)."(Pollak, Millard Catalogue, Vol. IV, no. 122) Collated against the Royal Academy copy. Collations of both parts: The pagination for Part I includes the printer's leaf of corrections (recto unpaginated, verso numbered 96) inserted before page 97. Collation: Pt I. a8, A-G6, H4 (H4 blank), a3, I-K6, L-M2, N-R6, S4, T-X2, Y8, a2, Z6, Aa-Ii6, Kk-Ll4 (-Ll4 blank), a-b6, c4. Pt II. *6 (*or 4 + ?2), A-B6, C4, D2, E-O6, P8, a2, Q-Z6; ?2, Aa-Gg6, Hh4, Ii4, *6, **4. Without the register leaf, possibly indicating early issue.

deux tomes reliés en un volume, reliure janséniste d'époque en plein vélin ivoire parcheminé (jansenist's binding full vellum in-8) in-octavo carré (20,2 x 16,3 cm), dos long (spine without raised band), Auteur et Titre manuscrit à l'encre brune en haut du dos (handwritten title on the spine), tranches lisses (smooth edges), 1er Tome : GRONDIGE BEWYS-REDENEN DER BOUW-KUNST: texte en néerlandais, orné d'un titre-frontispice gravé à l'eau-forte en noir par L. Renard et de 31 planches hors-texte gravés à l'eau-forte en noir, 68 pages, 1689 Amsterdam Justus Dankerts Editeur, + DE GRONT-REGULEN DER BOUW-KONST, ofte de uytnementheyt van de vijf ordens der ARCHITECTURA : texte en néerlandais, orné de 42 planches hors-texte gravés à l'eau-forte en noir par L. RENARD, (trace claire d'humidité en haut des 16 pages de texte), 16 pages, 1677, Amsterdam Justus Dankerts Editeur, compilé par Joost Vermaarsch; et remarquablement propagé par Justus Dankerts pour le GRONDIGE BEWYS-REDENEN DER BOUW-KUNST, édition richement illustrée d'un manuel d'architecture rédigé par un maître maçon, JOOST VERMAARSCH. Il emprunte ouvertement aux classiques de l'architecture, nommant Scamozzi, Palladio et Viniola sur sa page de titre. Il aborde la projection mathématique, la décoration architecturale, les cinq ordres de colonnes de l'architecture classique et plus particulièrement les théories de Scamozzi, Palladio et Vignola, chacune traitée dans un chapitre paginé séparément. En tant que maître maçon pratiquant à Leiden, le point de vue de l'auteur revêt un intérêt particulier lorsqu'il aborde la conception de briques décoratives et de plâtres pour socles et chapiteaux de colonnes pour portes, passerelles, fenêtres, etc., de gels, de plafonds et d'autres ouvrages de maçonnerie. Il note que toutes ces conceptions peuvent être construites avec les outils de mesure les plus simples. Les gravures hors-texte illustrent clairement ses propos et fournissent de nombreux modèles pour les décorations en brique et en plâtre.compilé par Joachem Schuym; et remarquablement propagé par Justus Dankerts pour le DE GRONT-REGULEN DER BOUW-KONST, ofte de uytnementheyt van de vijf ordens der ARCHITECTURA , van VINCENT SCAMOZZI, avec les trés belles eaux-fortes de L. Renard.Édition simplifiée du livre influent de Scamozzi, traduit de "L'Idea della Architettura Universale", préparé ici par Joachem Schuym. L'influence de Scamozzi s'est étendue bien au-delà de ses commandes italiennes grâce à ce livre, qui est le dernier ouvrage de la Renaissance sur la théorie de l'architecture. - BAL IV, 2923; Fuhring, 3160-3201; Hopkins et Witte, 9.2 OUVRAGES TRES RARES. en bon état malgré le petit défaut signalé (very good condition in spite of the small defect indicated).