Cameron crowe (420 résultats)

Paperback. Etat : Good. This is the new romantic comedy from Cameron Crowe (Jerry Maguire, Almost Famous, Vanilla Sky) transports us to Elizabethtown, Kentucky - a heck of a place to find yourself .After nearly causing the shoe company he works for to lose $972,000,000, designer Drew Baylor (Orlando Bloom) is fired for his mistake - and promptly dumped by his girlfriend, Ellen. Hours later, suicidally despondent, Drew learns of his father Mitch's sudden death - and embarks on a journey that will give him a new purpose in life. Drew returns to his family's small Kentucky hometown of Elizabethtown, where he is required to ensure that his father's dying wishes are fulfilled. En route he meets a vivacious flight attendant, Claire Colburn (Kirsten Dunst), who will prove to him that amazing things happen in life when you least expect them. The screenplay of Elizabethtown offers all of Cameron Crowe's customary strengths as a writer: characters we can recognise and fall in love with, memorably thoughtful and witty lines, and, throughout, Crowe's distinctive gift for emotionally honest and touching detail. This volume also contains a brand new introductory essay by Cameron Crowe, along with special extracts from the journal that he kept during the film's production.…

Paperback. Etat : Fair. First Edition. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Etat : good. Book is in good condition and may include underlining highlighting and minimal wear. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Paperback. Etat : Fair.

Paperback. Etat : Good. This is the new romantic comedy from Cameron Crowe (Jerry Maguire, Almost Famous, Vanilla Sky) transports us to Elizabethtown, Kentucky - a heck of a place to find yourself .After nearly causing the shoe company he works for to lose $972,000,000, designer Drew Baylor (Orlando Bloom) is fired for his mistake - and promptly dumped by his girlfriend, Ellen. Hours later, suicidally despondent, Drew learns of his father Mitch's sudden death - and embarks on a journey that will give him a new purpose in life. Drew returns to his family's small Kentucky hometown of Elizabethtown, where he is required to ensure that his father's dying wishes are fulfilled. En route he meets a vivacious flight attendant, Claire Colburn (Kirsten Dunst), who will prove to him that amazing things happen in life when you least expect them. The screenplay of Elizabethtown offers all of Cameron Crowe's customary strengths as a writer: characters we can recognise and fall in love with, memorably thoughtful and witty lines, and, throughout, Crowe's distinctive gift for emotionally honest and touching detail. This volume also contains a brand new introductory essay by Cameron Crowe, along with special extracts from the journal that he kept during the film's production.…

Hardback. Etat : Fair. NEW YORK TIMES BESTSELLER * "Cameron has written a book that feels like music, an intimate souvenir, like a song you can't stop listening to." --Stevie Nicks * "A delicious tale of a devotee who worships at the altar of rock and roll.It's a love letter to fandom, sealed with Cameron's trademark sincerity and heart." --Maggie Rogers * "Such a joy and so well written.My favorite book in a long, long time." --Anderson Cooper The long-awaited memoir by Cameron Crowe--one of America's most iconic journalists and filmmakers--The Uncool is a joyful dispatch from a lost world, a chronicle of the real-life events that became Almost Famous, and a coming-of-age journey filled with music legends as you've never seen them before. Cameron Crowe was an unlikely rock and roll insider. Born in 1957 to parents who strictly banned the genre from their house, he dove headfirst into the world of music. By the time he graduated high school at fifteen, Crowe was contributing to Rolling Stone. His parents became believers, uneasily allowing him to interview and tour with legends like Led Zeppelin; Lynyrd Skynyrd; Bob Dylan; Crosby, Stills, Nash & Young; and Fleetwood Mac. The Uncool offers a front-row ticket to the 1970s, a golden era for music and art when rock was young. There's no such thing as a media junket--just the rare chance a young writer might be invited along for an adventure. Crowe spends his teens politely turning down the drugs and turning on his tape recorder. He talks his journalism teacher into giving him class credit for his road trip covering Led Zeppelin's 1975 tour, which lands him--and the band--on the cover of Rolling Stone. He embeds with David Bowie as the sequestered genius transforms himself into a new persona: the Thin White Duke. Why did Bowie give Crowe such unprecedented access? "Because you're young enough to be honest," Bowie tells him. Youth and humility are Crowe's ticket into the Eagles' dressing room in 1972, where Glenn Frey vows to keep the band together forever; to his first major interview with Kris Kristofferson; to earning the trust of icons like Gregg Allman and Joni Mitchell, who had sworn to never again speak to Rolling Stone. It's a magical odyssey, the journey of a teenage writer waved through the door to find his fellow dreamers, music geeks, and lifelong community. It's a path that leads him to writing and directing some of the most beloved films of the past forty years, from Fast Times at Ridgemont High and Say Anything. to Jerry Maguire and Almost Famous. His movies often resonate with the music of the artists he first met as a journalist, including Tom Petty and the Heartbreakers, the Who, and Pearl Jam. The Uncool is also a surprisingly intimate family drama. If you've seen Almost Famous, you may think you know this story--but you don't. For the first time, Crowe opens up about his formative years in Palm Springs and pays tribute to his father, a decorated Army officer who taught him the irreplaceable value of the human voice. Crowe also offers a full portrait of his mother, whose singular spirit helped shape him into an unconventional visionary. With its vivid snapshots of a bygone era and a celebration of creativity and connection, this memoir is an essential read for music lovers or anyone chasing their wildest dreams. At the end of that roller-coaster journey, you might just find what you were looking for: your place in the world.…

