baldwin gordon malcolm daniel sarah (44 résultats)

Etat : Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.

Etat : New. *Price HAS BEEN REDUCED by 10% until Monday, Sept. 29 (sale item)* 290 pp., softcover, NEW!! - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Soft cover. Etat : Good. Some shelf wear to cover, patch of adhesive from removed tape but no tears, spine creased from being opened but cover fully intact, text block clear and binding tight. WR.

Paperback. Etat : Good. 1st Edition (Unstated). 290 pages; Scuff marks to exterior edge of pages. Scratches to exterior edge of pages. Foxing to the exterior edge of pages. Good overall condition otherwise. No other noteworthy defects. No markings.; - Your satisfaction is our priority. We offer free returns and respond promptly to all inquiries. Your item will be carefully cushioned in bubble wrap and securely boxed. All orders ship on the same or next business day. Buy with confidence.

cloth, dustjacket, large 4to oblong xiv+290 pp., 89 fullpage plates Fenton took up the camera in 1851 and immediately began to produce highly original images; he mastered every photographic genre: architectural, landscape, portraiture, reportage and tableau vivant; rural England, Houses of Parliament, the Kremlin, Kiev, the Crimean War; orientalistic pictures; prnited in duotone; 10 essays; published for the exhibition in the Metropolitan Museum of Art, New York; the National Gallery of Art, Washington; J. Paul Getty Museum, Los Angeles; LIKE NEW condition.

Hardcover. Etat : Fine. Etat de la jaquette : Fine. Catalogue to accompany the exhibition held Oct. 17, 2004-Jan. 2, 2005 at the National Gallery of Art, Washington, D.C.; Feb. 1-Apr. 24, 2005 at the J. Paul Getty Museum, Los Angeles; May 24, 2005-Aug. 21, 2005 at the Metropolitan Museum of Art, New York; and Sept. 21, 2005-Jan. 2, 2006 at Tate Britain, London. Contents: "A new starting point": Roger Fenton's life / Sarah Greenough -- "On nature's invitation do I come": Roger Fenton's landscapes / Malcolm Daniel -- In pursuit of architecture / Gordon Baldwin -- "Mr. Fenton explained everything": Queen Victoria and Roger Fenton / Roger Taylor -- "Trying his hand upon some oriental figure subjects" / Gordon Baldwin -- Roger Fenton and the still-life tradition / Pam Roberts -- PLATES -- "A most enthusiastic cultivator of his art": Fenton's critics and the trajectory of his career / Roger Taylor -- "The exertions of Mr. Fenton": Roger Fenton and the founding of the photographic society / Pam Roberts -- Roger Fenton: the artist's eye / Richard Pare -- A chronology of the life and photographic career of Roger Fenton / Rogert Taylor, Gordon Baldwin. 260 x 300 mm. xiv, 290 pp., 174 illustrations, 96 in quadraphone. [ISBN: 978-0300104905] Clothbound. A fine bright copy free from ownership inscriptions in like dustwrapper.

Etat : Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.

Mint in publishers decorated wrappers (still shrink wrapped). 290pp. Illustrated throughout. ISBN 1588391299.

Hardcover. Etat : Very Good. 1st Edition. Corners bumped, covers and spine lightly creased, text block slightly tanned. Overall book is in very good condition.

Hardcover. Etat : Very Good. 288 pages. Light shelf rubbing to bottom text edge.

25.0 x 29.5cms (landscape); 290pp; b/w & duotone illusts very good+ paperback & cover The essays are: Roger Fenton''s life; Fenton''s landscapes; in pursuit of architecture; Queen Victoria & Fenton; ''some oriental figure subjects''; the still life tradition; Fenton''s critics & the trajectory of his career; the founding of the Photographic Society; the artist''s eye; chronology of life & career.

hardcover. Etat : Very Good. Yale University Press; New Haven, 2004. Hardcover. The Metropolitan Museum of Art (New York), National Gallery of Art (Washington), The J. Paul Getty Museum (Los Angeles). A Very Good, brown cloth binding with gilt lettering on spine, binding sturdy and intact, trace handling marks, mild shelf wear, small rub mark bottom text block corner, in a Very Good, trace handling/scuff marks to panels, mild edge/corner wear, bit of fading to spine and partially panels (near spine), Dust wrapper. A nice, clean and unmarked copy. Oblong 4to[quarto or approx. 11.5 x 13.5 inches], 290pp., list of plates, notes, bibliography, indexed, photograph credits, sepia and b&w illustrations. We pack securely and ship daily with delivery confirmation on every book. The picture on the listing page is of the actual book for sale. Additional Scan(s) are available for any item, please inquire.Please note: Oversized books/sets MAY require additional postage then what is quoted for 2.2lb book.

Hardcover. Etat : New. Etat de la jaquette : New. Roger Fenton (Photography) (illustrateur). 1st Edition. This copy is in new, unmarked condition bound in brown cloth covered boards with bright gilt titling to the spine. This copy is bright, tight, white and square. The unclipped dust wrapper is in new condition. International postal rates are calculated on a book weighing 1 Kilo, in cases where the book weighs more than 1 Kilo increased postal rates will be quoted, where the book weighs less then postage will be reduced accordingly. This large, landscape, illustrated book weighs in at 2 Kgs. Roger Fenton (1819-1869) was England's most celebrated and influential photographer during the 1850s, the golden age" of this radically new medium. Fenton's majestic pictures of cathedrals, country houses, and varied countryside were without peer in England as were his views of the royal castles and Houses of Parliament that embodied Britain's power. But Fenton's choice of subjects ranged more widely still: he was among the first to photograph the Kremlin and other landmarks of Moscow and Kiev; he was commissioned in 1855 to document the Crimean War, producing early war photographs; and he created theatrical Orientalist costume pictures and a startling series of lush still lifes. Fenton had first studied law and painting, but soon after he took up the camera he was making photographs that were technically superb and highly original in their handling of composition, perspective, atmosphere, and light. Always he strove to demonstrate that photography could equal the art of painting and even surpass it. He was the force behind the founding of the Photographic Society (later the Royal Photographic Society), which worked to advance the profession and encouraged the exhibition of members' works throughout Britain. In a career of a single decade, Fenton did much to transform photography into a medium of powerful expression and visual delight. This exquisitely produced book the first comprehensive publication on Fenton in almost twenty years presents eighty-five of the artist's finest photographs and discusses every aspect of his work and his remarkable career. Ref V V 1.

