burra peter editor (5 résultats)

Original Wraps. Etat : Good. 70 page softcover literary journal - in original wraps - with many contributors. Art, poetry, criticism - and includes the Max Beerbohm " Rodin's First Steps in Society". Good to very good condition. Unmarked and clean.

Original Printed Wrappers. Etat : Very Good. No Jacket. First Edition. Original Printed Wrappers. Very Good/No Jacket. First Edition. 8vo - over 7¾" - 9¾" tall. Number 3. October 1930. Pages 133-200 (following on from Nos 1 and 2, see items 002416 and 002417) and adverts. First publication of caricature (Dr Brodrick) by Max Beerbohm.

frontispiece portrait, 5 wood-engravings, a few spots, particularly through initial ads, pp. [iv, ads, contents], [ii, frontispiece], 69-132, [iv, ads], 8vo, original printed wrappers, cover printed in black with vignette of coterie of deep sea creatures (lobsters, squid etc.) flanked by two winged angels, ownership inscription, 'Elizabeth Bevan', repeated at head of first ad, edges slightly toned, a few spots, good. A student production, featuring a plethora of writing and illustrating talent, which ran from 1930 to 1931, while editor and publisher were up at Oxford, Burra at Christ Church, Nowell Smith at New College. This issue includes contributions from Evelyn Waugh, Cecil Day Lewis, Jelly d'Arányi (on violin playing), and a footnote from John Sparrow, a reproduction of a Rutherston gouache drawing, and wood engravings by Eric Ravilious (as 'Eric Ravilions'), Phyllis Castle and Freda Tremlett.

No. 1-6 (all published). 6 vols. 8vo. Includes two early poems by Evelyn Waugh, three by Cecil Day Lewis, contributions by A.J.A. Symons, John Sparrow, and Lord David Cecil. A Rex Whistler headpiece appears in volume V, p. 99. Original wrappers, covers designs or plates by Edward Burra, Albert Rutherston and Laurence Whistler. Fine in a custom-made marbled paper box with morocco spine label No. 1-6 (all published). 6 vols. 8vo.

FIRST EDITIONS, ONE OF CIRCA 40 BOUND SETS, frontispieces by Wyndham Goodden, Albert Rutherston, Max Beerbohm, Hans Strohbach et al. with a couple colour-printed, further illustrations by Beerbohm, Goodden, Strohbach, Freda Tremlett, Eric Ravilious (as 'Ravilions'), K.G.J.C. Knowles, Phyllis Alden, Edward Burra, Michael Salaman, Rex Whistler, et al., first volume with tipped in errata slip following title-page (not present in original issue, correcting the spelling of Albert Rutherston (from Rukerston), half-titles browned, one or two faint spots in first volume, pp. [iv], 203; [iv], 217, crown 8vo, original quarter green cloth with sides of marbled paper, the original front wrappers bound in at rear of each volume, backstrips lettered in gilt and a little faded, a little wear at extremities, light spotting to edges and endpapers, Order Form for issues laid in at rear of first volume, good. Both volumes signed, to the verso of the flyleaf, by editor and contributor, Peter Burra - Mary H. Walker has also signed beneath on the second volume, wherein she contributes the poem 'Cressida's Room'. Burra attended Lancing College, then Christ Church, Oxford - from when these volumes originate; by the time of his death in a plane crash in 1937, in his late twenties, he had a burgeoning reputation as a literary and music critic. Farrago was a student production of perhaps unrivalled beauty and accomplishment in that field, running for an allotted period whilst both Editor and Publisher were up at Oxford. They were assisted by an illustrious list of contributors - with funding from Viscount Esher, and printed by John Johnson, the university printer, they secured literary contributions from Evelyn Waugh (two poems under the title 'Juvenilia'), David Cecil, John Sparrow, Cecil Day Lewis, A.J.A. Symons, Laurence Whistler, et al., alongside their own contributions and those of their immediate peers (amongst whom, Goronwy Rees, Gilbert Highet, Richard Comyns Carr). This bound issue, with general title-pages and indexes to each, is uncommon; an advertising brochure (not present here) containing press opinions of the first volume and announcing the second refers to, at that point, 'forty copies only [having] been bound', but that is the only basis for asserting a limitation - fewer is more probable.