Binski massing (3 résultats)

- Couverture rigide
Vendeur : old aberdeen bookshop, Aberdeen, Royaume-Uniold aberdeen bookshop
Contacter le vendeurVendeur avec une évaluation de 4 étoilesEtat: Occasion - Bon
EUR 105,75
EUR 14,67 expéditionExpédition depuis Royaume-Uni vers Etats-UnisQuantité disponible : 1 disponible
Hardcover. Etat : Near Fine. Etat de la jaquette : Near Fine. Embossed black cloth, to apparent wear. Very slight tear to end-paper and lining of inside of front board. Text very clean, not inscribed. Jacket bright and clean Very heavy book, will incur extra postage (at cost) outside the UK.

- Couverture rigide
Vendeur : BUCHSERVICE / ANTIQUARIAT Lars Lutzer, Wahlstedt, AllemagneBUCHSERVICE / ANTIQUARIAT Lars Lutzer
Contacter le vendeurVendeur avec une évaluation de 5 étoilesEtat: Occasion - Assez bon
EUR 399,90
EUR 39,95 expéditionExpédition depuis Allemagne vers Etats-UnisQuantité disponible : 1 disponible
Etat : gut. Harvey Miller. The Westminster Retable. History, Technique, Conservation In englischer Sprache. pages.

Edité par Turnhout, Brepols, 2009, 2009
- Couverture rigide
Vendeur : BOOKSELLER - ERIK TONEN BOOKS, Antwerpen, BelgiqueBOOKSELLER - ERIK TONEN BOOKS
Contacter le vendeurVendeur avec une évaluation de 4 étoilesEtat: Occasion
EUR 148,50
EUR 39,50 expéditionExpédition depuis Belgique vers Etats-UnisQuantité disponible : 1 disponible
Ajouter au panierHardback, 464 p., 23,8 x 28. ISBN 9781905375288. The late 13th-century Westminster Retable is rightly celebrated as one of the most beautiful and enigmatic panel paintings to have survived from medieval Europe. Its history is not without tragedy. It was made in the Westminster Abbey, one of the most prestigious Gothic churches of the thirteenth century, itself a treasure-house of medieval wall and panel painting; then, after the Dissolution of the Monasteries, it was demoted rapidly to use as part of a large cupboard; its ruination in the eighteenth century just pre-dated the Gothic Revival and its rediscovery and rescue. Since then, it has intrigued commentators because of its extraordinary technical mastery, its value as an ornamental resource for study and, more recently, as an important if fragmentary link in the history of painting in England and France in the thirteenth century. There is every reason to believe that its standing as an artwork was apparent even in the Middle Ages, and that, in short, it may be seen as one of the central monuments of Anglo-French Gothic painting. Languages : English. 0 g.…