Bernard watts (46 résultats)

Hardcover. Etat : Very Good. First Edition. Sturdy, attractive, tightly bound, internally clean hardcover copy, with unbruised tips, neat and tidy paste-downs; not ex-library, with neither highlighting nor underlining. Brilliant gilt illustration (device) to front cover, gilt lettering to spine, a bit rubbed, and with some bumping to spine head and foot. Decorative endpapers, and with an extremely ornate previous owner's bookplate. Quite a comprehensive review of English painting, architecture, sculpture, ceramics, glass, metalwork, furniture, textiles and other arts during the reign of George III, and with a number of quite gorgeous full color reproductions, including of King George at frontis. [2], 68, [4] pp., plus 70 plates some being in full color.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.…

Etat : New.

Soft cover. Etat : VG. A VGF or better unfolded 18-page pressbook with no cuts or missing pages. Includes three ad supplements. Book.

Hardcover. Etat : Very Good+. Very Good dj. First Edition. [spine a bit turned, light bumping to top right corner of front cover; jacket shows some wear at upper extremities, 1.5" closed tear at top of rear panel, a couple of tiny closed tears at top of front panel]. INSCRIBED briefly and SIGNED by the author on the front endpaper. "A novel about the theatre and Fleet Street," by an author who knew that milieu very well. He was a Scottish-born film and drama critic who spent most of his professional career in London, where for many years he was the film correspondent for the New York Times; he also wrote for a wide variety of other publications in addition to publishing a number of books. Signed by Author. Illustrated by (dj drawings) Bernard Blatch (illustrateur).…

Etat : New.

Hardcover. Etat : Very Good. No Jacket. 1st Edition. Black cloth, lettered and with front cover device in gilt. A few minor surface marks to cloth, minor rubbing to corners and spine extremities. Front hinge neatly mended. Former owner Edward Fortington's signature/date inked on upper front flyleaf, otherwise unmarked. 66,[4] pp., b&w plates, rear ads. Size: 4to - over 9¾" - 12" tall. Book. …

Etat : As New. Unread book in perfect condition.

Etat : New. In English.

Etat : New.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Etat : Good. No Jacket. First Edition. Copy in black cloth on boards with gilt decoration on cover and gilt title on spine. Spine rubbed at head/foot. Boards scuffed around edges. Corners bumped. Patterend end papers. Coloured frontis. Previous owners inscription on verso of title page. Clean text with b/w plates. …

Etat : As New. Unread book in perfect condition.

Hardcover. Etat : Fine. Etat de la jaquette : Fine. 1st Edition. 256 p. : ill. ; 24 cm. ; ISBN 9780879734671, 0879734671 ; OCLC 31208821 ; LCCN 93083255 ; LC BX4700.B5 A25 1994 ; Dewey 271/.1202 ; "467" ; blue boards with blue metallic lettering in color photographic dustjacket ; Contents: Finding the Way -- The monastic way -- A pilgrim on the road to the Heavenly Jerusalem -- A voice at the crossroads for the Church -- Walking through his own times -- At journey's end -- Epilogue -- Chronology -- Select bibliography ; Although he lived more than nine hundred years ago, St. Bernard of Clairvaux is celebrated throughout the world as a leader not only of his own monastic order, the Trappists, but of the whole Roman Church.This extraordinary book invites you to walk with a great man on his life's journey, a journey that is unique and powerful, and yet like all of our journeys, so very human. See him, not through the eyes of later historians, but as Bernard himself saw and lived his own life. Let his own words and thoughts come together with the images of his times so that through his inspiration you may be able to face your own doubts and find your own answers to life's most compelling and complex questions. ; FINE/FINE. Book.…

Etat : New.

