campbell carolee (19 résultats)

Etat : As New. Unread book in perfect condition.

Etat : New.

Magazine. 124p. includes covers, 8.5x11 inches, articles, reviews, news, entertainment, theatre, film, fashion, wraps lightly worn, rear wrap soiled, else very good magazine in stapled pictorial wraps. Chita Rivera cover story and the history of Disco.

Paperback. 5.5 x 7.75 inches. Paperback. 16 pages. Number thirteen of the CODE(X)+1 Monograph Series. Number thirteen of the CODE(X)+1 Monograph Series. "When I inaugurated Ninja Press in 1984 it never occurred to me that it would lead to the kind of investigative bookmaking that has become a steadfast companion in my approach to book design." "The Real World of Manuel Córdova is a long, single poem by W.S. Merwin consisting of forty-three fourteen-line stanzas. Upon reading it for the first time I knew I wanted to spend deep time working on it. The poem evokes the very essence of the mythological journey; of going for and coming back changed. It is an arduous journey, both through time and through terrain. The poem also describes an interior journey into the dream world. I flooded myself with information because what poetry does not impart is information. Poetry is a door to the ineffable. My job, however, was to make a container to hold that ineffability." The Real World of Manuel Córdova is an iconic example of the contemporary book as a work of art. In the essay Chasing the Ideal Book Carolee Campbell reveals her methodical and brilliant approach to investigative book making.

Sewn Wraps. Etat : Fine. Second edition. 9.25 inches by 6.25 inches. 4 pages. Softcover. Book Condition: Fine. From the publisher: "A poem by Michael Hannon printed in Paramount on a sheet of Japanese gasen-shi in three colors then folded at the head and spine. A delicate purple line runs through both the title page and the text. An unsigned edition of 225 copies was especially made for Verse Into Type, the American Printing History Association's poetry portfolio for 2006. A cover has been added to the second 2006 edition. The cover is printed in two colors on dampened Renaissance III, a vintage handmade paper from the Barcham Green Hayle Mill in England and no longer available. This edition of 100 numbered copies is signed by the poet." This is copy nuber 28. SIGNED by the poet, Michael Hannon. Design and execution are by Carolee Campbell at Ninja Press. All elements in this artist's book are in pristine condition.

Sewn Wraps. Etat : Fine. First Edition, First Printing. 10.5 inches by 6.5 inches. 13 pages. Softcover. Sewn wraps. Book Condition: Fine. From the publisher: "The type is hand set Meridien printed letterpress in four colors on dampened vintage paper handmade at the Moulin du Verger papermill in Puymoyen, France. The canary yellow and purple cover is made from two laminated sheets of kyoseishi, handmade at the Fuji Paper Mills Cooperative in Tokushima Prefecture, Japan. The golden endsheets are made of kozo with inclusions of mango leaves from Thailand. The image on the title page is hand colored in three colors. The book is sewn with red silk cord. Design & execution are by Carolee Campbell. There are 79 signed and numbered copies in the edition along with an additional 8 lettered hors commerce." This is copy number 28. SIGNED by the poet, Dennis Phillips. All elements in this artist's book are in pristine condition.

First edition. 49 pp. Fine paper-covered boards with cloth spine. Illustrated with two photographs by Campbell, who also designed this book. One of 300 numbered copies on Zerkall Frankfurt paper SIGNED by contributors Joseph Stroud, Kay Ryan, Gary Young, Martha Ronk, and Michael Hannon.

Sewn Wraps. Etat : Fine. First Edition, First Printing. 10 inches by 5 inches. 24 pages. Softcover. Book Condition: Fine. From the publisher: "The type is hand set Meridien with Weiss Initials Series III for the display, printed letterpress on dampened Frankfurt in three colors. A simple decorative device used throughout, printed and hand-brushed with iridescent mica, is from a punch cut by Carolee Campbell, then struck into a matrix and cast by Theo Rehak. The book is sewn into walnut-stained flax paper covers, handmade at Cave Paper. With its rich walnut cover & stark white text paper, this slender volume brings into sharp relief the somber prospect invoked by these poems. 100 signed & numbered copies complete the edition along with 12 lettered hors commerce. This edition of 100 numbered copies is signed by the poet." This is copy nuber 28. SIGNED by the poet, Michael Hannon. Design, presswork and binding are by Carolee Campbell at Ninja Press. All elements in this artist's book are in pristine condition.

