Avoird (35 résultats)

Etat : New.

Etat : As New. Unread book in perfect condition.

hardcover. Etat : New. Brand new book, sourced directly from publisher. Dispatch time is 3-4 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Etat : New.

Hardback. Etat : New. Edna Taçon became a prominent figure in Toronto during the 1940s, where she had a crucial impact on the development of abstract painting. Described as "Canada's leading proponent of non-objective art," she split her time between Toronto and New York, maintaining a practice that was in step with leading avant-garde artists. While she was formally trained as a professional violinist, Taçon was also heavily influenced by the teachings of Wassily Kandinsky, and her understanding of music intertwined with her study of abstraction. She described her painting as an arena in which "verve and decorum collide" and where "unexpected devices of design dash into a bright rhythm." While pursuing her radical art, she navigated societal barriers and a profound entanglement of her identity as a musician, artist, and woman in a maledominated field. Accompanying an exhibition at the Art Gallery of Ontario, Edna Taçon features twenty-four of Taçon's rarely seen oil paintings, watercolours, and paper collages, along with archival sketches, correspondence, and photographs of the artist. The publication also includes an essay by curator Renée van der Avoird and an interview with the artist's grandson, contemporary sculptor Carl Taçon.…

Etat : As New. Unread book in perfect condition.

Hardback. Etat : New. Edna Taçon became a prominent figure in Toronto during the 1940s, where she had a crucial impact on the development of abstract painting. Described as "Canada's leading proponent of non-objective art," she split her time between Toronto and New York, maintaining a practice that was in step with leading avant-garde artists. While she was formally trained as a professional violinist, Taçon was also heavily influenced by the teachings of Wassily Kandinsky, and her understanding of music intertwined with her study of abstraction. She described her painting as an arena in which "verve and decorum collide" and where "unexpected devices of design dash into a bright rhythm." While pursuing her radical art, she navigated societal barriers and a profound entanglement of her identity as a musician, artist, and woman in a maledominated field. Accompanying an exhibition at the Art Gallery of Ontario, Edna Taçon features twenty-four of Taçon's rarely seen oil paintings, watercolours, and paper collages, along with archival sketches, correspondence, and photographs of the artist. The publication also includes an essay by curator Renée van der Avoird and an interview with the artist's grandson, contemporary sculptor Carl Taçon.…

HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Etat : new. Hardcover. Edna Tacon became a prominent figure in Toronto during the 1940s, where she had a crucial impact on the development of abstract painting. Described as Canadas leading proponent of non-objective art, she split her time between Toronto and New York, maintaining a practice that was in step with leading avant-garde artists. While she was formally trained as a professional violinist, Tacon was also heavily influenced by the teachings of Wassily Kandinsky, and her understanding of music intertwined with her study of abstraction. She described her painting as an arena in which verve and decorum collide and where unexpected devices of design dash into a bright rhythm. While pursuing her radical art, she navigated societal barriers and a profound entanglement of her identity as a musician, artist, and woman in a maledominated field. Accompanying an exhibition at the Art Gallery of Ontario, Edna Tacon features twenty-four of Tacons rarely seen oil paintings, watercolours, and paper collages, along with archival sketches, correspondence, and photographs of the artist. The publication also includes an essay by curator Renee van der Avoird and an interview with the artists grandson, contemporary sculptor Carl Tacon. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Etat : New.

HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Etat : As New. Unread book in perfect condition.

Hardback. Etat : New. New copy - Usually dispatched within 4 working days.

Etat : New.

Etat : New.

Etat : As New. Unread book in perfect condition.

hardcover. Etat : New. Special order direct from the distributor.

Etat : New. 2026. hardcover. . . . . .

Etat : New. 2026. hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Etat : Brand New. 128 pages. 9.33x9.33x9.55 inches. In Stock.

Etat : New.

Etat : Like New. Like New. Pages cleand, binding sound. Very minimal shelf wear. Collectible - Like New.

Hardcover. Etat : Near Fine. First Edition; First Printing. A Good Read ships from Toronto and Niagara Falls, NY - customers outside of North America please allow two to three weeks for delivery. Small bump on bottom edge of back board near outer tip. ; 10.25 X 0.9 X 10.25 inches; 180 pages.

Hardcover. Etat : Very Good. Etat de la jaquette : No Dust Jacket As Issued. Part 4 only; light wear to coves, otherwise text clean and solid; no dust jacket; International Series in Heat and Mass Transfer; 458 pages.