Hardback. Etat : Very Good. NEW YORK TIMES BESTSELLER * "Cameron has written a book that feels like music, an intimate souvenir, like a song you can't stop listening to." --Stevie Nicks * "A delicious tale of a devotee who worships at the altar of rock and roll.It's a love letter to fandom, sealed with Cameron's trademark sincerity and heart." --Maggie Rogers * "Such a joy and so well written.My favorite book in a long, long time." --Anderson Cooper The long-awaited memoir by Cameron Crowe--one of America's most iconic journalists and filmmakers--The Uncool is a joyful dispatch from a lost world, a chronicle of the real-life events that became Almost Famous, and a coming-of-age journey filled with music legends as you've never seen them before. Cameron Crowe was an unlikely rock and roll insider. Born in 1957 to parents who strictly banned the genre from their house, he dove headfirst into the world of music. By the time he graduated high school at fifteen, Crowe was contributing to Rolling Stone. His parents became believers, uneasily allowing him to interview and tour with legends like Led Zeppelin; Lynyrd Skynyrd; Bob Dylan; Crosby, Stills, Nash & Young; and Fleetwood Mac. The Uncool offers a front-row ticket to the 1970s, a golden era for music and art when rock was young. There's no such thing as a media junket--just the rare chance a young writer might be invited along for an adventure. Crowe spends his teens politely turning down the drugs and turning on his tape recorder. He talks his journalism teacher into giving him class credit for his road trip covering Led Zeppelin's 1975 tour, which lands him--and the band--on the cover of Rolling Stone. He embeds with David Bowie as the sequestered genius transforms himself into a new persona: the Thin White Duke. Why did Bowie give Crowe such unprecedented access? "Because you're young enough to be honest," Bowie tells him. Youth and humility are Crowe's ticket into the Eagles' dressing room in 1972, where Glenn Frey vows to keep the band together forever; to his first major interview with Kris Kristofferson; to earning the trust of icons like Gregg Allman and Joni Mitchell, who had sworn to never again speak to Rolling Stone. It's a magical odyssey, the journey of a teenage writer waved through the door to find his fellow dreamers, music geeks, and lifelong community. It's a path that leads him to writing and directing some of the most beloved films of the past forty years, from Fast Times at Ridgemont High and Say Anything. to Jerry Maguire and Almost Famous. His movies often resonate with the music of the artists he first met as a journalist, including Tom Petty and the Heartbreakers, the Who, and Pearl Jam. The Uncool is also a surprisingly intimate family drama. If you've seen Almost Famous, you may think you know this story--but you don't. For the first time, Crowe opens up about his formative years in Palm Springs and pays tribute to his father, a decorated Army officer who taught him the irreplaceable value of the human voice. Crowe also offers a full portrait of his mother, whose singular spirit helped shape him into an unconventional visionary. With its vivid snapshots of a bygone era and a celebration of creativity and connection, this memoir is an essential read for music lovers or anyone chasing their wildest dreams. At the end of that roller-coaster journey, you might just find what you were looking for: your place in the world.…

