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Ajouter au panierPaperback. Etat : Brand New. 168 pages. 8.75x6.00x0.50 inches. In Stock.
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Ajouter au panierPaperback. Etat : Brand New. 286 pages. 9.00x6.00x0.75 inches. In Stock.
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Edité par Medieval Institute Publications, 2016
ISBN 10 : 1580442544 ISBN 13 : 9781580442541
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Edité par Medieval Institute Publications, 2017
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Ajouter au panierEtat : New. The Tractatus de tonis of Guy of Saint-Denisoffers original reflection on the nature and emotional power of the tones into whichplainchant is classified.KlappentextrnrnThe Tractatus de tonis of Guy of Saint-Denisoffers original reflection on.
Edité par Medieval Institute Publications, 2016
ISBN 10 : 1580442544 ISBN 13 : 9781580442541
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Edité par Medieval Institute Publications, 2016
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Edité par Medieval Institute Publications, 2016
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Edité par University of Exeter Press, 2011
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Ajouter au panierKartoniert / Broschiert. Etat : New. Composed in Paris during the late thirteenth century, reflects Johannes de Grocheio s awareness of the complexity of the task of describing music.
Edité par Medieval Institute Publications, 2017
ISBN 10 : 1580442994 ISBN 13 : 9781580442992
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Edité par Medieval Institute Publications Apr 2017, 2017
ISBN 10 : 1580442544 ISBN 13 : 9781580442541
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Ajouter au panierTaschenbuch. Etat : Neu. Neuware - The Tractatus de tonis of Guy of Saint-Denisoffers original reflection on the nature and emotional power of the tones into whichplainchant is classified.
Edité par Medieval Institute Publications, 2017
ISBN 10 : 1580442994 ISBN 13 : 9781580442992
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Ajouter au panierHardback. Etat : New. New copy - Usually dispatched within 4 working days. 652.
Edité par Western Michigan Univ Medieval, 2017
ISBN 10 : 1580442994 ISBN 13 : 9781580442992
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Ajouter au panierHardcover. Etat : Brand New. bilingual edition. 286 pages. 9.25x6.25x0.75 inches. In Stock.
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Edité par Medieval Institute Publications, 2017
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Edité par Medieval Institute Publications, 2017
ISBN 10 : 1580442994 ISBN 13 : 9781580442992
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Ajouter au panierGebunden. Etat : New. The Tractatus de tonis of Guy of Saint-Denis (written ca. 1300-10) differs from other treatises on plainchant in the depth of its analysis of the various tones into which chant was traditionally classified.
Edité par Medieval Institute Publications, 2017
ISBN 10 : 1580442994 ISBN 13 : 9781580442992
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ISBN 10 : 1580442994 ISBN 13 : 9781580442992
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Ajouter au panierhardcover. Etat : New.