Eight vintage full-color British front-of-house cards from the 1964 UK film. A band of 6 train robbers decide to seek the safety of solitude and open a monastery, even though none of them are qualified to be monks. Eventually the quiet life becomes a much needed salvation. Shot on location in Cornwall, England. 8 x 10 inches. Brief corner creases, else Near Fine.…

Hardcover. Etat : Very Good. Etat de la jaquette : Good. 1st Edition. First Edition (NAP, 1929 on the title page; B. T. Batsford first editions identified by--'to 1959 no later printings mentioned'). 68 pages of text, 4 page unnumbered Index, Color frontispiece, 5 additional color plates, 66 black and white plates on full-page semi-glossy paper, and 66 pages (also on semi-glossy paper) 'devoted to announcements by art dealers, most of whom are owners of Georgian works of art.' These pages bring the book to a close. Once listed, I believe this will be the Only copy for sale with an intact dust jacket (see first three photos). The covers of the book itself are in very nice condition. They are exceptionally clean. I don't see any conspicuous soiling. The gilt design on the front is nicely bright, the gilt lettering on the spine is also nicely bright. There's a little crinkling at the spine ends, the bottom one also has a spot of rubbing. The cover edges look very good. The top corners have only speck-sized spots of superficial rubbing. The front bottom corner has a fairly small spot of rub-through. The page edges look perfectly clean. There is a bump/crease just below the front top corner and another just above the rear bottom corner. The book is square and the spine is straight. The binding is very solid from cover to cover with nicely tight pages throughout and nicely tight covers as well. The inside covers and end papers form a green and white floral decoration. They look very good, though there are a few areas with mild toning. The interior of the book is in excellent condition. I have turned over pretty much all of the pages. They are exceptionally clean. I don't think I saw any soiling at all, certainly nothing conspicuous. That includes all of the illustrations/ plates. There are two pages with a small rectangular shadow just off their top edge, no doubt created by a piece of paper taking up residence there. The only imperfection I'm seeing is a tiny crease just below the tips of the top corners of a large number of consecutive pages. There are no placeholder creases. No markings of any kind. No attachments. And no one has written their name or anything else anywhere. I have always had the jacket in a fitted protective cover. In fact it had one when I first purchased the book many years ago. I've just now removed it in order to avoid the glare it will create in the photographs. I will replace it with a new protective cover afterward. I can now tell you that the previous owner placed four small pieces of tape on the inside (hidden) of the jacket. One you can make out at the front bottom corner, the second one is behind the thin tear off the front bottom edge. One is behind the top edge of the spine and the other behind the bottom edge of the spine, neither of those seemed necessary. You can of course see the soiling over parts of the front cover. There is also light wear off the jacket's top edges-- crinkling off the front one and nicks off the rear one. There is a large, neat, clip off the top edge of the front flap. I'm not sure why since the price is off the bottom edge of the front flap. It is intact. There is no other print on either flap. Here are the Contents: Preface by the Editor R. R. Tatlock. Introduction by Roger Fry. Painting by J. B. Manson. Architecture and Sculpture by Geoffrey Webb. Ceramics and Glass by Bernard Rackham. Metalwork by W. W. Watts. Furniture by Oliver Brackett. Textiles by A. F. Kendrick. Minor Arts by Louise Gordon-Stables.…

Hardcover. Etat : Very Good. Etat de la jaquette : Fair. Large hardcover in excellent, unmarked condition (slight corner bumps, slight age-yellowing of the pages). The dust jacket is fair with edge tears, moderate edge wear, age-yellowing, price-clipped, and is protected by a clear, removeable cover. 68 pages of text, with numerous black and white plates. [3.7 lbs]. Book.…

Etat : New. In English.

Hardcover. Etat : Good. 1st Edition. Burlington Magazine Monograph III - Georgian Art (1760-1820); An Introductory Review of English Painting, Architecture, Sculpture, Ceramics, Glass, Metalwork, Furniture, Textiles and Other Arts During the Reign of George III, by Roger Fry, J.B. Manson, Geoffrey Webb, Bernard Rackham, W.W. Watts, Oliver Brackett, A.F. Kendrick and L. Gordon-Stables. Published for The Burlington Magazine by B.T. Batsford, Ltd, London, 1929, first edition. Provenance: Ex-library - Pembrokeshire County Council Library, with cancelled stamp on library label on first free endpaper, verso, and sticker removal marks opposite where borrowing label has been removed, but not too visible. One red marker line to top edge on title page, and reference library number to spine. No other library marks. The third in the series of Burlington monographs, following Chinese and Spanish art publications. A good black cloth hardback with gilt motif to front and gilt title to spine. Some rubbing and bumping and sun fading to areas of the cover. 3.5cm tear to cloth at tail of spine. Pictorial endpapers - cracked at front joint. Text is bright and clean throughout, and soundly bound. Text in English. Colour Frontispiece + 68pp text + numerous plates + 4pp Index + an extensive section of art dealer advertisements. Dimensions: Approximately 308mm high x 249mm wide x 30mm deep. Weight: Approximately 1634g (unpacked). Extra postage may be payable. More photos on request.…