Hardcover. Etat : As New. Etat de la jaquette : As New. Amazing monograph on the famed British photographer. who paved the way for Mathew Brady with his coverage of the Crimean war and Russia in the 1850s. A superb as new copy.

Paperback. Etat : Used: Very Good. [FIRST EDITION] New Haven and London: Yale University Press, 2004. Large, oblong softcover in pictorial covers. xiv, 290 pages illustrated with Fenton's photographs throughout. Includes map; bibliography; index; etc. Oblong 4to. An important monograph, published to accompany the exhibition held at the Metropolitan Museum of Art, New York, the National Gallery of Art, Washington, and the J. Paul Getty Museum, Los Angeles. Very good overall condition; no owner marking, NOT EX-LIBRARY. (pc).

Soft cover. Etat : Near Fine. 1st Edition. Stiff sepia pictorial wraps, oblong format. One light stress crease along a firm, square binding, otherwise as issued. xiv,290 pp., illus. w/ photographic plates. Size: 8vo - over 7¾" - 9¾" tall. Book.

Hardcover. Etat : New. Etat de la jaquette : New. in original shrinkwrap.

Soft cover. Etat : Fine. 1st Edition. 290 Pp. Very29.3 X 25.5 X 2.7 Cm, A Very Large And Very Heavy Softcover Book. Fine. No Marks.

Soft cover. Etat : New. Soft cover book (290 pages) with 174 b/w illustrations. Still in shrink wrap. INTERNATIONAL SHIPPING WILL REQUIRE ADDITIONAL CHARGE. Bookseller since 1995 (LL-Base2-D-TS-Down-R) rareviewbooks.

Soft cover. Etat : Near Fine. First Softcover Edition. First Softcover Edition. NF. Softcover, 290 pp, profusely illustrated in b&w, thick oblong quarto, very light edgewear with a touch of rubbing to covers, else a nice and crisp copy. Extra shipping may apply.

Etat : Very good.

Paperback. Etat : Near Fine. One tiny smudge to lower text block edge. Oblong 4to. Cover illustration : Westminster from Waterloo Bridge, ca. 1858. Frontispiece : Roger Fenton, Self-Portrait, ca. 1854. A total of 99 plates, 78 figures. Illustration in black and white and quadratone. Map, xiv. Clean, bright, solidly bound. 290 pp with list of plates, notes to the essays and chronology, bibliography, index. Roger Fenton was England's most celebrated photographer during the 1850's. This remarkable collection presents ninety of Fenton's finest photographs, exactingly reproduced. Six leading scholars have contributed nine illustrated essays that address every aspect of Fenton's career, as well as a comprehensive, documented chronology. An amazing amount of information in this beautifully published volume. HEAVY. May require EXTRA shipping.

Couverture rigide. Etat : Très bon. Etat de la jaquette : Bon. Published by New Haven: Yale University Press; for the Metropolitan Museum of Art, New York, 2004. (30x25.5cm.) 290pp. Very good condition, hard cover. Dust jacket in good condition, some marks on the back. Presence of scuffs on the first page. Edité par New Haven : Yale University Press; for the Metropolitan Museum of Art, New York, 2004. (30x25,5cm.) 290pp. Très bon état, couverture rigide. Jaquette en bon état, quelques traces au dos. Présence d'épidermures sur la première page.

Hardcover. Etat : Fine. Etat de la jaquette : Fine. 1st Edition. 1st edition. Fine hardback copy in Fine jacket. Large, quarto-sized book. HEAVY BOOK! OVERSEAS SHIPPING EXTRA AT ACTUAL COST!

Soft cover. Etat : New. New, unopened copy, in shrink wrap.

hardcover. Etat : fine. Etat de la jaquette : fine. With contributions by Richard Pare, Pamer Roberts, and Roger Taylor. 174 illustrations, 96 in quadratone. xiv + 290pp., thick, oblong 8vo, brown cloth, d.w. New Haven and London: Yale University Press, (2004). A fine copy in a fine dust wrapper.

Etat : Very good.

First edition. Oblong hardcover. 290 pages. Published in conjunction with a an exhibition that ran October 17, 2004 through January 2, 2995 in Washington, D.C. and then went on to three other locations for additional dates. Text by Gordon Baldwin, Malcolm Daniel, Sarah Greenough, Richard Pare, Pam Roberts, and Roger Taylor. Includes 174 illustrations with 96 in quadratone. A tight near fine copy with some slight bumping to the corners in a near fine dust jacket. Terrific book on this important 19th century photographer.

Paperback. Etat : Very Good. 1st Edition. No markings. Oversize. Published in conjunction with an exhibition.

Etat : very_good. Pages are clean with no markings. May show minor signs of wear or cosmetic defects marks, cuts, bends, or scuffs on the cover, spine, pages, or dust jacket. May have remainder marks on edges.