EUR 53
Autre deviseQuantité disponible : 1 disponible(s)
Ajouter au panierEtat : like new. Envoi avec suivi, rapide et soigné. Vendeur Pro specialiste livre depuis plus de 10 ans, produit en stock, expédié en 24 heures depuis la France, emballage soigné sous bulles (pour les envois de plus de 6 euros).
Vendeur : Acadia Art & Rare Books. Est. 1931, Toronto, ON, Canada
Edition originale
EUR 66,12
Autre deviseQuantité disponible : 1 disponible(s)
Ajouter au panierHardcover. Etat : Near Fine. 1st Edition. Hardcover with illustrated boards and gilt-stamped lettering. Illustrated throughout, primarily in colour, featuring some full-page images. Text in English and German. Light pencil marks to some pages. Otherwise clean, unmarked, and square. Oblong 4to.
Edité par Hatje Cantz, Stuttgart, 2011
ISBN 10 : 377572849X ISBN 13 : 9783775728492
Langue: multilingue
Vendeur : Antiquariat UEBUE, Zürich, Suisse
Edition originale
EUR 38,55
Autre deviseQuantité disponible : 1 disponible(s)
Ajouter au panierHardcover. Etat : Sehr gut. Etat de la jaquette : Sehr gut. 1. Auflage. Z : 240 Seiten/pp., 151 illustrations - Shanshui, the Chinese word for landscape, is a compound of the two symbols for mountain and water, indispensable elements of historical shanshui painting. Its significance lies more in its transformational potential for connecting the individual to the world than in the accurate rendering of a particular landscape. Even in contemporary art in China, which is dominated by the human figure and supposedly liberated from the burden of tradition, there are more or less obvious elements of traditional mountain-water painting, which is deeply rooted in the nation s culture. This publication was conceived in collaboration with Ai Weiwei probably China s best-known contemporary artist and it strikes an arc from selected historical shanshui paintings to important protagonists of contemporary Chinese art. The volume groups the works according to specific characteristics, such as the manipulation of traditional source materials and philosophical concepts, experiments with new media, or photography as a mode of expression essentially related to the one brushstroke propagated by Shi Tao, the seventeenth-century Chinese master.