Hardback. Etat : Good. NEW YORK TIMES BESTSELLER * "Cameron has written a book that feels like music, an intimate souvenir, like a song you can't stop listening to." --Stevie Nicks * "A delicious tale of a devotee who worships at the altar of rock and roll.It's a love letter to fandom, sealed with Cameron's trademark sincerity and heart." --Maggie Rogers * "Such a joy and so well written.My favorite book in a long, long time." --Anderson Cooper The long-awaited memoir by Cameron Crowe--one of America's most iconic journalists and filmmakers--The Uncool is a joyful dispatch from a lost world, a chronicle of the real-life events that became Almost Famous, and a coming-of-age journey filled with music legends as you've never seen them before. Cameron Crowe was an unlikely rock and roll insider. Born in 1957 to parents who strictly banned the genre from their house, he dove headfirst into the world of music. By the time he graduated high school at fifteen, Crowe was contributing to Rolling Stone. His parents became believers, uneasily allowing him to interview and tour with legends like Led Zeppelin; Lynyrd Skynyrd; Bob Dylan; Crosby, Stills, Nash & Young; and Fleetwood Mac. The Uncool offers a front-row ticket to the 1970s, a golden era for music and art when rock was young. There's no such thing as a media junket--just the rare chance a young writer might be invited along for an adventure. Crowe spends his teens politely turning down the drugs and turning on his tape recorder. He talks his journalism teacher into giving him class credit for his road trip covering Led Zeppelin's 1975 tour, which lands him--and the band--on the cover of Rolling Stone. He embeds with David Bowie as the sequestered genius transforms himself into a new persona: the Thin White Duke. Why did Bowie give Crowe such unprecedented access? "Because you're young enough to be honest," Bowie tells him. Youth and humility are Crowe's ticket into the Eagles' dressing room in 1972, where Glenn Frey vows to keep the band together forever; to his first major interview with Kris Kristofferson; to earning the trust of icons like Gregg Allman and Joni Mitchell, who had sworn to never again speak to Rolling Stone. It's a magical odyssey, the journey of a teenage writer waved through the door to find his fellow dreamers, music geeks, and lifelong community. It's a path that leads him to writing and directing some of the most beloved films of the past forty years, from Fast Times at Ridgemont High and Say Anything. to Jerry Maguire and Almost Famous. His movies often resonate with the music of the artists he first met as a journalist, including Tom Petty and the Heartbreakers, the Who, and Pearl Jam. The Uncool is also a surprisingly intimate family drama. If you've seen Almost Famous, you may think you know this story--but you don't. For the first time, Crowe opens up about his formative years in Palm Springs and pays tribute to his father, a decorated Army officer who taught him the irreplaceable value of the human voice. Crowe also offers a full portrait of his mother, whose singular spirit helped shape him into an unconventional visionary. With its vivid snapshots of a bygone era and a celebration of creativity and connection, this memoir is an essential read for music lovers or anyone chasing their wildest dreams. At the end of that roller-coaster journey, you might just find what you were looking for: your place in the world.…

Etat : acceptable. This copy has clearly been enjoyedâ"expect noticeable shelf wear and some minor creases to the cover. Binding is strong, and all pages are legible. May contain previous library markings or stamps.

Etat : good. All pages and cover are intact including the dust cover, if applicable . Spine may show signs of wear. Pages may include limited notes and highlighting. May include "From the library of" labels. Shrink wrap, dust covers, or boxed set case may be missing. Item may be missing bundled media.…

Etat : good. Fast Free Shipping â" Good condition. It may show normal signs of use, such as light writing, highlighting, or library markings, but all pages are intact and the book is fully readable. A solid, complete copy that's ready to enjoy.

Hardcover. Etat : Fair. No Jacket. Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Etat : Fair. No Jacket. Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Etat : Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Etat : Fair. No Jacket. Former library book; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Etat : Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Etat : As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Etat : Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Etat : Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Etat : Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Etat : Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Etat : Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Etat : Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Etat : acceptable. Used - Acceptable: All pages and the cover are intact, but shrink wrap, dust covers, or boxed set case may be missing. Pages may include limited notes, highlighting, or minor water damage but the text is readable. Item may be missing bundled media.