Etat : New.

Hardcover. Etat : new. Hardcover. Edna Tacon became a prominent figure in Toronto during the 1940s, where she had a crucial impact on the development of abstract painting. Described as Canadas leading proponent of non-objective art, she split her time between Toronto and New York, maintaining a practice that was in step with leading avant-garde artists. While she was formally trained as a professional violinist, Tacon was also heavily influenced by the teachings of Wassily Kandinsky, and her understanding of music intertwined with her study of abstraction. She described her painting as an arena in which verve and decorum collide and where unexpected devices of design dash into a bright rhythm. While pursuing her radical art, she navigated societal barriers and a profound entanglement of her identity as a musician, artist, and woman in a maledominated field. Accompanying an exhibition at the Art Gallery of Ontario, Edna Tacon features twenty-four of Tacons rarely seen oil paintings, watercolours, and paper collages, along with archival sketches, correspondence, and photographs of the artist. The publication also includes an essay by curator Renee van der Avoird and an interview with the artists grandson, contemporary sculptor Carl Tacon. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Hardcover. Etat : As New. 1st Edition. First edition, first printing. As new oversize hardback issued without dust jacket, clean and unmarked. Heavy oversize book will require a variable shipping surcharge based on its final destination.

Hardcover. Etat : new. Hardcover. Edna Tacon became a prominent figure in Toronto during the 1940s, where she had a crucial impact on the development of abstract painting. Described as Canadas leading proponent of non-objective art, she split her time between Toronto and New York, maintaining a practice that was in step with leading avant-garde artists. While she was formally trained as a professional violinist, Tacon was also heavily influenced by the teachings of Wassily Kandinsky, and her understanding of music intertwined with her study of abstraction. She described her painting as an arena in which verve and decorum collide and where unexpected devices of design dash into a bright rhythm. While pursuing her radical art, she navigated societal barriers and a profound entanglement of her identity as a musician, artist, and woman in a maledominated field. Accompanying an exhibition at the Art Gallery of Ontario, Edna Tacon features twenty-four of Tacons rarely seen oil paintings, watercolours, and paper collages, along with archival sketches, correspondence, and photographs of the artist. The publication also includes an essay by curator Renee van der Avoird and an interview with the artists grandson, contemporary sculptor Carl Tacon. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Hardback. Etat : New. Edna Taçon became a prominent figure in Toronto during the 1940s, where she had a crucial impact on the development of abstract painting. Described as "Canada's leading proponent of non-objective art," she split her time between Toronto and New York, maintaining a practice that was in step with leading avant-garde artists. While she was formally trained as a professional violinist, Taçon was also heavily influenced by the teachings of Wassily Kandinsky, and her understanding of music intertwined with her study of abstraction. She described her painting as an arena in which "verve and decorum collide" and where "unexpected devices of design dash into a bright rhythm." While pursuing her radical art, she navigated societal barriers and a profound entanglement of her identity as a musician, artist, and woman in a maledominated field. Accompanying an exhibition at the Art Gallery of Ontario, Edna Taçon features twenty-four of Taçon's rarely seen oil paintings, watercolours, and paper collages, along with archival sketches, correspondence, and photographs of the artist. The publication also includes an essay by curator Renée van der Avoird and an interview with the artist's grandson, contemporary sculptor Carl Taçon.…

Buch. Etat : Neu. Neuware - Edna Taç on became a prominent figure in Toronto during the 1940s, where she had a crucial impact on the development of abstract painting. Described as ' Canada's leading proponent of non-objective art,' she split her time between Toronto and New York, maintaining a practice that was in step with leading avant-garde artists. While she was formally trained as a professional violinist, Taç on was also heavily influenced by the teachings of Wassily Kandinsky, and her understanding of music intertwined with her study of abstraction. She described her painting as an arena in which ' verve and decorum collide' and where ' unexpected devices of design dash into a bright rhythm.' While pursuing her radical art, she navigated societal barriers and a profound entanglement of her identity as a musician, artist, and woman in a maledominated field. Accompanying an exhibition at the Art Gallery of Ontario, Edna Taç on features twenty-four of Taç on's rarely seen oil paintings, watercolours, and paper collages, along with archival sketches, correspondence, and photographs of the artist. The publication also includes an essay by curator René e van der Avoird and an interview with the artist's grandson, contemporary sculptor Carl Taç on.…