Caplin william earl (4 résultats)

Etat : Near Fine. Pbk, square 4to, 367pp, profusely illustr throughout music scores, light rubbing to lower edge, and a faint stain to the rear cover, otherwise appears unread and a fine, clean, tight and unmarked text.

Taschenbuch. Etat : Neu. Neuware - This book introduces a new theory of form for the analysis of instrumental music of the classical style. Focusing on formal function - the role a formal unit plays in the structural organization of a work - the theory provides a broad set of principles and a comprehensive methodology for the analysis of classical form - from the individual ideas making up various phrases of themes to the large-scale organization of complete movements. The book includes a detailed discussion of standard theme types, more extensive formal regions, and full-movement forms. The theoretical concepts are illustrated by over 250 annotated musical examples by Haydn, Mozart and Beethoven.…

28x22cm, viii,400 pp., Weighs 2.2 kilos. Single-side pages. Without binding (as issued). This is an unpublished University of Chicago doctoral dissertation. Xerographic facsimile of a typescript. Three-hole-punched, with metal binder. Some wear. Good.

Taschenbuch. Etat : Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Analyzing Classical Form builds upon the foundations of the author's critically acclaimed Classical Form by offering an approach to the analysis of musical form that is especially suited for classroom use. Providing ample material for study in both undergraduate and graduate courses, Analyzing Classical Form presents the most up-to-date version of the author's 'theory of formal functions.' Students will learn how to make complete harmonic and formal analyses of music drawn from the instrumental works of Haydn, Mozart, and Beethoven. Part 1 introduces the principal theme-types of classical instrumental music; part 2 provides a methodology for analyzing sonata form, the most important formal type in this style period; and part 3 considers other full-movement forms found in this repertory (such as minuet, rondo, and concerto). The chapters are organized in a way that presents the most basic materials upfront and then leads the student through more details and finer points of theory. Every topic is illustrated with annotated musical examples; as well, the book contains many unannotated examples that can be used for in-class discussion and for out-of-class analytical exercises. A complete glossary of terms and questions for reviewing the theory will help students assimilate the many theoretical concepts employed in the book. A companion website provides audio and musical scores for all of the examples in the book as well as additional examples for the analysis of the simple theme-types presented in part 1. …