Cartwright edith (4 résultats)

Paperback. Etat : Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Etat : Very Good. Original covers, approximately 8 1/2 x 11 inches, 96 pp, illustrated with black and white drawings and photographs. Softcover, very good. Moderate shelf wear, flipped through, lower corner of last leaf creased, otherwise tight, clean, paper crisp, unmarked. Women's studies; feminism; cinema; movies; Nicaragua (Shelved in art section).…

Soft cover. Etat : Very Good. 1st Edition. 1st edition. Paperback. Minor wear to wrapper edges, otherwise very good.

Soft cover. Etat : Very Good. Etat de la jaquette : Very Good. Out of print, Rare. Very Good Condition Some shelf wear cover/back cover, Out of print, Glue bound, off-set printed, 94 pages Color & Black & white.8 1/2 x 11 inches, 96 pp, illustrated with black and white drawings and photographs. A pivotal issue of Heresies, the feminist journal founded as a collective in 1975 and published from 1977 to 1993. Organized through a non-hierarchical editorial model with rotating groups of artists, writers, and filmmakers, the publication operated outside the structures of the mainstream art world. Editorial meetings took place across downtown New York loft spaces from the late 1970s through the early 1990s, grounding the project within artist-run networks rather than institutional frameworks. Issue 16 turns to film, video, and emerging media at a critical moment of technological and cultural transition. As video became increasingly accessible, the publication foregrounds women not as subjects of representation, but as producers, editors, and distributors of moving image culture—advancing media as both an artistic and political tool. Contributors include Lizzie Borden, Su Friedrich, Coco Fusco, Yvonne Rainer, and Michelle Wallace, among others, reflecting a wide range of positions across experimental film, video, criticism, and activist media. The issue brings together voices shaped by differing cultural backgrounds, political commitments, and working conditions, emphasizing media as a site of both production and lived experience. Notably includes material related to Lizzie Borden's Born in Flames, a landmark feminist work that embodies the decentralized, collective ethos articulated throughout the publication. Produced outside commercial and gallery systems, Heresies functioned as both platform and network—documenting and shaping a generation of artists working across film, video, and media. Issue 16 remains a key document of early feminist engagement with moving image practices at the intersection of art, politics, and technology.…