beiles sinclair (36 résultats)

Soft cover. Etat : Very Good. 1st edition. VG+. 8vo, 132pp, printed wrappers. Uncommon mid-sixties literary anthology, with contributions from Alexander Trocchi, Sinclair Beiles, Nick Rawson, and David Mercer. Unmarked copy, American price label to front cover and minor remnant of publisher label to back cover. Not Signed.

Soft cover. Etat : Very Good. 1st edition. VG. 8vo, 112pp, printed wrappers. Fourth issue of this important Beat-era bilingual literary review from Paris. Content in French and English (depending on language of composition). Includes Six Poems by Gregory Corso, plus contributions by Sinclair Beiles and others. Small stamp to first interior page (else unmarked), minor chip to head of spine and some general reading wear. Not Signed.

Soft cover. Etat : Very Good. 1st edition. VG. 8vo, 96pp, printed wrappers. Uncommon fourth issue of this late 1960s San Francisco underground magazine, includes writing by William S. Burroughs (Schottlaender C214 / Shoaf III-123, includes a full-page portrait of WSB), Ginsberg, Carl Solomon (poem on the death of Neal Cassidy) and others, a photo piece by Edward Ruscha, a Sinclair Beiles/Annie Rooney collaboration, a Roy Lichtenstein cover, much else. Solid unmarked copy (from the collection of Opal Louis Nations) with a little outer wear and sunning to spine. Not Signed.

Broadside New and fine broadside, roughly 7 x 10 and ideal for framing. Most Cold Turkey Press broadsides are in very limited editions, usually designed with a poem or text on one side and art or photography on the other side. Printed in color on heavy card stock. Forever unique both in chosen artist and poet or photograph. Limited to one to 28 copies or one to 36 depending upon the issue.

Broadside New and fine broadside, roughly 7 x 10 and ideal for framing. Most Cold Turkey Press broadsides are in very limited editions, usually designed with a poem or text on one side and art or photography on the other side. Printed in color on heavy card stock. Forever unique both in chosen artist and poet or photograph. Limited to one to 28 copies or one to 36 depending upon the issue.

Broadside New and fine broadside, roughly 7 x 10 and ideal for framing. Most Cold Turkey Press broadsides are in very limited editions, usually designed with a poem or text on one side and art or photography on the other side. Printed in color on heavy card stock. Forever unique both in chosen artist and poet or photograph. Limited to one to 28 copies or one to 36 depending upon the issue.

Broadside New and fine broadside, roughly 7 x 10 and ideal for framing. Most Cold Turkey Press broadsides are in very limited editions, usually designed with a poem or text on one side and art or photography on the other side. Printed in color on heavy card stock. Forever unique both in chosen artist and poet or photograph. Limited to one to 28 copies or one to 36 depending upon the issue.

Broadside New and fine broadside, roughly 7 x 10 and ideal for framing. Most Cold Turkey Press broadsides are in very limited editions, usually designed with a poem or text on one side and art or photography on the other side. Printed in color on heavy card stock. Forever unique both in chosen artist and poet or photograph. Limited to one to 28 copies or one to 36 depending upon the issue.

Broadside New and fine broadside, roughly 7 x 10 and ideal for framing. Most Cold Turkey Press broadsides are in very limited editions, usually designed with a poem or text on one side and art or photography on the other side. Printed in color on heavy card stock. Forever unique both in chosen artist and poet or photograph. Limited to one to 28 copies or one to 36 depending upon the issue.

Broadside New and fine broadside, roughly 7 x 10 and ideal for framing. Most Cold Turkey Press broadsides are in very limited editions, usually designed with a poem or text on one side and art or photography on the other side. Printed in color on heavy card stock. Forever unique both in chosen artist and poet or photograph. Limited to one to 28 copies or one to 36 depending upon the issue.

Broadside Roughly 7 x 10 as a wonderful two sided broadside and illustrations or art work. Ideal for framing, your choice! Fine and bright illustrated with the usual Cold Turkey dynamics. Scarce and limited to 36 copies. Attractive deckled edge.

Soft cover. Etat : Very Good. 1st edition. VG with Good+ wrapper band. 8vo, 96pp, printed wrappers. Includes the rare wrapper band. Second issue of this important Beat-era "revue bilingue" from Paris. Content in French and English (depending on language of composition). Includes "Notes on William Burroughs" (2pp) by Sinclair Beiles. Unmarked copy with a little outer soil; the original wrapper band has some tearing to edges. Not Signed.

Soft cover. Etat : Very Good. 1st edition. VG+. 8vo, 80pp, printed wrappers. Third issue of this late 1960s San Francisco underground magazine, includes a 1953 Elegy for Jack Spicer by Robert Duncan (Bertholf C203), a film scenario by Sinclair Beiles, a Roy Lichtenstein cover, and writing by Harold Norse and others. Solid unmarked copy with light wear to covers and faint must. Not Signed.

Paperback. Etat : As New. Publisher: Olympia Press, Paris, 1965. FINE softcover in green paper wraps, as issued. Later Printing. Text in English. As new. Pristine.

1st Printing. 238pp. No 75 of The Traveller's Companion Series. Kearney-Carroll 5.75.1. Paperback. Light shelfwear. Very Good.

Broadside Folder Four sided booklet of this always interesting author who resided for years in South Africa. One of 36. Ideal for framing, very scarce.