Edité par Medieval Institute Publications, 2011
ISBN 10 : 1580441653 ISBN 13 : 9781580441650
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Ajouter au panierPaperback. Etat : new. Paperback. Ars musice, composed in Paris during the late thirteenth century, reflects Johannes de Grocheio's awareness of the complexity of the task of describing music. As the editors note in their introduction, "Grocheio is aware of the enormous range of types of music performed in different ways in different places. How can he impose order on this enormous subject matter? He decided to resolve this question by structuring his discussion around the practice of music that he observed in the city of Paris, organized into three main 'branches': music of the people (musica vulgalis), composite or regular, 'which they call measured music' (musica mensurata), and ecclesiastical music (musica ecclesiastica), which he claims derives from the other two (AM 6.2). The originality of Grocheio's treatise has attracted considerable scholarly interest. It has long been recognized as a unique source of information about musical life in medieval Paris. Through his treatise, Grocheio enables a modern reader to become aware of the complex auditory environment of that city in the late thirteenth century as well as of its intellectual vitality at a particularly vibrant moment in its history." Ars musice, composed in Paris during the late thirteenth century, reflects Johannes de Grocheio's awareness of the complexity of the task of describing music. In this title, Grocheio enables the reader to become aware of the complex auditory environment of that city in the late thirteenth century as well as of its intellectual vitality. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Edité par Medieval Institute Publications, 2017
ISBN 10 : 1580442544 ISBN 13 : 9781580442541
Langue: anglais
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Ajouter au panierPaperback. Etat : new. Paperback. The Tractatus de tonis of Guy of Saint-Denis (written ca. 1300-10) differs from other treatises on plainchant in the depth of its analysis of the various tones into which chant was traditionally classified. Guy's treatise presents itself as a synthetic overview of both the theory and practice of plainchant in a way that combines the practical reflection of Guido of Arezzo with ideas of more Aristoteleian inspired theorists such as Johannes de Grocheio and Peter of Auvergne. The Tractatus de tonis of Guy of Saint-Denis offers original reflection on the nature and emotional power of the tones into which plainchant is classified. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Edité par Medieval Institute Publications, 2017
ISBN 10 : 1580442544 ISBN 13 : 9781580442541
Langue: anglais
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Ajouter au panierPaperback. Etat : new. Paperback. The Tractatus de tonis of Guy of Saint-Denis (written ca. 1300-10) differs from other treatises on plainchant in the depth of its analysis of the various tones into which chant was traditionally classified. Guy's treatise presents itself as a synthetic overview of both the theory and practice of plainchant in a way that combines the practical reflection of Guido of Arezzo with ideas of more Aristoteleian inspired theorists such as Johannes de Grocheio and Peter of Auvergne. The Tractatus de tonis of Guy of Saint-Denis offers original reflection on the nature and emotional power of the tones into which plainchant is classified. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Edité par Medieval Institute Publications, 2011
ISBN 10 : 1580441653 ISBN 13 : 9781580441650
Langue: anglais
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Ajouter au panierPaperback. Etat : new. Paperback. Ars musice, composed in Paris during the late thirteenth century, reflects Johannes de Grocheio's awareness of the complexity of the task of describing music. As the editors note in their introduction, "Grocheio is aware of the enormous range of types of music performed in different ways in different places. How can he impose order on this enormous subject matter? He decided to resolve this question by structuring his discussion around the practice of music that he observed in the city of Paris, organized into three main 'branches': music of the people (musica vulgalis), composite or regular, 'which they call measured music' (musica mensurata), and ecclesiastical music (musica ecclesiastica), which he claims derives from the other two (AM 6.2). The originality of Grocheio's treatise has attracted considerable scholarly interest. It has long been recognized as a unique source of information about musical life in medieval Paris. Through his treatise, Grocheio enables a modern reader to become aware of the complex auditory environment of that city in the late thirteenth century as well as of its intellectual vitality at a particularly vibrant moment in its history." Ars musice, composed in Paris during the late thirteenth century, reflects Johannes de Grocheio's awareness of the complexity of the task of describing music. In this title, Grocheio enables the reader to become aware of the complex auditory environment of that city in the late thirteenth century as well as of its intellectual vitality. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Edité par Medieval Institute Publications, 2017
ISBN 10 : 1580442994 ISBN 13 : 9781580442992
Langue: anglais
Vendeur : Grand Eagle Retail, Mason, OH, Etats-Unis
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Ajouter au panierHardcover. Etat : new. Hardcover. The Tractatus de tonis of Guy of Saint-Denis (written ca. 1300-10) differs from other treatises on plainchant in the depth of its analysis of the various tones into which chant was traditionally classified. Guy's treatise presents itself as a synthetic overview of both the theory and practice of plainchant in a way that combines the practical reflection of Guido of Arezzo with ideas of more Aristoteleian inspired theorists such as Johannes de Grocheio and Peter of Auvergne. The Tractatus de tonis of Guy of Saint-Denis (written ca. 1300-10) differs from other treatises on plainchant in the depth of its analysis of the various tones into which chant was traditionally classified. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.