Crucifix benoit (41 résultats)

Hardcover. Etat : As New. No Jacket. 1st Edition. COMICS MEMORY: ARCHIVES AND STYLES, edited by Maaheen Ahmed and Benoit Crucifix, Palgrave Studies in Comics and Graphic Novels, hardcover, probable 1st edition, 2018. BOOK CONDITION: As new. The text block and illustrations are in fine condition with no marks, tears, or dog ears. There is no bookplate nor signature of previous owner. Not a library book nor remainder. Tight binding. The boards are in fine condition. 8 ½ x 6 1/4, 290 pages, 24 ounces. NOTE THAT SINCE THE BOOK WEIGHS OVER ONE POUND, THERE MAY BE ADDITIONAL SHIPPING CHARGES IF YOU LIVE OUTSIDE THE UNITED STATES OR REQUIRE PRIORITY SHIPPING WITHIN THE U.S. XX [From the back cover] Despite the boom in scholarship in both Comics Studies and Memory Studies, the two fields rarely interact-especially with issues beyond the representation of traumatic and autobiographical memories in comics. With a focus on the roles played by styles and archives-in their physical and metaphorical manifestations-this edited volume offers an original intervention, highlighting several novel ways of thinking about comics and memory as comics memory. Bringing together scholars as well as cultural actors, the contributions combine studies on European and North American comics and offer a representative overview of the main comics genres and forms, including superheroes, Westerns, newspaper comics, diary comics, comics reportage and alternative comics. In considering the many manifestations of memory in comics as well as the functioning and influence of institutions, public and private practices, the book exemplifies new possibilities for understanding the complex entanglements of memory and comics. XX Maaheen Ahmed is a postdoctoral fellow at the Research Foundation - Flanders (FWO) at Ghent University Belgium. She is currently working on possibilities for conceptualizing the relationship between comics and different kinds of memories, ranging from personal memories to collective and medium-based ones. Her books include Openness of Comics (2016) and Le Statut culturel de la bande dessinée/The Cultural Standing of Comics (2017), co-edited with Stéphanie Delneste and Jean-Louis TilleuiL She recently received an ERC Starting Grant for her project on children in European comics. Benoit Crucifix is a FRS-FNRS doctoral fellow at the University of Liége and UCLouvain, Belgium. His thesis focuses on the cultural memory of comics in the contemporary graphic novel. His research on comics memory has been published in European Comic Art, The Comics Grid, Journal of Graphic Novels and Comics and Inks. He is a member of the ACME Comics Research Group and of the editorial board of Comicalités.…

Etat : Good. shelf wear, hardcover Used - Good 2023 New All purchases support Project HOME - ending homelessness in Philadelphia.

Etat : New.

Etat : New.

Etat : As New. Unread book in perfect condition.

Buch. Etat : Neu. Neuware - This book delves into the intricate relationship between automation, industrial manufacturing, and the production of comics, tracing a historical continuum from early mechanization to contemporary algorithmic tools like Midjourney and ChatGPT. The volume situates comics within a broader discourse of automation in art, noting that unlike other art forms, the medium has long incorporated industrial processes as fundamental to its production. Concepts such as efficiency, marginal utility, and computability have been essential both technically and conceptually, as comics evolved within a dense information economy driven by standardization and scalability. The book argues that comics production, from ideation to editorial revision, operates within a framework of human-machine collaboration, defined by decentralized, asynchronous processes akin to what Rudy Rucker describes as computation-finitely describable processes of calculating, processing, and transforming information. By examining the industry's historical attempts at automation, the volume suggests that the integration of computational processes in contemporary comics production is a natural extension of the medium's longstanding practices. The book positions this evolution as a continuous thread linking early industrial practices with today's use of generative AI, reshaping our understanding of comics craftsmanship as a symbiotic expansion alongside advancements in printing, distribution, and communication technologies.…

Hardcover. Etat : new. Hardcover. Despite the boom in scholarship in both Comics Studies and Memory Studies, the two fields rarely interactespecially with issues beyond the representation of traumatic and autobiographical memories in comics. With a focus on the roles played by styles and archivesin their physical and metaphorical manifestationsthis edited volume offers an original intervention, highlighting several novel ways of thinking about comics and memory as comics memory. Bringing together scholars as well as cultural actors, the contributions combine studies on European and North American comics and offer a representative overview of the main comics genres and forms, including superheroes, Westerns, newspaper comics, diary comics, comics reportage and alternative comics. In considering the many manifestations of memory in comics as well as the functioning and influence of institutions, public and private practices, the book exemplifies new possibilities for understanding the complex entanglements of memory and comics. Bringing together scholars as well as cultural actors, the contributions combine studies on European and North American comics and offer a representative overview of the main comics genres and forms, including superheroes, Westerns, newspaper comics, diary comics, comics reportage and alternative comics. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Etat : As New. Unread book in perfect condition.