Hardback. Etat : Fair. NEW YORK TIMES BESTSELLER * "Cameron has written a book that feels like music, an intimate souvenir, like a song you can't stop listening to." --Stevie Nicks * "A delicious tale of a devotee who worships at the altar of rock and roll.It's a love letter to fandom, sealed with Cameron's trademark sincerity and heart." --Maggie Rogers * "Such a joy and so well written.My favorite book in a long, long time." --Anderson Cooper The long-awaited memoir by Cameron Crowe--one of America's most iconic journalists and filmmakers--The Uncool is a joyful dispatch from a lost world, a chronicle of the real-life events that became Almost Famous, and a coming-of-age journey filled with music legends as you've never seen them before. Cameron Crowe was an unlikely rock and roll insider. Born in 1957 to parents who strictly banned the genre from their house, he dove headfirst into the world of music. By the time he graduated high school at fifteen, Crowe was contributing to Rolling Stone. His parents became believers, uneasily allowing him to interview and tour with legends like Led Zeppelin; Lynyrd Skynyrd; Bob Dylan; Crosby, Stills, Nash & Young; and Fleetwood Mac. The Uncool offers a front-row ticket to the 1970s, a golden era for music and art when rock was young. There's no such thing as a media junket--just the rare chance a young writer might be invited along for an adventure. Crowe spends his teens politely turning down the drugs and turning on his tape recorder. He talks his journalism teacher into giving him class credit for his road trip covering Led Zeppelin's 1975 tour, which lands him--and the band--on the cover of Rolling Stone. He embeds with David Bowie as the sequestered genius transforms himself into a new persona: the Thin White Duke. Why did Bowie give Crowe such unprecedented access? "Because you're young enough to be honest," Bowie tells him. Youth and humility are Crowe's ticket into the Eagles' dressing room in 1972, where Glenn Frey vows to keep the band together forever; to his first major interview with Kris Kristofferson; to earning the trust of icons like Gregg Allman and Joni Mitchell, who had sworn to never again speak to Rolling Stone. It's a magical odyssey, the journey of a teenage writer waved through the door to find his fellow dreamers, music geeks, and lifelong community. It's a path that leads him to writing and directing some of the most beloved films of the past forty years, from Fast Times at Ridgemont High and Say Anything. to Jerry Maguire and Almost Famous. His movies often resonate with the music of the artists he first met as a journalist, including Tom Petty and the Heartbreakers, the Who, and Pearl Jam. The Uncool is also a surprisingly intimate family drama. If you've seen Almost Famous, you may think you know this story--but you don't. For the first time, Crowe opens up about his formative years in Palm Springs and pays tribute to his father, a decorated Army officer who taught him the irreplaceable value of the human voice. Crowe also offers a full portrait of his mother, whose singular spirit helped shape him into an unconventional visionary. With its vivid snapshots of a bygone era and a celebration of creativity and connection, this memoir is an essential read for music lovers or anyone chasing their wildest dreams. At the end of that roller-coaster journey, you might just find what you were looking for: your place in the world.…

Hardback. Etat : Very Good. NEW YORK TIMES BESTSELLER * "Cameron has written a book that feels like music, an intimate souvenir, like a song you can't stop listening to." --Stevie Nicks * "A delicious tale of a devotee who worships at the altar of rock and roll.It's a love letter to fandom, sealed with Cameron's trademark sincerity and heart." --Maggie Rogers * "Such a joy and so well written.My favorite book in a long, long time." --Anderson Cooper The long-awaited memoir by Cameron Crowe--one of America's most iconic journalists and filmmakers--The Uncool is a joyful dispatch from a lost world, a chronicle of the real-life events that became Almost Famous, and a coming-of-age journey filled with music legends as you've never seen them before. Cameron Crowe was an unlikely rock and roll insider. Born in 1957 to parents who strictly banned the genre from their house, he dove headfirst into the world of music. By the time he graduated high school at fifteen, Crowe was contributing to Rolling Stone. His parents became believers, uneasily allowing him to interview and tour with legends like Led Zeppelin; Lynyrd Skynyrd; Bob Dylan; Crosby, Stills, Nash & Young; and Fleetwood Mac. The Uncool offers a front-row ticket to the 1970s, a golden era for music and art when rock was young. There's no such thing as a media junket--just the rare chance a young writer might be invited along for an adventure. Crowe spends his teens politely turning down the drugs and turning on his tape recorder. He talks his journalism teacher into giving him class credit for his road trip covering Led Zeppelin's 1975 tour, which lands him--and the band--on the cover of Rolling Stone. He embeds with David Bowie as the sequestered genius transforms himself into a new persona: the Thin White Duke. Why did Bowie give Crowe such unprecedented access? "Because you're young enough to be honest," Bowie tells him. Youth and humility are Crowe's ticket into the Eagles' dressing room in 1972, where Glenn Frey vows to keep the band together forever; to his first major interview with Kris Kristofferson; to earning the trust of icons like Gregg Allman and Joni Mitchell, who had sworn to never again speak to Rolling Stone. It's a magical odyssey, the journey of a teenage writer waved through the door to find his fellow dreamers, music geeks, and lifelong community. It's a path that leads him to writing and directing some of the most beloved films of the past forty years, from Fast Times at Ridgemont High and Say Anything. to Jerry Maguire and Almost Famous. His movies often resonate with the music of the artists he first met as a journalist, including Tom Petty and the Heartbreakers, the Who, and Pearl Jam. The Uncool is also a surprisingly intimate family drama. If you've seen Almost Famous, you may think you know this story--but you don't. For the first time, Crowe opens up about his formative years in Palm Springs and pays tribute to his father, a decorated Army officer who taught him the irreplaceable value of the human voice. Crowe also offers a full portrait of his mother, whose singular spirit helped shape him into an unconventional visionary. With its vivid snapshots of a bygone era and a celebration of creativity and connection, this memoir is an essential read for music lovers or anyone chasing their wildest dreams. At the end of that roller-coaster journey, you might just find what you were looking for: your place in the world.…