Sewn Wraps. Etat : Fine. First Edition, First Printing. 8.75 inches by 10.50 inches. 36 pages. The type is hand set Meridien with Neuland for the display. The type was designed by two of the great 20th century type designers: Adrian Frutiger with Meridien in 1955; and Rudolph Koch with Neuland in 1923. The text is printed letterpress on a Vandercook Universal I flatbed proof press. The text paper is kitakata, handmade in Japan. Each faintly green text sheet is folded at the fore edge, then painted by hand with walnut ink. An ens (empty circle) inhabits each page and is printed in a second color. The ens is a brushed circular form common in Zen Buddhist art representing the ultimate Zen theme suggesting both emptiness and completion. The end sheets are kakishibu, a persimmon-washed, cinnamon-colored handmade Japanese paper. The persimmon wash acts as a tannin, rendering the paper both water-proof and insect-proof. The snow white cover is a double layer of kyoseishi which means "strengthened paper." This handmade paper from Japan is coated with konnyaku juice, a form of starch derived from the konjac plant, also known as devil's tongue, voodoo lily, or snake palm. Konnyaku juice gives added strength and impermeability to the paper. Strong, flexible and water-resistant, historically it has been used to make clothing as well as paper. The book is sewn using black silk thread exposed near the spine. A clear acrylic slipcase protects the book while revealing the cover, its sewing, and the foredge painting. The design, presswork, painting, and binding are by Carolee Campbell at Ninja Press. The edition is comprised of 75 signed and numbered copies with an additional 8 lettered hors commerce. All elements of this artist's book; the book, the covers, the contents, the acrylic slipcase, are in pristine condition.

Wraps. Etat : Fine. Etat de la jaquette : Fine. First Edition, First Printing. 12.5 inches by 7 inches. 8 pages. Softcover in bespoke acrylic slipcase. From the publisher: "An excerpt from End of the Earth: Voyages To Antarctica by Peter Matthiessen printed in Meridien with Greco Bold for the display onto dampened Frankfurt in two colors. The text is sewn into covers printed in two colors onto dampened Velké Losiny paper handmade in the former Czechoslovakia. The ens or empty circle is printed from a magnesium plate. The fly leaves are cut from a U. S. Geological Survey map of Cape Adare, Antarctica, the site described in the excerpted quote. The chapbook was created especially for the major donors of The Sun Valley Writers' Conference held yearly in Sun Valley, Idaho. Remaining copies are offered as gifts to the standing order patrons of Ninja Press. There are 120 signed copies in the edition." Design, presswork and binding by Carolee Campbell at Ninja Press. SIGNED by Peter Matthiessen. All elements in this artist's book are in pristine condition.

Hardcover. Etat : Fine. First Edition, First Printing. 10.5 inches by 5.25 inches. 28 pages. Hardcover. Book Condition: Fine. From the publisher: "These previously unpublished poems are hand set in Eve and Paramount printed on gampi torinoko, handmade by the late Masao Seki on Shikoku Island, Japan. The decorative device repeated throughout the text is embellished by hand with gold and silver pigments, as is the titling. The text is sewn through the black Asahi cloth spine with gray silk cord echoing the silver embellishments. The boards are covered in hanji, handmade at the Jang Ji Bang papermill in Gapyeong, Korea. No two sheets are alike in their coarsely stained beauty. The desiccated effect of the paper provides a counterpoint to the silken interior sheets, evoking the terrible beauty of the mythic Sirens, their song, and their silence. Design and execution are by Carolee Campbell whose photographs line both front and back boards. There are 80 signed and numbered copies in the edition along with an additional 8 lettered hors commerce." Tnis is copy number 28. SIGNED by the poet, Alan Loney. All elements in this artist's book are in pristine condition.

Hardcover. Etat : Fine. No Jacket. Signed, limited edition, this being number 43 of 195 copies. Fine condition. A very special creation and highly collectible. From the publisher: "The type is Spectrum with a large wooden typeface used for the display, printed in three colors on Mohawk Superfine Cover. The binding is in the accordion style. As the text is attached to the front cover only, the pages may be pulled away from the boards to stand on their own creating a screen-like effect. Drawings taken from the poet's sketchbooks cover the boards. They are printed from magnesium plates onto dampened handmade cogon grass paper from the Philippines. The drawings are augmented by hand painted embellishments. There are drawings by the poet within the text as well. Design, presswork and binding by Carolee Campbell, Ninja Press. 195 signed and numbered copies complete the edition.". Signed by Author(s).