Soft cover. Etat : Very Good. 1st edition. Near VG. 8vo, xvi+192pp, printed wrappers. Jam-packed quadruple issue of Michael Horovitz's key avant-garde literary magazine, includes work by William Burroughs (Schottlaender C388 / Shoaf III-227) and other major Beat Generation figures, plus Bob Cobbing and other British visualists, much else. Unmarked copy, rubbing to covers and a bit of bumping to textblock. Not Signed.

Etat : Good. 4to. Folded Page, Good with small tears, sun-fading, creasing. Illustrated. Sinclair Beiles was a South African Beat Poet.

Softcover. Etat : Near Fine. First edition. Trade paperback. Illustrated wrappers. Bookstore Label on the front wrap, near fine.

Softcover. First Edition; First Printing. Good+ in wraps. Front hinge starting, rear hinge cracked.

Soft cover. Etat : Very Good. 1st edition. VG. 4to, [vi]+154pp, comb-bound. From the collection of Opal Louis Nations. Heavily psychedelicized, thick poetry and art magazine from 1968 San Francisco. Includes 15 pages of Sinclair Beiles. Unmarked copy, reading wear to covers, fragile plastic comb binding is intact. Not Signed.

Small 8vo, pp.238. Original green stiff card wrapping, lettered in black to panels and spine. Olympia new price label to rear panel. Slightly cocked, some wear to spine, with slight loss at foot. First edition, second issue. Kearney: 5.75.2.

Paperback. Etat : Very Good. First Paperback Edition. 8vo. pp 32. Original publisher's illustrated covers, lettered black. Text in German. Clean, very good indeed. Excellent condition.

Paris, directeur: Jean Fanchette. Un volume 13,5x21,3cm broché de 96 pages. Bon état. Créée par le poète et psychanalyste originaire de l?île Maurice, Jean Fanchette, Two cities reçut le soutien de Anaïs Nin. La revue compte en tout 9 livraisons parues entre le printemps 1959 et l?automne 1964. Le projet était de faire connaître d?une rive à l?autre de l?Atlantique, les meilleurs écrivains français et anglophones. Tous les textes sont en langue originale. Livres.

First edition, first printing A rare showing by Beiles. Beautifully produced from the poet's poetry as well as art work throughout. Cover photograph "The Idiot's Voice" by Sinclair Beiles. New and bright all around folio.

8vo. pp: 63. First edition. Original publisher's brown and black illustrated paper covers with black lettering at spine. Previous owner's name in pen to front free-endpaper. Illustrated with a single black and white collage. Covers show light signs of shelfwear and are slightly creased along the edges and spine. 3 cm long crease to bottom of front cover and pages throughout the book. Otherwise stylish, compact and clean. Very good.

paperback. Etat : Good. Good: A book that has been read but is in good condition. Very minimal damage to the cover including scuff marks, but no holes or tears. The dust jacket for hard covers may not be included. Binding has minimal wear. The majority of pages are undamaged with minimal creasing or tearing, minimal pencil underlining of text, highlighting of text, writing in margins. No missing pages.

Softcover. Etat : Very Good. First Edition. Includes an erratum slip as well as 6 original woodcuts by Cecil Skotnes. The wraps are shelf rubbed, edge worn and marked, with a small, closed tear along the top edge of the back. Despite this, the wraps are whole and intact. Internally, there are no markings or inscriptions, and the pages within are neat and complete. JK. Our orders are shipped using tracked courier delivery services.

First edition of the first book by South African Beat poet Sinclair Beiles to be published in his home country, featuring vibrant original woodcuts by Cecil Skotnes. Beiles played a key role in a number of important Beat publications. In the 1950s, he befriended Brion Gysin and William S. Burroughs in Tangier, taking walks with Gysin to assuage the artist's paranoia, and helping Burroughs edit Naked Lunch, which Beiles would later publish as senior editor at the Olympia Press. While staying at the notorious Beat Hotel in Paris, Beiles, Gysin, Burroughs, and Gregory Corso created Minutes To Go (1960), the first book to use the "cut-up" poetic technique which Gysin and Burroughs would make famous. After many years abroad, Beiles returned to Johannesburg in the early 1970s. The exuberant poems collected in Tales reflect his skewed, apocalyptic take on both sex and technology, as in "The Cuckholding Computer:" "Nothing could be more astuter / than that damned computer / that mass of wires and fuses / crept in bed next queen of muses / and while i snored / his calculator bored / into her fission / made 'lectrical emission." Beiles remains less well known than many of his Beat collaborators, in part because his South African publications had smaller print runs and were less widely distributed than the works of his American peers. Illustrator Cecil Skotnes was known for his innovative use of woodcuts to explore the geography and iconography of South Africa. A near-fine copy of an important collaboration between two South African artists. Single volume, measuring 10.75 x 8.5 inches: 46. Original color pictorial card wrappers with unclipped French flaps, upper wrapper lettered in black with brown and black woodcut design, spine lettered in black, photographic portrait of Beiles on lower wrapper. Six full-page color woodcuts. Errata slip laid in. Lightest shelfwear to wrappers.

Paperback. Etat : Good. Paperback Octavo. wraps, 63 pp, cover lightly soiled and lightly frayed at the edges, especially at the ends of spine, top edge lightly soiled Standard shipping (no tracking or insurance) / Priority (with tracking) / Custom quote for large or heavy orders.