Etat : Very Good. Fourth edition hard back binding in publisher's original stone grey cloth covered boards, blocked and lettered gilt back. 8vo. 7½'' x 5¼''. Contains 143 pp. Very Good condition book in Very Good condition dust wrapper with light rubbing to the tips, not price clipped, 6s. Member of the P.B.F.A. THEOLOGY & RELIGION.…

Etat : Brand New. New. US edition. Expediting shipping for all USA and Europe orders excluding PO Box. Excellent Customer Service.

Etat : New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.

Decorated Cloth. Etat : Good. Burlington Magazine Monograph - III. Many illustrations.

Hardcover. Quarto. Hardcover. Boards bound with tan paper and gold lettering in a glossy photographic jacket. Illustrated end papers. Original Sheffield exposition invitation tipped in opposite false title. Plate pasted in on publication page signed by three of the authors and identifying this copy as #45 of 1300. 245 pages : color illustrations ; 29 cm. The great exhibitions -- The old handcrafted Rodgers knife manufacturing process -- Evaluating quality -- History of the Joseph Rodgers Firm -- Joseph Rodgers knives -- History of the George Wostenholm, History of I*XL Firm -- George Wostenhold knives -- The story of the John Blyde/Greenhough knives -- Greenhough knives -- Sheffield quality -- The Sheffield makers at the exhibition of 1855 -- Knives by diverse Sheffield makers. VG+ Light rubbing to the jacket. Otherwise binding is tight and square and interior is clean and unmarked.…

Etat : New.

Etat : New.

Etat : As New. Unread book in perfect condition.

Soft cover. Etat : Very Good. 1999 Lawrence & Wishart paperback edition. Light reading wear else very good condition. From the cover: What was it about the life and death of Princess Diana that made it resonate in such an extraordinary way across the boundaries of age, class, race, gender and politics that fracture contemporary social life? This special issue of new formations looks at the cultural impact of Diana's death, and at the lessons it offers about the place of celebrity, loss and mourning, authority and legitimacy in popular consciousness, particularly when viewed against the political horizon of new Labour's 1997 electoral victory. The contributors look at the complex circulation of emotion and the politics of affect; the shifts in the cultural meaning of public funerals; the implications of Diana's death for the position of the monarchy within the British constitution; the relationship between the new media publics and media events; and at the contradictory feminisation of modern politics. They argue for the need to move beyond the false alternatives of cynicism and eulogy in order to understand the wider significance of that remarkable phenomenon: 'the people's princess'. Contents: Editorial The cult of celebrity by Jacqueline Rose Disposing with Diana: Diana's death and the funeral culture by Ruth Richardson Unworkable feeling: Diana, death and feminisation by Carol Watts Diana and the constitution: a conversation by Anthony Barnett & Jenny Bourne Taylor The temporality of democracy: the long revolution and Diana, Princess of Wales by Mark Gibson Remembering Diana: the geography of celebrity and the politics of lack by Nick Couldry Violence and the sacred: the iron lady, the princess and the people's PM by Heather Nunn An extraordinary life: the legacy of an ambivalence by Lisa Blackman Alt.conspiracy.princess-diana: the conspiracy of discourse by Clare Birchall Princess: Diana, femininity and the royal by Jude Davies Reviews The Royal 'We' by Rosalind Brunt The politics of mourning by Feona Attwood Fantastic subject by Christine Clegg Naomi Mitchison by Elisabeth Maslen Flora Tristan by Maire F. Cross Una Marson by Alison Donnell Booknotes Ben Highmore, Bernard Vere.…

Etat : As New. Unread book in perfect condition.

Etat : fine. vendeur professionnel. envoi soigne en 24/48h. le livre peut presenter de tres legers signes d'usure, petites rayures ou imperfections esthetiques.