Hardcover. Etat : Fine. Etat de la jaquette : Fine. First Edition, First Printing. 14.25 inches by 9.25 inches. 48 pages. Hardcover. Book Condition: All elements, including folios, chemise and slip case are in FINE condition. From the publisher: "The text pages consist of 12 unbound folios opening to 14 x 18 inches. Each folio is painted by hand on both front & back using sumi ink & salt by Carolee Campbell, making every book unique. The poems are printed on and alongside the artwork. The type is hand set Van Dijck with Weiss Initials Series I for the display & printed letterpress on dampened Domestic Etching. The folios are held in a goat parchment cover. The book is protected by a hard-sided chemise wrapper covered in deep green Asahi Japanese silken cloth which, in turn, slips into a case covered in a natural-colored linen. The edition is comprised of 85 numbered copies, signed by both poet & artist, with an additional 10 lettered hors commerce." This is copy number 28. SIGNED by the poet, Nathaniel Tarn and the artist, Carolee Campbell. "The Persephones was first published by Christopher's Books in Santa Barbara, California in 1974. Much of the edition was subsequently destroyed by fire. The poems were significantly altered in 2007 by the poet for this Ninja Press edition." All elements in this artist's book are in pristine condition.

Hardcover. Etat : Fine. First Edition, First Printing. 12.5 inches by 6.75 inches. 36 pages. Hardcover. Book Condition: Fine. From the publisher: "The type is hand set Van Dijck with Felix Titling for the display. It is printed letterpress on dampened Barcham Green paper, handmade in 1986 at the Hayle Mill (now closed) in Maidstone, Kent in England. Two watermarks can be seen throughout, one of which includes the date. The text was printed on a Vandercook Universal I flatbed proof press. The photographs were printed digitally by Karen Skove Chu using UltraChrome K3 inks. They are printed on Japanese Asuka washi, then cut, and tipped in by hand. The boards are quarter leather using a forest green French goatskin and a decorative black English paper that glows with the luminescence of a raven's wing. The text is sewn into an inner cover of pure Belgian flax, handmade at Cave Paper in Minneapolis, Minnesota. Each of the one-of-a-kind sheets reflects the subtle interplay of browns, blues and blacks as the sheet is dyed multiple times, making each inner cover unique. The design, presswork, binding, and photography are by Carolee Campbell at Ninja Press with the assistance of Farida Sunada in the bindery. The edition is comprised of 75 numbered copies, signed by both poet and photographer with an additional 8 lettered hors commerce." This is copy number 28. SIGNED by the poet, Dennis Phillips, and the photographer, Carolee Campbell. All elements of this artist's book are in pristine condition. All elements in this artist's book are in pristine condition.

Hardcover. Etat : Fine. First Edition, First Printing. 13 inches by 6 inches. 12 pages. Hardcover. Book Condition: Fine. From the publisher: "The type is Spectrum with a large wooden typeface used for the display, printed in three colors on Mohawk Superfine Cover. The binding is in the accordion style. As the text is attached to the front cover only, the pages may be pulled away from the boards to stand on their own creating a screen-like effect. Drawings taken from the poet's sketchbooks cover the boards. They are printed from magnesium plates onto dampened handmade cogon grass paper from the Philippines. The drawings are augmented by hand painted embellishments. There are drawings by the poet within the text as well. Design, presswork and binding by Carolee Campbell, Ninja Press. 195 signed and numbered copies complete the edition." This is copy number 32. SIGNED by both the poet, Jose Montoya and the artist Carolee Campbell. All elements in this artist's book are in pristine condition.

Hardcover. Etat : Fine. First Edition, First Printing. 12 inches by 5.75 inches. (The size of Frank Henderson's original drawing book.) 36 pages. Book Condition: Fine. From the publisher: "Twelve multicolored drawings accompany Lives of the Artists. They come from a 1988 facsimile edition of Frank Henderson's drawing book. They were scanned and printed digitally by Karen Skove Chu using Epson UltraChrome K3 inks. The type is hand set Van Dijck with Gloria for the display, printed letterpress on Frankfurt, a Zerkall German-made paper. The binding is Hahnemühle Ingres paper over boards with a spine of French burnt umber goatskin. The paper has been hand marbled especially for this edition by Pamela Smith with additional pigment applied at the press. A second inner cover holds the text, which is sewn through the spine with linen into a granite-colored Belgian flax paper, handmade at Cave Paper. Design, presswork and binding by Carolee Campbell, Ninja Press. There are 72 signed & numbered copies in the edition along with an additional 7 hors commerce." This is copy number 28. SIGNED by the poet, W.S. Merwin. All elements in this artist's book are in pristine condition.