Buch. Etat : Neu. Synthetic Comics | Computation, Standardization, Automation | Ilan Manouach (u. a.) | Buch | X | Englisch | 2026 | De Gruyter | EAN 9783112211625 | Verantwortliche Person für die EU: Walter de Gruyter GmbH, De Gruyter GmbH, Genthiner Str. 13, 10785 Berlin, productsafety[at]degruyterbrill[dot]com | Anbieter: preigu. …

Etat : New.

Etat : New.

Etat : New. New edition NO-PA16APR2015-KAP.

Etat : New. In English.

Etat : New. In English.

Buch. Etat : Neu. Neuware - Following Art Spiegelman's declaration that 'the future of comics is in the past,' this book considers comics memory in the contemporary North American graphic novel. Cartoonists such as Chris Ware, Seth, Charles Burns, Daniel Clowes, and others have not only produced some of the most important graphic novels, they have also turned to the history of comics as a common visual heritage to pass on to new readers. This book is a full-length study of contemporary cartoonists when they are at work as historians: it offers a detailed description of how they draw from the archives of comics history, examining the different gestures of collecting, curating, reprinting, forging, swiping, and undrawing that give shape to their engagement with the past. In recognizing these different acts of transmission, this book argues for a material and vernacular history of how comics are remembered, shared, and recirculated over time.…

Etat : New. 2019. Paperback. . . . . .

Etat : New. 2018. Hardcover. . . . . .

Taschenbuch. Etat : Neu. Comics Memory | Archives and Styles | Maaheen Ahmed (u. a.) | Taschenbuch | Palgrave Studies in Comics and Graphic Novels | xix | Englisch | 2019 | Palgrave Macmillan | EAN 9783030062903 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu.…

Buch. Etat : Neu. Druck auf Anfrage Neuware - Printed after ordering - Despite the boom in scholarship in both Comics Studies and Memory Studies, the two fields rarely interact-especially with issues beyond the representation of traumatic and autobiographical memories in comics. With a focus on the roles played by styles and archives-in their physical and metaphorical manifestations-this edited volume offers an original intervention, highlighting several novel ways of thinking about comics and memory as comics memory. Bringing together scholars as well as cultural actors, the contributions combine studies on European and North American comics and offer a representative overview of the main comics genres and forms, including superheroes, Westerns, newspaper comics, diary comics, comics reportage and alternative comics. In considering the many manifestations of memory in comics as well as the functioning and influence of institutions, public and private practices, the book exemplifies new possibilities for understanding the complex entanglements of memory and comics.…

Etat : New. pp. 312.

Etat : New.

Hardcover. Etat : new. Hardcover. Despite the boom in scholarship in both Comics Studies and Memory Studies, the two fields rarely interactespecially with issues beyond the representation of traumatic and autobiographical memories in comics. With a focus on the roles played by styles and archivesin their physical and metaphorical manifestationsthis edited volume offers an original intervention, highlighting several novel ways of thinking about comics and memory as comics memory. Bringing together scholars as well as cultural actors, the contributions combine studies on European and North American comics and offer a representative overview of the main comics genres and forms, including superheroes, Westerns, newspaper comics, diary comics, comics reportage and alternative comics. In considering the many manifestations of memory in comics as well as the functioning and influence of institutions, public and private practices, the book exemplifies new possibilities for understanding the complex entanglements of memory and comics. Bringing together scholars as well as cultural actors, the contributions combine studies on European and North American comics and offer a representative overview of the main comics genres and forms, including superheroes, Westerns, newspaper comics, diary comics, comics reportage and alternative comics. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Hardcover. Etat : Brand New. 290 pages. 8.50x6.25x1.25 inches. In Stock.

Etat : New. 2019. Paperback. . . . . . Books ship from the US and Ireland.

Etat : New. 2018. Hardcover. . . . . . Books ship from the US and Ireland.

Etat : new. Questo è un articolo print on demand.

Etat : new. Questo è un articolo print on demand.

Etat : New. Print on Demand.

Etat : New. PRINT ON DEMAND.

Hardcover. Etat : new. Hardcover. Following Art Spiegelman's declaration that 'the future of comics is in the past,' this book considers comics memory in the contemporary North American graphic novel. Cartoonists such as Chris Ware, Seth, Charles Burns, Daniel Clowes, and others have not only produced some of the most important graphic novels, they have also turned to the history of comics as a common visual heritage to pass on to new readers. This book is a full-length study of contemporary cartoonists when they are at work as historians: it offers a detailed description of how they draw from the archives of comics history, examining the different gestures of collecting, curating, reprinting, forging, swiping, and undrawing that give shape to their engagement with the past. In recognizing these different acts of transmission, this book argues for a material and vernacular history of how comics are remembered, shared, and recirculated over time. This book is for any reader interested in the American graphic novel and its longer history. Going after Art Spiegelman's call the future of comics is in the past, it studies how contemporary cartoonists redraw from the archives of comics history to envision new modes of transmission. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…