Hardback. Etat : Good. NEW YORK TIMES BESTSELLER * "Cameron has written a book that feels like music, an intimate souvenir, like a song you can't stop listening to." --Stevie Nicks * "A delicious tale of a devotee who worships at the altar of rock and roll.It's a love letter to fandom, sealed with Cameron's trademark sincerity and heart." --Maggie Rogers * "Such a joy and so well written.My favorite book in a long, long time." --Anderson Cooper The long-awaited memoir by Cameron Crowe--one of America's most iconic journalists and filmmakers--The Uncool is a joyful dispatch from a lost world, a chronicle of the real-life events that became Almost Famous, and a coming-of-age journey filled with music legends as you've never seen them before. Cameron Crowe was an unlikely rock and roll insider. Born in 1957 to parents who strictly banned the genre from their house, he dove headfirst into the world of music. By the time he graduated high school at fifteen, Crowe was contributing to Rolling Stone. His parents became believers, uneasily allowing him to interview and tour with legends like Led Zeppelin; Lynyrd Skynyrd; Bob Dylan; Crosby, Stills, Nash & Young; and Fleetwood Mac. The Uncool offers a front-row ticket to the 1970s, a golden era for music and art when rock was young. There's no such thing as a media junket--just the rare chance a young writer might be invited along for an adventure. Crowe spends his teens politely turning down the drugs and turning on his tape recorder. He talks his journalism teacher into giving him class credit for his road trip covering Led Zeppelin's 1975 tour, which lands him--and the band--on the cover of Rolling Stone. He embeds with David Bowie as the sequestered genius transforms himself into a new persona: the Thin White Duke. Why did Bowie give Crowe such unprecedented access? "Because you're young enough to be honest," Bowie tells him. Youth and humility are Crowe's ticket into the Eagles' dressing room in 1972, where Glenn Frey vows to keep the band together forever; to his first major interview with Kris Kristofferson; to earning the trust of icons like Gregg Allman and Joni Mitchell, who had sworn to never again speak to Rolling Stone. It's a magical odyssey, the journey of a teenage writer waved through the door to find his fellow dreamers, music geeks, and lifelong community. It's a path that leads him to writing and directing some of the most beloved films of the past forty years, from Fast Times at Ridgemont High and Say Anything. to Jerry Maguire and Almost Famous. His movies often resonate with the music of the artists he first met as a journalist, including Tom Petty and the Heartbreakers, the Who, and Pearl Jam. The Uncool is also a surprisingly intimate family drama. If you've seen Almost Famous, you may think you know this story--but you don't. For the first time, Crowe opens up about his formative years in Palm Springs and pays tribute to his father, a decorated Army officer who taught him the irreplaceable value of the human voice. Crowe also offers a full portrait of his mother, whose singular spirit helped shape him into an unconventional visionary. With its vivid snapshots of a bygone era and a celebration of creativity and connection, this memoir is an essential read for music lovers or anyone chasing their wildest dreams. At the end of that roller-coaster journey, you might just find what you were looking for: your place in the world.…

hardcover. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

hardcover. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

hardcover. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.