First Edition. First Edition. Russell Maret [printer, designer, and afterword]; Nina Schneider [bibliographic descriptions]; Carolee Campbell [commentary]; Harry Reese [foreword]; Annie Schlechter [photography]. One of the 77 numbered copies that includes tip-ins of original material. A lovely catalogue raisonné of the work of Carolee Campbell and the Ninja Press. Russell Maret writes of her: "It takes a special kind of person to know that what one is working on is not ready to be discussed. It takes someone.who unhurriedly allows her books to germinate in her lizard brain until they are ready to be dispatched into the world. With each new book Carolee teaches the rest of us how it should be done - not how to make books like hers , but like her, to make books the way the books want to be made." The heavily annotated bibliography includes books, broadsides, commissions and collaborations, ephemera, reviews, criticism, and writing. The annotations include comments by Carolee on the making of each book or broadside. "Imagine this movie: A self-possessed teenager in Los Angeles, brought up by a grandmother because of her mother's infirmities and her father's alcoholism, flees to New York City after high school to pursue a dream. Working first as a hatcheck girl in a famous nightclub, and then waiting tables in Mafia restaurants, she reinvents her life from the inside-out in classes taught by elite drama teachers and is offered a bit part on daytime television. Avoiding temptation and putting everything at risk again, she evolves into a television star and eventually a soap opera queen. Meanwhile, she exhibits photographs in New York galleries, practices Japanese martial arts, and competes with her team in Japan. She wins an Emmy for a dramatic role, but abruptly quits acting, returns to California, and takes up whitewater rafting in the Southwest. Nearly fifty, she turns her back on every success she ever knew to start all over again as an entry-level art student in a program she has to explain. Twenty years later, she gains recognition as one of the most accomplished, distinctive, and influential printer-publishers of her generation." [foreword]. Tight, bright, and unmarred; folder bright and clean. Quarterbound, green leather spine, green printed paper boards, gilt lettering, color photographic frontispiece tipped in. Narrow fo. 129pp. Illus. (color and b/w plates, tipped in photos, etc). Numbered limited edition, this being 20 of 77 plus hors commerce bringing total to 102. Signed by all involved. Laid in copy of An Arguement for Lying Fallow / The Habit of Risk.

From the colophon: ÒReport from Zuni: 1986 came about after a trip to observe the culmination of the Shalako, an ancient tribal ceremony taking place near the Winter Solstice and marking the end of the Zuni ceremonial year. With the exception of invited guests, the Shalako is closed to outsiders.Ó 7 x 11 in. [8] ff. Type is hand set Meridien and Neuland printed letterpress by Carolee Campbell on dampened Charter Oak handmade at the now-closed Barcham Green Hayle Mill in Kent, England (1808 Ð 1987). The Charter Oak used here was made in 1986. Bound by Carolee Campbell in Indiana Corn paper, which was made by Andrea Peterson at Hook Pottery Paper in La Porte, Indiana from local cornstalks and leaves. The endpapers are maps of the Zuni Indian Reservation (Pueblo of Zuni) in western New Mexico, with the lower endpaper folding out to a width of 12 in. A fine copy. One of seventy numbered copies signed by Carolee Campbell. Five lettered artistÕs proofs were also produced.

Sewn Binding. Etat : Fine. Etat de la jaquette : Fine. Ninja Press Edition. 13 inches by 7.5 inches. 40 pages. From the publisher: "The type is hand set Samson and Libra printed letterpress on dampened 100% flax paper handmade especially for this book by Bridget O'Malley at Cave Paper. A horoscope, as well as the multicolored signs and symbols seen throughout the text, are drawn by Carolee Campbell and printed from photopolymer plates. Additional symbols are applied by hand using pure earth pigments. The boards are covered in flax paper hand-coated at the press with a mixture of ochre pigment and fine volcanic pumice. A second inner cover of flax holds the text and is sewn into the spine with a thin silk purple cord. An additional hardcover enclosure protects the book and echoes the theme of the artwork using an artful locking device. A separate chapbook containing a legend for the text-inspired signs & symbols completes the edition. The chapbook is printed in eight colors with three additional hand-applied pigments on dampened Nideggen and is sewn with silk into a flax paper cover." The edition is comprised of 100 numbered copies signed by the poet with an additional 10 lettered hors commerce. Book Condition: All elements are in Fine Condition, virtually without flaw.